Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - 188페이지 Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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49개의 결과 중 1 - 5개
12 페이지
... says in his famous Oration on Human Dignity ? The artist's godlike power of creation seemed to offer an ideal model of our freedom to shape the inner world of our own being . In his Apologie for Poetrie , Philip Sidney pro- poses that ...
... says in his famous Oration on Human Dignity ? The artist's godlike power of creation seemed to offer an ideal model of our freedom to shape the inner world of our own being . In his Apologie for Poetrie , Philip Sidney pro- poses that ...
14 페이지
... say that literature must presuppose the priority of speech to writing and commit itself to a " metaphysics of presence " ; it may instead suggest that our presence to the world , no less than its literary image , is a subjective fiction ...
... say that literature must presuppose the priority of speech to writing and commit itself to a " metaphysics of presence " ; it may instead suggest that our presence to the world , no less than its literary image , is a subjective fiction ...
16 페이지
... say about metacriticism ; my readings of As You Like It , Henry V , and Macbeth will show in detail three different ways that Shakespeare places moments of metadramatic self - consciousness in a larger structure of mimetic reference ...
... say about metacriticism ; my readings of As You Like It , Henry V , and Macbeth will show in detail three different ways that Shakespeare places moments of metadramatic self - consciousness in a larger structure of mimetic reference ...
17 페이지
... says : " All artistic discoveries are discoveries not of likenesses but of equivalences which enable us to see reality in terms of an image and an image in terms of reality . And this equivalence never rests on the likeness of elements ...
... says : " All artistic discoveries are discoveries not of likenesses but of equivalences which enable us to see reality in terms of an image and an image in terms of reality . And this equivalence never rests on the likeness of elements ...
25 페이지
... says , by revers- ing the original relation of part to whole : the play dramatizes social activities that contain elements of play , so that both play and reality become parts of the dramatic image itself . G. K. Hunter's comparison of ...
... says , by revers- ing the original relation of part to whole : the play dramatizes social activities that contain elements of play , so that both play and reality become parts of the dramatic image itself . G. K. Hunter's comparison of ...
목차
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
Works Cited | 171 |
Index | 185 |
자주 나오는 단어 및 구문
action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York
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127 페이지 - This guest of summer, The temple-haunting martlet, does approve By his loved mansionry that the heaven's breath Smells wooingly here : no jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendent bed and procreant cradle : Where they most breed and haunt, I have observed The air is delicate.
54 페이지 - Now entertain conjecture of a time, When creeping murmur, and the poring dark, Fills the wide vessel of the universe. From camp to camp, through the foul womb of night, The hum of either army stilly sounds, That the fix'd sentinels almost receive The secret whispers of each other's watch...
113 페이지 - Once more unto the breach, dear friends, once more ; Or close the wall up with our English dead ! In peace, there's nothing so becomes a man, As modest stillness and humility ; But when the blast of war blows in our ears, Then imitate the action of the tiger ; Stiffen the sinews, summon up the blood, Disguise fair nature with hard-favored rage.
136 페이지 - Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost.
139 페이지 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
75 페이지 - Things base and vile, holding no quantity, Love can transpose to form and dignity. Love looks not with the eyes, but with the mind ; And therefore is wing'd Cupid painted blind...
55 페이지 - Purple the sails, and so perfumed that The winds were love-sick with them, the oars were silver, Which to the tune of flutes kept stroke, and made The water which they beat to follow faster, As amorous of their strokes. For her own person, It...
40 페이지 - Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly: These, indeed, seem, For they are actions that a man might play : But I have that within, which passeth show; These, but the trappings and the suits of woe.
90 페이지 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...