Shakspeare's Dramatic Art: And His Relation to Calderon and GoetheChapman, 1846 - 554ÆäÀÌÁö |
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4 ÆäÀÌÁö
... become less frequent everywhere , and entirely ceased at Chester in 1577 , at Coventry in 1591 , at York and Newcastle in 1598 ; they continued longest at Lancaster , Preston , and Kendall , having survived there down to the first years ...
... become less frequent everywhere , and entirely ceased at Chester in 1577 , at Coventry in 1591 , at York and Newcastle in 1598 ; they continued longest at Lancaster , Preston , and Kendall , having survived there down to the first years ...
8 ÆäÀÌÁö
... become as its outward form ( the immediate presentation of the action before the eyes of the specta- tors ) requires - real and present , and comprehend at once in its ideal presence all and every period . But , at the same time , the ...
... become as its outward form ( the immediate presentation of the action before the eyes of the specta- tors ) requires - real and present , and comprehend at once in its ideal presence all and every period . But , at the same time , the ...
16 ÆäÀÌÁö
... become essentially dramatic . For the drama is the poetry of the present , wherein past and future are organically combined ; it is the reflex image of history , so far as this is the result both of the objectivity of the existent- the ...
... become essentially dramatic . For the drama is the poetry of the present , wherein past and future are organically combined ; it is the reflex image of history , so far as this is the result both of the objectivity of the existent- the ...
45 ÆäÀÌÁö
... becomes the forced , the uncommon the unnatural , while the great and sublime sinks into the grotesque and monstrous . As , within his own breast , inordinate passions and emotions stormed and raged , so , in the world , he discerned a ...
... becomes the forced , the uncommon the unnatural , while the great and sublime sinks into the grotesque and monstrous . As , within his own breast , inordinate passions and emotions stormed and raged , so , in the world , he discerned a ...
48 ÆäÀÌÁö
... become such a monster . In the first scene Barabas is depicted merely as a rich , money - making Jew , proud of his gold ; while , a few scenes further on , he is a monster of vindictiveness , hatred , and vice , without shame or pity ...
... become such a monster . In the first scene Barabas is depicted merely as a rich , money - making Jew , proud of his gold ; while , a few scenes further on , he is a monster of vindictiveness , hatred , and vice , without shame or pity ...
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Accordingly action ©¡sthetical already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently Coriolanus critics Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour inmost intrinsic Jonson Julius C©¡sar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poesy poet poetical poetry possess present Prince principle profound racter reign Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth unity view of things virtue weakness whole Winter's Tale
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94 ÆäÀÌÁö - Your name from hence immortal life shall have, Though I, once gone, to all the world must die. The earth can yield me but a common grave. When you entombed in men's eyes shall lie. Your monument shall be my gentle verse, Which eyes not yet created shall o'er-read. And tongues to be your being shall rehearse When all the breathers of this world are dead. You still shall live — such virtue hath my pen — Where breath most breathes, even in the mouths of men.
311 ÆäÀÌÁö - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: How would you be, If he, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made.
114 ÆäÀÌÁö - Two loves I have, of comfort and despair, Which, like two spirits, do suggest me still: The better angel is a man right fair, The worser spirit a woman coloured ill. To win me soon to hell my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride...
94 ÆäÀÌÁö - Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity...
113 ÆäÀÌÁö - ... prescriptions are not kept, Hath left me, and I desperate now approve Desire is death, which physic did except. Past cure I am, now reason is past care, And...
312 ÆäÀÌÁö - His glassy essence, — like an angry ape, Plays such fantastic tricks before high Heaven, As make the angels weep : who, with our spleens, Would all themselves laugh mortal.
425 ÆäÀÌÁö - Yes, trust them not; for there is an upstart crow, beautified with our feathers, that, with his Tygers heart wrapt in a Players hide, supposes he is as well able to bumbast out a blanke verse as the best of you; and being an absolute Johannes Factotum, is in his owne conceit the onely Shake-scene in a countrie.
306 ÆäÀÌÁö - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
114 ÆäÀÌÁö - And whether that my angel be turn'd fiend Suspect I may, yet not directly tell; But being both from me, both to each friend, I guess one angel in another's hell: Yet this shall I ne'er know, but live in doubt, Till my bad angel fire my good one out.
306 ÆäÀÌÁö - Tis mightiest in the mightiest ; it becomes The throned monarch better than his crown. His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings ; But mercy is above this sceptred sway, It is enthroned in the hearts of kings ; It is an attribute to God himself ; And earthly power doth then shew likest God's, When mercy seasons justice.