Shakspeare's Dramatic Art: And His Relation to Calderon and GoetheChapman, 1846 - 554ÆäÀÌÁö |
µµ¼ º»¹®¿¡¼
88°³ÀÇ °á°ú Áß 1 - 5°³
8 ÆäÀÌÁö
... language also remained the same , being for the most part short rhyming verses of a lyrical complexion . It is easy enough , in a more advanced period , to throw ridicule on these rude essays , but more difficult to recognise their ...
... language also remained the same , being for the most part short rhyming verses of a lyrical complexion . It is easy enough , in a more advanced period , to throw ridicule on these rude essays , but more difficult to recognise their ...
14 ÆäÀÌÁö
... language of life : and even so late as the last days of Elizabeth , Churchyard gave the name of Tragedy to some elegies , and Markham to an heroic poem , in rhyming octaves . In a public document , however , of 1574 , Tragedies ...
... language of life : and even so late as the last days of Elizabeth , Churchyard gave the name of Tragedy to some elegies , and Markham to an heroic poem , in rhyming octaves . In a public document , however , of 1574 , Tragedies ...
18 ÆäÀÌÁö
... language and characters are far from bad ; the in- vention gives proof of a lively fancy , while , on the other hand , the action proceeds irregularly and by starts , some of the characters having nothing to do with the plot , and many ...
... language and characters are far from bad ; the in- vention gives proof of a lively fancy , while , on the other hand , the action proceeds irregularly and by starts , some of the characters having nothing to do with the plot , and many ...
19 ÆäÀÌÁö
... language , delineation of character , and invention , it falls far short of the other two . Particularly famous in their day were the two pieces of Richard Edwards , the Queen's music - master , which he composed and published a year ...
... language , delineation of character , and invention , it falls far short of the other two . Particularly famous in their day were the two pieces of Richard Edwards , the Queen's music - master , which he composed and published a year ...
21 ÆäÀÌÁö
... language , and characters , are not without a degree of spirit and force , and are occasionally bold and original . As to " Grimm , the Collier of Croydon , " Schlegel does not enter into details . When , however , he joins it with ...
... language , and characters , are not without a degree of spirit and force , and are occasionally bold and original . As to " Grimm , the Collier of Croydon , " Schlegel does not enter into details . When , however , he joins it with ...
±âŸ ÃâÆǺ» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
Accordingly action ©¡sthetical already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently Coriolanus critics Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour inmost intrinsic Jonson Julius C©¡sar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poesy poet poetical poetry possess present Prince principle profound racter reign Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth unity view of things virtue weakness whole Winter's Tale
Àαâ Àο뱸
94 ÆäÀÌÁö - Your name from hence immortal life shall have, Though I, once gone, to all the world must die. The earth can yield me but a common grave. When you entombed in men's eyes shall lie. Your monument shall be my gentle verse, Which eyes not yet created shall o'er-read. And tongues to be your being shall rehearse When all the breathers of this world are dead. You still shall live — such virtue hath my pen — Where breath most breathes, even in the mouths of men.
311 ÆäÀÌÁö - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: How would you be, If he, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made.
114 ÆäÀÌÁö - Two loves I have, of comfort and despair, Which, like two spirits, do suggest me still: The better angel is a man right fair, The worser spirit a woman coloured ill. To win me soon to hell my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride...
94 ÆäÀÌÁö - Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity...
113 ÆäÀÌÁö - ... prescriptions are not kept, Hath left me, and I desperate now approve Desire is death, which physic did except. Past cure I am, now reason is past care, And...
312 ÆäÀÌÁö - His glassy essence, — like an angry ape, Plays such fantastic tricks before high Heaven, As make the angels weep : who, with our spleens, Would all themselves laugh mortal.
425 ÆäÀÌÁö - Yes, trust them not; for there is an upstart crow, beautified with our feathers, that, with his Tygers heart wrapt in a Players hide, supposes he is as well able to bumbast out a blanke verse as the best of you; and being an absolute Johannes Factotum, is in his owne conceit the onely Shake-scene in a countrie.
306 ÆäÀÌÁö - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
114 ÆäÀÌÁö - And whether that my angel be turn'd fiend Suspect I may, yet not directly tell; But being both from me, both to each friend, I guess one angel in another's hell: Yet this shall I ne'er know, but live in doubt, Till my bad angel fire my good one out.
306 ÆäÀÌÁö - Tis mightiest in the mightiest ; it becomes The throned monarch better than his crown. His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings ; But mercy is above this sceptred sway, It is enthroned in the hearts of kings ; It is an attribute to God himself ; And earthly power doth then shew likest God's, When mercy seasons justice.