A View of the English Stage: Or, A Series of Dramatic CriticismsRobert Stodart, 1818 - 461페이지 Collected dramatic criticism by William Hazlitt, one of the highest regarded critic and essayists in the history of the English language. |
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xv 페이지
... soul of good- ness in things evil ' ; and The Beggar's Opera is a good - natured , but severe comment on this text . The poet has thrown all the gaiety and sunshine of the imagination , the intoxication of pleasure , and the vanity of ...
... soul of good- ness in things evil ' ; and The Beggar's Opera is a good - natured , but severe comment on this text . The poet has thrown all the gaiety and sunshine of the imagination , the intoxication of pleasure , and the vanity of ...
10 페이지
... soul , successively animating different bodies . By an art like that of the ventriloquist , he throws his imagination out of himself , and makes every word appear to proceed from the very mouth of the person whose name it bears . His ...
... soul , successively animating different bodies . By an art like that of the ventriloquist , he throws his imagination out of himself , and makes every word appear to proceed from the very mouth of the person whose name it bears . His ...
17 페이지
... soul . In other parts , where we expected an equal interest to be excited , we were disappointed ; and in the common scenes we think Mr. Kean's manner , as we have remarked on other occasions , had more point and emphasis than the sense ...
... soul . In other parts , where we expected an equal interest to be excited , we were disappointed ; and in the common scenes we think Mr. Kean's manner , as we have remarked on other occasions , had more point and emphasis than the sense ...
19 페이지
... soul of passion to its height , or sunk it in despair . We remember her manner in The Gamester , when Stukeley ( it was then played by Palmer ) , declares his love to her . The look , first of incredulity and astonish- ment , then of ...
... soul of passion to its height , or sunk it in despair . We remember her manner in The Gamester , when Stukeley ( it was then played by Palmer ) , declares his love to her . The look , first of incredulity and astonish- ment , then of ...
31 페이지
... soul , but " sub- ject to all the skyey influences . " He is sure of nothing . All is left at issue . He runs a - tilt with fortune , and is baffled with preternatural riddles . The agitation of his mind resembles the rolling of the sea ...
... soul , but " sub- ject to all the skyey influences . " He is sure of nothing . All is left at issue . He runs a - tilt with fortune , and is baffled with preternatural riddles . The agitation of his mind resembles the rolling of the sea ...
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action actor actress admirable appearance applause audience beautiful Beggar's Opera character Charles Kemble comedy comic contempt Coriolanus Covent Garden Covent Garden Theatre criticism delight Desdemona dignity Drury Lane Drury Lane Theatre effect English Stage equal Examiner excellence expression fancy fault favourite feeling friends gaiety Garrick genius give grace Hamlet Hazlitt heart human humour Iago imagination imitation impression indifference interest Junius Brutus Booth Kean Kean's Kemble Kemble's King Lady laugh Lear Leigh Hunt London Magazine look Macbeth Macready Macready's manner mind Miss O'Neill Morning Chronicle nature never night O'Neill's Othello passage passion Paternoster Square pathos perfect performance perhaps person play players pleasure poet poetry Portrait racter Richard scene seemed seen sense sentiment Shakespeare Shylock Siddons song soul speak speech spirit success theatre theatrical thing thou thought tion tone tragedy voice whole wish words
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217 페이지 - Pray, do not mock me : I am a very foolish fond old man, Fourscore and upward, not an hour more nor less ; And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you, and know this man ; Yet I am doubtful...
53 페이지 - Dangerous conceits are, in their natures, poisons, Which at the first are scarce found to distaste, But, with a little act upon the blood, Burn like the mines of sulphur.
211 페이지 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
217 페이지 - Methinks I should know you and know this man; Yet I am doubtful; for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia.
32 페이지 - I have liv'd long enough : my way of life Is fallen into the sear, the yellow leaf : And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses not loud, but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
216 페이지 - Tom? whom the foul fiend hath led through fire and through flame, through ford and whirlpool, o'er bog and quagmire; that hath laid knives under his pillow, and halters in his pew...
193 페이지 - Man, proud man, Drest in a little brief authority, Plays such fantastic tricks before high Heaven As make the angels weep.
152 페이지 - The web of our life is of a mingled yarn, good and ill together...
82 페이지 - All school-days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate.
88 페이지 - Ay, but to die, and go we know not where ; To lie in cold obstruction and to rot ; This sensible warm motion to become 120 A kneaded clod ; and the delighted spirit To bathe in fiery floods...