Chief Plays of Goldsmith and Sheridan: The School for Scandal, She Stoops to Conquer, The RivalsHarcourt, Brace, 1926 - 296페이지 |
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xiii 페이지
... her of having to listen to Marlow's serious proposal of marriage with sentimental intensity , because he has the two fathers overhear the declara- . tion and concentrates the attention of the audience upon their INTRODUCTION xiii.
... her of having to listen to Marlow's serious proposal of marriage with sentimental intensity , because he has the two fathers overhear the declara- . tion and concentrates the attention of the audience upon their INTRODUCTION xiii.
xv 페이지
... father , Thomas Sheridan , from the age of nineteen , held exalted views of the theatre and cherished exalted plans for its improvement . He was an actor and played leading Shakespearean rôles with great success , first in Dublin and ...
... father , Thomas Sheridan , from the age of nineteen , held exalted views of the theatre and cherished exalted plans for its improvement . He was an actor and played leading Shakespearean rôles with great success , first in Dublin and ...
xvii 페이지
... father had been a director of oratorios in the provinces and now in 1770 had assumed a similar office in Bath . All of his children possessed some degree of musical genius . The most famous of these was his eldest daughter , Elizabeth ...
... father had been a director of oratorios in the provinces and now in 1770 had assumed a similar office in Bath . All of his children possessed some degree of musical genius . The most famous of these was his eldest daughter , Elizabeth ...
xx 페이지
... music was composed by his father - in - law , Linley , and many of the lyrics were the love poems which Sheridan had written to his wife during his " C It ran courtship . The work was an unprecedented success XX INTRODUCTION.
... music was composed by his father - in - law , Linley , and many of the lyrics were the love poems which Sheridan had written to his wife during his " C It ran courtship . The work was an unprecedented success XX INTRODUCTION.
xxiv 페이지
... father , traditional to the stage since the incep- tion of modern comedy in Italy . Yet Sheridan has made him individual and vivid by endowing him with characteristics suggested by his own father . Such is the probable origin of Sir ...
... father , traditional to the stage since the incep- tion of modern comedy in Italy . Yet Sheridan has made him individual and vivid by endowing him with characteristics suggested by his own father . Such is the probable origin of Sir ...
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Acres aunt Bath believe better Beverley brother Candour Captain Absolute character Chas comedy Crab damned dear devil Diggory distresses Ecod Egad Enter SIR Exeunt Exit Faulk Faulkland fellow fortune gentleman girl give happiness Hastings hear heard heart Heaven honour hope humour impudent Jack JOSEPH SURFACE Julia Lady Sneer Lady Sneerwell Lady Teaz laugh leave Lucy Lydia ma'am madam maid Malaprop Maria Marlow married matter Miss Hard MISS HARDCASTLE Miss Neville Moses never Odds on't play pray Premium pretty Rivals Rowley scandal SCENE School for Scandal sentimental SERVANT Sheridan Sir Anth Sir Charles Sir Luc Sir Lucius Sir Oliv Sir Pet Sir Peter Snake spirits Stoops to Conquer suppose sure Surf Teazle tell there's thing thought Tony uncle what's wish word young Zounds
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16 페이지 - But when you come down with your pence, For a slice of their scurvy religion, I'll leave it to all men of sense, But you, my good friend, are the pigeon.
217 페이지 - I took you from; but now you must have your coach — vis-a-vis — and three powdered footmen before your chair; and, in the summer, a pair of white cats to draw you to Kensington Gardens. No recollection, I suppose, when you were content to ride double, behind the butler, on a docked coachhorse. Lady T. No, I swear I never did that! I deny the butler and the coach-horse.
85 페이지 - Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly; These, indeed, seem, For they are actions that a man might play; But I have that within which passeth show...
291 페이지 - I told our bard; he smiled, and said 'twas clear, I ought to play deep tragedy next year. Meanwhile he drew wise morals from his play, And in these solemn periods...
268 페이지 - I was a witness to it, has penetrated so to my heart, that had I left the place without the shame of this discovery, my future life should have spoken the sincerity of my gratitude. As for that smooth-tongued hypocrite, who would have seduced the wife of his too credulous friend, while he affected honourable addresses to his ward — I behold him now in a light so truly despicable, that I shall never again respect myself for having listened to him.
241 페이지 - Chorus* Let the toast pass, — Drink to the lass, I'll warrant she'll prove an excuse for the glass, Here's to the charmer whose dimples we prize ; Now to the maid who has none, sir : Here's to the girl with a pair of blue eyes; And here's to the nymph with but one, sir.
22 페이지 - Diggory, you are too talkative. — Then, if I happen to say a good thing, or tell a good story at table, you must not all burst out a-laughing, as if you made part of the company.
241 페이지 - Here's to the maid with a bosom of snow: Now to her that's as brown as a berry: Here's to the wife with a face full of woe, And now to the damsel that's merry.
201 페이지 - She certainly has talents, but her manner is gross. Snake. 'Tis very true. — She generally designs well, has a free tongue and a bold invention ; but her colouring is too dark, and her outlines often extravagant. She wants that delicacy of tint and mellowness of sneer which distinguishes your ladyship's scandal.
22 페이지 - You must not be so talkative, Diggory. You must be all attention to the guests. You must hear us talk, and not think of talking...