English Verse: Specimens Illustrating Its Principles and History, 10±ÇRaymond Macdonald Alden H. Holt, 1903 - 459ÆäÀÌÁö |
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32 ÆäÀÌÁö
... rhymes , . . . has taken from the name of its author the title of Skeltonical verse . " ( Ward's English Poets , vol . i . p . 185. ) The number of accents , as well as the number of syllables , is irregular , being quite as often ...
... rhymes , . . . has taken from the name of its author the title of Skeltonical verse . " ( Ward's English Poets , vol . i . p . 185. ) The number of accents , as well as the number of syllables , is irregular , being quite as often ...
72 ÆäÀÌÁö
... rhyme , because I have ever judged them more noble , and of greater dignity , both for the sound and number , than any other verse in use amongst us . I have always found the couplet verse most easy ( though not so proper for this ...
... rhyme , because I have ever judged them more noble , and of greater dignity , both for the sound and number , than any other verse in use amongst us . I have always found the couplet verse most easy ( though not so proper for this ...
73 ÆäÀÌÁö
... rhyme , seems well enough adapted to this species of poetry ; and , however exceptionable upon other occasions , its inconveniencies appear to lose their weight in shorter elegies , and its advantages seem to acquire an additional ...
... rhyme , seems well enough adapted to this species of poetry ; and , however exceptionable upon other occasions , its inconveniencies appear to lose their weight in shorter elegies , and its advantages seem to acquire an additional ...
76 ÆäÀÌÁö
... rhyme - scheme of the quatrain , the terminal rhyme - emphasis of the stanza is reduced , the second and third verses being most closely braced by the rhyme . The stanza is thus admirably adapted to that sweet con- tinuity of flow ...
... rhyme - scheme of the quatrain , the terminal rhyme - emphasis of the stanza is reduced , the second and third verses being most closely braced by the rhyme . The stanza is thus admirably adapted to that sweet con- tinuity of flow ...
80 ÆäÀÌÁö
... Rhyme of the Duchess May . ab . 1845. ) " Ah ! what white thing at the door has cross'd , Sister Helen ? Ah ! what is this that sighs in the frost ? " " A soul that's lost as mine is lost , Little brother ! " ( O Mother , Mary Mother ...
... Rhyme of the Duchess May . ab . 1845. ) " Ah ! what white thing at the door has cross'd , Sister Helen ? Ah ! what is this that sighs in the frost ? " " A soul that's lost as mine is lost , Little brother ! " ( O Mother , Mary Mother ...
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accent alexandrine alliteration Altenglische anapestic Anglo-Saxon ballade beauty blank verse called Catalectic century cesura Chaucer classical consonants couplet dactylic Death doth Dryden element Elizabethan English hexameter English poetry English verse Essay expression eyes feet five-stress following specimen foot four-stress French Gosse half-line hand harmony hath heart heaven heroic heroic couplet hexameters iambic imitation Italian King kiss language Latin light syllable long line lyrical measure melody metre metrical metrist Milton modern natural o'er ottava rima pause pleasure poem poet poetic Professor Corson prose prosody quantity quoted reader regular rhyme rhythm rhythmical rime rondeau Rose run-on says Schipper seems sense septenary SHAKSPERE sing song sonnet soul sound Spenser spondees stanza stress strophe sweet SWINBURNE syllables TENNYSON tercet thee thou thought time-intervals translation trochaic trochee unto versification Villanelle vowel W. E. HENLEY wind words Wyatt ©at
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274 ÆäÀÌÁö - Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so ; For, those whom thou think'st thou dost overthrow, Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures...
105 ÆäÀÌÁö - I STOOD in Venice, on the Bridge of Sighs ; A palace and a prison on each hand : I saw from out the wave her structures rise As from the stroke of the enchanter's wand : A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sate in state, throned on her hundred isles...
312 ÆäÀÌÁö - Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
244 ÆäÀÌÁö - The old order changeth, yielding place to new, And God fulfils Himself in many ways, Lest one good custom should corrupt the world.
222 ÆäÀÌÁö - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back...
66 ÆäÀÌÁö - O wild West Wind, thou breath of Autumn's being, Thou from whose unseen presence the leaves dead. Are driven, like ghosts from an enchanter fleeing...
280 ÆäÀÌÁö - I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn.
193 ÆäÀÌÁö - Of these the false Achitophel was first, A name to all succeeding ages curst : For close designs and crooked counsels fit, Sagacious, bold, and turbulent of wit, Restless, unfixed in principles and place, In power unpleased, impatient of disgrace ; A fiery soul, which working out its way, Fretted the pigmy body to decay And o'cr-informed the tenement of clay.
139 ÆäÀÌÁö - With purple grapes, green figs, and mulberries ; The honey bags steal from the humble-bees, And, for night-tapers, crop their waxen thighs, And light them at the fiery glowworm's eyes...
50 ÆäÀÌÁö - Fear death? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...