English Verse: Specimens Illustrating Its Principles and History, 10권Raymond Macdonald Alden H. Holt, 1903 - 459페이지 |
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xiii 페이지
... Septenary C. - The " Poulter's Measure A. The Regular ( Italian ) Sonnet B. - The English ( Shaksperian ) Sonnet V. THE ODE . A. - Regular Pindaric • B. Irregular ( Cowleyan ) • 174 · 174 • 213 252 252 259 " " · 265 • 267 · 270 · 290 ...
... Septenary C. - The " Poulter's Measure A. The Regular ( Italian ) Sonnet B. - The English ( Shaksperian ) Sonnet V. THE ODE . A. - Regular Pindaric • B. Irregular ( Cowleyan ) • 174 · 174 • 213 252 252 259 " " · 265 • 267 · 270 · 290 ...
70 페이지
... septenary . ) Ye flowery banks o ' bonnie Doon , How can ye bloom sae fair ! How can ye chant , ye little birds , And I sae fu ' o ' care ! ( BURNS : Bonnie Doon . ab . 1790. ) abab pe grace of god ful of mizt pat is 70 ENGLISH VERSE.
... septenary . ) Ye flowery banks o ' bonnie Doon , How can ye bloom sae fair ! How can ye chant , ye little birds , And I sae fu ' o ' care ! ( BURNS : Bonnie Doon . ab . 1790. ) abab pe grace of god ful of mizt pat is 70 ENGLISH VERSE.
132 페이지
... septenary verse internal rime was often used together with end- rime , with a resulting resolution into short - line stanzas riming either aabb or abab . * The following specimen from a celebrated ballad shows the popular use of a ...
... septenary verse internal rime was often used together with end- rime , with a resulting resolution into short - line stanzas riming either aabb or abab . * The following specimen from a celebrated ballad shows the popular use of a ...
218 페이지
... septenary . Peele's verse in general is characterized by sweetness and fluency , but there is still no hint of the possibilities of the unrimed deca- syllabics . Schröer , in the article cited from Anglia , enumerates the following ...
... septenary . Peele's verse in general is characterized by sweetness and fluency , but there is still no hint of the possibilities of the unrimed deca- syllabics . Schröer , in the article cited from Anglia , enumerates the following ...
252 페이지
... septenary ( seven - stress verse ) . The French alexandrine has almost always been characterized by a regular and strongly marked medial cesura , and this very commonly appears in the English form , but by no means universally . The ...
... septenary ( seven - stress verse ) . The French alexandrine has almost always been characterized by a regular and strongly marked medial cesura , and this very commonly appears in the English form , but by no means universally . The ...
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accent alexandrine alliteration Altenglische anapestic Anglo-Saxon ballade beauty blank verse called Catalectic century cesura Chaucer classical consonants couplet dactylic Death doth Dryden element Elizabethan English hexameter English poetry English verse Essay expression eyes feet five-stress following specimen foot four-stress French Gosse half-line hand harmony hath heart heaven heroic heroic couplet hexameters iambic imitation Italian King kiss language Latin light syllable long line lyrical measure melody metre metrical metrist Milton modern natural o'er ottava rima pause pleasure poem poet poetic Professor Corson prose prosody quantity quoted reader regular rhyme rhythm rhythmical rime rondeau Rose run-on says Schipper seems sense septenary SHAKSPERE sing song sonnet soul sound Spenser spondees stanza stress strophe sweet SWINBURNE syllables TENNYSON tercet thee thou thought time-intervals translation trochaic trochee unto versification Villanelle vowel W. E. HENLEY wind words Wyatt þat
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274 페이지 - Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so ; For, those whom thou think'st thou dost overthrow, Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures...
105 페이지 - I STOOD in Venice, on the Bridge of Sighs ; A palace and a prison on each hand : I saw from out the wave her structures rise As from the stroke of the enchanter's wand : A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sate in state, throned on her hundred isles...
312 페이지 - Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
244 페이지 - The old order changeth, yielding place to new, And God fulfils Himself in many ways, Lest one good custom should corrupt the world.
222 페이지 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back...
66 페이지 - O wild West Wind, thou breath of Autumn's being, Thou from whose unseen presence the leaves dead. Are driven, like ghosts from an enchanter fleeing...
280 페이지 - I'd rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathed horn.
193 페이지 - Of these the false Achitophel was first, A name to all succeeding ages curst : For close designs and crooked counsels fit, Sagacious, bold, and turbulent of wit, Restless, unfixed in principles and place, In power unpleased, impatient of disgrace ; A fiery soul, which working out its way, Fretted the pigmy body to decay And o'cr-informed the tenement of clay.
139 페이지 - With purple grapes, green figs, and mulberries ; The honey bags steal from the humble-bees, And, for night-tapers, crop their waxen thighs, And light them at the fiery glowworm's eyes...
50 페이지 - Fear death? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...