Handbook of Painting: The Italian schools, 파트 2J. Murray, 1855 - 583페이지 |
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271 페이지
... THE WORKS OF THE OLD MASTERS , DRAWN ON WOOD , BY GEORGE SCHARF , JUN . IN TWO PARTS . - PART II . LONDON : JOHN MURRAY , ALBEMARLE STREET . 1855 . FA 3765. 2. 2 ( 2 ) HARVARD UNIVERSITY LIBRARY HANDBOOK OF PAINTING. ...
... THE WORKS OF THE OLD MASTERS , DRAWN ON WOOD , BY GEORGE SCHARF , JUN . IN TWO PARTS . - PART II . LONDON : JOHN MURRAY , ALBEMARLE STREET . 1855 . FA 3765. 2. 2 ( 2 ) HARVARD UNIVERSITY LIBRARY HANDBOOK OF PAINTING. ...
282 페이지
... John to the grey hairs of Simon ; all the varied emotions of mind , from the deepest sorrow and anxiety to the eager desire of revenge , are here portrayed . The results of Leonardo's careful studies in physiognomy , the power of ex ...
... John to the grey hairs of Simon ; all the varied emotions of mind , from the deepest sorrow and anxiety to the eager desire of revenge , are here portrayed . The results of Leonardo's careful studies in physiognomy , the power of ex ...
283 페이지
... John the Baptist ( in the Louvre ) , belonging probably 1 1 [ Dan , in his Trésor de Fontainebleau , published in 1642 , calls this a Duchess of Mantua . See Dr. Waagen , Kunstwerke in Paris , 1839.-ED. ] to the earlier period of the ...
... John the Baptist ( in the Louvre ) , belonging probably 1 1 [ Dan , in his Trésor de Fontainebleau , published in 1642 , calls this a Duchess of Mantua . See Dr. Waagen , Kunstwerke in Paris , 1839.-ED. ] to the earlier period of the ...
285 페이지
... John , who kneels with folded hands to receive the blessing and caresses of Christ . In the background on the right stands Joseph , with folded arms ; his aged head , with a somewhat exaggerated expression of joy , is finished to excess ...
... John , who kneels with folded hands to receive the blessing and caresses of Christ . In the background on the right stands Joseph , with folded arms ; his aged head , with a somewhat exaggerated expression of joy , is finished to excess ...
288 페이지
... John , whom she embraces , is adoring : this picture is of a simple , graceful character , but is unhappily much injured . The somewhat weak and hard composition is sufficient , however , to show that this is not the original picture ...
... John , whom she embraces , is adoring : this picture is of a simple , graceful character , but is unhappily much injured . The somewhat weak and hard composition is sufficient , however , to show that this is not the original picture ...
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Academy Adoration altar-piece Andrea appears artist ascribed Bartolommeo beautiful Bellini belong Berlin Museum Bernardino Bologna Borghese Brera Carracci cartoon ceiling celebrated century Chapel character chiaroscuro Christ church colouring composition Correggio display Domenichino Domenico drapery Duomo engravings excellent executed expression Fcap feeling figures Florentine Fra Bartolommeo Francesco Francis fresco Giorgione Giovanni Giulio Romano graceful grand Guercino Guido Reni hand head History Holy Family imitation Italian Italy John kneeling landscape later Leonardo da Vinci Lorenzo Louvre manner Marc Antonio Marco Maria master Michael Angelo Milan Mosaics Naples Niccolò Niccolò Alunno noble original painted painter Palazzo Paolo Parmigianino Passavant Paul Paul Veronese peculiar period Perugino picture Pietro Pitti Palace portraits Post 8vo Raphael Razzi representation represented Roman Rome saints scene scholars Second Edition style subjects tapestries Third Edition Tintoretto tion Titian Uffizj at Florence Vasari Vatican Venetian Venice Veronese Virgin Vols Woodcuts youth
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