Mr. Johnson's Preface to His Edition of Shakespear's Plays..J. and R. Tonson, H. Woodfall, J. Rivington, R. Baldwin, L. Hawes, Clark and Collins, T. Longman, W. Johnston, T. Caslon, C. Corbet, T. Lownds, and the executors of B. Dodd., 1765 - 72페이지 |
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vi 페이지
... fame kind . Demonstration immediately displays its power , and has nothing to hope or fear from the flux of years ; but works tentative and experimental must be eftimated by their proportion to the general and col- lective ability of ...
... fame kind . Demonstration immediately displays its power , and has nothing to hope or fear from the flux of years ; but works tentative and experimental must be eftimated by their proportion to the general and col- lective ability of ...
vii 페이지
... fame and prefcriptive veneration . He has long outlived his century , the term commonly fixed as the teft of literary merit . Whatever advantages he might once derive from perfonal allufions , local customs , or tem- porary opinions ...
... fame and prefcriptive veneration . He has long outlived his century , the term commonly fixed as the teft of literary merit . Whatever advantages he might once derive from perfonal allufions , local customs , or tem- porary opinions ...
ix 페이지
... world , be- cause he found nothing there which he fhould ever meet in any other place . The fame remark may be applied to every ftage but that of Shakespeare . The theatre , theatre , when it is under any other direction , PREF A CE ix.
... world , be- cause he found nothing there which he fhould ever meet in any other place . The fame remark may be applied to every ftage but that of Shakespeare . The theatre , theatre , when it is under any other direction , PREF A CE ix.
xi 페이지
... fame occasion : Even where the agency is fupernatural the dialogue is level with life . Other writers difguife the most natural paffions and most frequent incidents ; fo that he who contemplates them in the book will not know them in ...
... fame occasion : Even where the agency is fupernatural the dialogue is level with life . Other writers difguife the most natural paffions and most frequent incidents ; fo that he who contemplates them in the book will not know them in ...
xiii 페이지
... fame time , the reveller is hafting to his wine , and the mourner burying his friend ; in which the malignity of one is fometimes defeated by the frolick of ano- ther ; and many mifchiefs and many benefits are done and hindered without ...
... fame time , the reveller is hafting to his wine , and the mourner burying his friend ; in which the malignity of one is fometimes defeated by the frolick of ano- ther ; and many mifchiefs and many benefits are done and hindered without ...
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abfurdities action againſt arife authour becauſe cafual cenfure comedy comick compofition confeffed confidered conjecture copies corrupted criticiſm criticks curiofity defign defire dialogue difcovered diftinct diligence drama dramatick eafily eafy edition editor emendations endeavoured errour excellence fable fafe faid fame fatisfied faults fcenes feems feldom felect fentiments fhall fhew fhewn fhould filent firft firſt folicitous fome fometimes forrow fpeeches ftage ftand ftate ftudies fubject fuch fuffered fufficient fupply fuppofe fure fyftem hiftories himſelf human imitation impoffible inferted inftruct juſt knowledge labour laft language learning lefs lence likewife mind modes moſt muſt nature neceffary neral numbers obfcure obfervations occafion paffages paffed paffions paſ perfonal perhaps perufal Plautus plays pleaſe pleaſure poet poffible Pope praife praiſed prefent preferved profe publick publiſhed purpoſe raiſed reader reaſon reft reprefented reſtoration ſcenes ſeems Shakespeare ſkill ſtate ſtudy themſelves theſe thofe thoſe thour tion tragedy truth underſtand uſe Voltaire writers
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xxiii 페이지 - A quibble is the golden apple for which he will always turn aside from his career, or stoop from his elevation. A quibble, poor and barren as it is, gave him such delight that he was content to purchase it by the sacrifice of reason, propriety and truth. A quibble was to him the fatal Cleopatra for which he lost the world, and was content to lose it.
xxviii 페이지 - It is credited, whenever it moves, as a just picture of a real original ; as representing to the auditor what he would himself feel, if he were to do or suffer what is there feigned to be suffered or to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which we ourselves may be exposed.
xliv 페이지 - He has scenes of undoubted and perpetual excellence ; but perhaps not one play, which, if it were now exhibited as the work of a contemporary writer, would be heard to the conclusion.
xxiii 페이지 - A quibble is to Shakespeare what luminous vapours are to the traveller : he follows it at all adventures ; it is sure to lead him out of his way, and sure to engulf him in the mire.
v 페이지 - THAT praises are without reason lavished on the dead, and that the honours due only to excellence are paid to antiquity, is a complaint likely to be always continued by those, who, being able to add nothing to truth, hope for eminence from the heresies of paradox ; or those, who, being forced by disappointment upon consolatory expedients, are willing to hope from posterity what the present age refuses, and flatter themselves that the regard which is yet denied by envy, will be at last bestowed by...
lxx 페이지 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes anything, you more than see it, you feel it too.
xxvi 페이지 - The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more.
xvii 페이지 - Shakespeare engaged in dramatick poetry with the world open before him ; the rules of the ancients were yet known to few; the publick judgment was unformed; he had no example of such fame as might force him upon imitation, nor criticks of such authority as might restrain his extravagance: he therefore indulged his natural disposition, and his disposition, as Rymer has remarked, led him to comedy.
xx 페이지 - ... in the virtuous a disapprobation of the wicked. He carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate, for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
viii 페이지 - Shakespeare is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirrour of manners and of life. His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they...