 In the world today all culture, all literature and art belong to definite classes and are geared to definite political lines. There is in fact no such thing as art for art's sake, art that stands above classes or art that is detached from or independent...  China: a Quarter Century After the Founding of the People's Republic: A ... - 80 페이지저자: Mike Mansfield, United States. Congress. Senate. Committee on Foreign Relations - 1975 - 91 페이지전체보기 - 도서 정보
 | 1967 - 728 페이지
...really any so-called "harmless" works existing in the world? No. Chairman Mao teaches us in the "Talks": "In the world today all culture, all literature and...classes and are geared to definite political lines." One man's meat is another man's poison. How can there be any work of literature or art that is "harmless"... | |
 | United States. Congress. Senate. Committee on the Judiciary - 1971 - 248 페이지
...and this inevitably leads to a sharp struggle between the two lines. Chairman Mao has pointed out : "In the world today all culture, all literature and...classes and are geared to definite political lines." Different classes have different literature and art; the literary and art line of each class stems... | |
 | Janet Vinzant Denhardt - 2007 - 748 페이지
...the one hand and politics on the other. It seemed to Mao that in the contemporary world all culture, literature, and art belong to definite classes and are geared to definite political lines. There is no such thing as art for art's sake, art that stands above classes, art that is detached from or independent... | |
 | Jasper Becker - 2000 - 488 페이지
...gave a series of instructions, later known as the 'Talks at the Yan'an Forum on Literature and Arts': 'There is in fact no such thing as art for art's sake, art that stands above the classes, art that is detached from or independent of politics. Proletarian literature, and art... | |
 | R. Keith Schoppa - 2000 - 384 페이지
.... .... In the world today all culture, all art and literature belong to definite classes and follow definite political lines. There is in fact no such thing as art for art's sake, art which stands above classes or art which mns parallel to or remains independent of politics. Proletarian... | |
 | Anchee Min - 2004 - 243 페이지
...practiced the drill, other groups joined in. All of a sudden, the air boiled. I swayed my props and sang, "'In the world today all culture, all literature and...classes and are geared to definite political lines.'" I looked for Evergreen and located him way up in the back by an exit door. "'There is in fact no such... | |
 | Jasper Becker - 2002 - 498 페이지
...gave a series of instructions, later known as the 'Talks at the Yan'an Forum on Literature and Arts': 'There is in fact no such thing as art for art's sake, art that stands above the classes, art that is detached from or independent of politics. Proletarian literature, and art... | |
 | Sheila Melvin, Jindong Cai - 2004 - 746 페이지
...questions, Mao went on to emphasize what he saw as the political nature of all art: In the world today, all literature and art belong to definite classes...art for art's sake, art that stands above classes or art that is detached from or independent of politics.14 In other words, art and literature would... | |
 | Xing Lu - 2004 - 316 페이지
...experiences of the proletarian class and edify the workers, peasants, soldiers, and cadres. In his words, "There is in fact no such thing as art for art's sake, art that stands above classes or art that is detached from or independent of politics. . . . Literature and art are subordinate to... | |
 | Jose Duke S. Bagulaya - 2006 - 366 페이지
...cultivate its own culture. In the Yenan forum, comrade Mao positioned the cultural struggle in this manner: "In the world today all culture, all literature and art belong to definite classes and is geared to definite political lines. There is in fact no such thing as art for art's sake, art that... | |
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