Shakespeare's The Winter's Tale, 2±ÇCreative Media Partners, LLC, 1872 - 218ÆäÀÌÁö This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
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... KING JOHN KING RICHARD THE SECOND KING HENRY THE FOURTH PAGE 5 34 63 KING HENRY THE FIFTH 105 KING RICHARD THE THIRD 134 KING HENRY THE EIGHTH 170 TRAGEDIES . ROMEO AND JULIET 203 • JULIUS CESAR 228 HAMLET , PRINCE OF DENMARK . 258 ...
... KING JOHN KING RICHARD THE SECOND KING HENRY THE FOURTH PAGE 5 34 63 KING HENRY THE FIFTH 105 KING RICHARD THE THIRD 134 KING HENRY THE EIGHTH 170 TRAGEDIES . ROMEO AND JULIET 203 • JULIUS CESAR 228 HAMLET , PRINCE OF DENMARK . 258 ...
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... King John comes first in the his- torical order of time . And in respect of this piece the foregoing remarks are subject to no little abatement or qualification . As a work of art , the play has indeed con- siderable merit ; but as a ...
... King John comes first in the his- torical order of time . And in respect of this piece the foregoing remarks are subject to no little abatement or qualification . As a work of art , the play has indeed con- siderable merit ; but as a ...
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... King John , till it appeared in the folio of 1623 , is in the often - quoted list given by Francis Meres in his Palladis Tamia , 1598. So that all we can say with certainty is ... KING JOHN . 9 KING RICHARD THE SECOND KING HENRY THE FOURTH.
... King John , till it appeared in the folio of 1623 , is in the often - quoted list given by Francis Meres in his Palladis Tamia , 1598. So that all we can say with certainty is ... KING JOHN . 9 KING RICHARD THE SECOND KING HENRY THE FOURTH.
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... King John . Yet in all the others the rights of historic truth are for the most part duly observed . Which would seem to argue that in this case he not only left his usual guide , but had some special reason for doing so . Accordingly ...
... King John . Yet in all the others the rights of historic truth are for the most part duly observed . Which would seem to argue that in this case he not only left his usual guide , but had some special reason for doing so . Accordingly ...
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... King of England , upon which Shakespeare's play was founded , came from the press first in 1591 , again in 1611 , and a third time in 1622 . The first issue was anonymous ; the other two were put forth with Shakespeare's name as author ...
... King of England , upon which Shakespeare's play was founded , came from the press first in 1591 , again in 1611 , and a third time in 1622 . The first issue was anonymous ; the other two were put forth with Shakespeare's name as author ...
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action Anne Boleyn Antony Antony and Cleopatra appears Banquo battle of Shrewsbury beauty better Brutus C©¡sar Cassius Catharine cause character Claudius Cloten conscience Coriolanus course crime critics crown Cymbeline death delineation Desdemona drama effect English fact Falstaff father fear feelings folio genius give Hamlet hand heart hero Holinshed honour Hotspur human humour Iago Imogen intellectual John judgment Julius C©¡sar kindled King Henry King Lear King's Lear Macbeth madness manhood marriage matter mind Moor moral murder nature never noble Othello passage passion perhaps person piece play Plutarch Poet Poet's poetry Polonius pride Prince purpose quarto Queen reason renders respect revenge Richard Roman scene seems sense Shakespeare shows sort soul speak speech spirit stand strength strong style sure sweet thee thing thou thought tion touch tragedy true truth virtue Weird Sisters whole withal words
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28 ÆäÀÌÁö - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form ; Then have I reason to be fond of grief.
57 ÆäÀÌÁö - God save him !" No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience, — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
88 ÆäÀÌÁö - twas time to counterfeit, or that hot termagant Scot had paid me scot and lot too. Counterfeit? I lie, I am no counterfeit : to die, is to be a counterfeit ; for he is but the counterfeit of a man who hath not the life of a man : but to counterfeit dying, when a man thereby liveth, is to be no counterfeit, but the true and perfect image of life indeed.
114 ÆäÀÌÁö - I know you all, and will awhile uphold The unyok'd humour of your idleness ; Yet herein will I imitate the sun, Who doth permit the base contagious clouds To smother up his beauty from the world, That when he please again to be himself, Being wanted, he may be more wonder'd at, By breaking through the foul and ugly mists Of vapours that did seem to strangle him.
415 ÆäÀÌÁö - Yare, yare, good Iras; quick. — Methinks, I hear Antony call; I see him rouse himself To praise my noble act; I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath: Husband, I come: Now to that name my courage prove my title ! I am fire, and air; my other elements I give to baser life.
167 ÆäÀÌÁö - O! coward conscience, how dost thou afflict me. The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What! do I fear myself? there's none else by Richard loves Richard; that is, I am I.
338 ÆäÀÌÁö - It is too full o' the milk of human kindness To catch the nearest way : thou wouldst be great ; Art not without ambition, but without The illness should attend it: what thou wouldst highly, That wouldst thou holily ; wouldst not play false, And yet wouldst wrongly win: thou'dst have, great Glamis, That which cries ' Thus thou must do, if thou have it; And that which rather thou dost fear to do Than wishest should be undone.
285 ÆäÀÌÁö - I'll observe his looks; I'll tent him to the quick: if he but blench, I know my course. The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
230 ÆäÀÌÁö - His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
196 ÆäÀÌÁö - Love thyself last: cherish those hearts that hate thee ; Corruption wins not more than honesty. Still in thy right hand carry gentle peace, To silence envious tongues.