English Verse: Specimens Illustrating Its Principles and History, 10±ÇRaymond Macdonald Alden H. Holt, 1903 - 459ÆäÀÌÁö |
µµ¼ º»¹®¿¡¼
5°³ÀÇ °á°ú Áß 1 - 5°³
4 ÆäÀÌÁö
... weight , making altogether forty - five varieties of stress at the disposal of the metrist . . . . If the analysis of rhythm is so terribly complicated , let us rush It is worthy of note that the secondary accent seems 4 ENGLISH VERSE.
... weight , making altogether forty - five varieties of stress at the disposal of the metrist . . . . If the analysis of rhythm is so terribly complicated , let us rush It is worthy of note that the secondary accent seems 4 ENGLISH VERSE.
103 ÆäÀÌÁö
... metrist , but a great composer . By the variety of his pauses - now at the close of the first or second foot , now of the third , and again of the fourth- he gives spirit and energy to a measure whose tendency it certainly is to become ...
... metrist , but a great composer . By the variety of his pauses - now at the close of the first or second foot , now of the third , and again of the fourth- he gives spirit and energy to a measure whose tendency it certainly is to become ...
120 ÆäÀÌÁö
... metrist , in this edition , vol . i . pp . cxlix and clxxii , and T. F. Henderson's Scottish Vernacular Literature , pp . 153-164 . Alliteration as an organic element of verse was especially favored in the North country , and its ...
... metrist , in this edition , vol . i . pp . cxlix and clxxii , and T. F. Henderson's Scottish Vernacular Literature , pp . 153-164 . Alliteration as an organic element of verse was especially favored in the North country , and its ...
216 ÆäÀÌÁö
... metrist , in particular attributing to him certain reforms in the handling of English verse : the attempt to use five per- fect iambic feet to the line , the harmonious placing of the cesura , the avoidance of rime on weak syllables ...
... metrist , in particular attributing to him certain reforms in the handling of English verse : the attempt to use five per- fect iambic feet to the line , the harmonious placing of the cesura , the avoidance of rime on weak syllables ...
394 ÆäÀÌÁö
... metrist who makes use of the old conventions of rhythmical measurement as one who will " flounder ceaselessly amid the scattered timbers of iambuses , spondees , dactyls , tribrachs , never reaching the firm ground of truth " ! Mr ...
... metrist who makes use of the old conventions of rhythmical measurement as one who will " flounder ceaselessly amid the scattered timbers of iambuses , spondees , dactyls , tribrachs , never reaching the firm ground of truth " ! Mr ...
±âŸ ÃâÆǺ» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
accent alexandrine alliteration Altenglische anapestic Anglo-Saxon ballade beauty blank verse called Catalectic century cesura Chaucer classical consonants couplet dactylic Death doth Dryden element Elizabethan English hexameter English poetry English verse Essay expression eyes feet five-stress following specimen foot four-stress French Gosse half-line hand harmony hath heart heaven heroic heroic couplet hexameters iambic imitation Italian King kiss language Latin light syllable long line lyrical measure melody metre metrical metrist Milton modern natural o'er ottava rima pause pleasure poem poet poetic Professor Corson prose prosody quantity quoted reader regular rhyme rhythm rhythmical rime rondeau Rose run-on says Schipper seems sense septenary SHAKSPERE sing song sonnet soul sound Spenser spondees stanza stress strophe sweet SWINBURNE syllables TENNYSON tercet thee thou thought time-intervals translation trochaic trochee unto versification Villanelle vowel W. E. HENLEY wind words Wyatt ©at
Àαâ Àο뱸
274 ÆäÀÌÁö - Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so ; For, those whom thou think'st thou dost overthrow, Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures...
105 ÆäÀÌÁö - I STOOD in Venice, on the Bridge of Sighs ; A palace and a prison on each hand : I saw from out the wave her structures rise As from the stroke of the enchanter's wand : A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sate in state, throned on her hundred isles...
312 ÆäÀÌÁö - Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
244 ÆäÀÌÁö - The old order changeth, yielding place to new, And God fulfils Himself in many ways, Lest one good custom should corrupt the world.
222 ÆäÀÌÁö - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back...
66 ÆäÀÌÁö - O wild West Wind, thou breath of Autumn's being, Thou from whose unseen presence the leaves dead. Are driven, like ghosts from an enchanter fleeing...
280 ÆäÀÌÁö - I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn.
193 ÆäÀÌÁö - Of these the false Achitophel was first, A name to all succeeding ages curst : For close designs and crooked counsels fit, Sagacious, bold, and turbulent of wit, Restless, unfixed in principles and place, In power unpleased, impatient of disgrace ; A fiery soul, which working out its way, Fretted the pigmy body to decay And o'cr-informed the tenement of clay.
139 ÆäÀÌÁö - With purple grapes, green figs, and mulberries ; The honey bags steal from the humble-bees, And, for night-tapers, crop their waxen thighs, And light them at the fiery glowworm's eyes...
50 ÆäÀÌÁö - Fear death? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...