Chief Plays of Goldsmith and Sheridan: The School for Scandal, She Stoops to Conquer, The RivalsHarcourt, Brace, 1926 - 296페이지 |
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v 페이지
... Sentimental comedy , which at the time set the standards of excellence , was a species of drama almost completely devoid of laughter . It was named comedy only because it had a so - called happy ending . authors depended for their ...
... Sentimental comedy , which at the time set the standards of excellence , was a species of drama almost completely devoid of laughter . It was named comedy only because it had a so - called happy ending . authors depended for their ...
vi 페이지
... sentimental view of conduct ex- pressed itself , of course , in many literary forms . The short domestic tales of The Tatler and The Spectator , the novels of Richardson , and the poetry of Akenside , Collins , Gray , and even of ...
... sentimental view of conduct ex- pressed itself , of course , in many literary forms . The short domestic tales of The Tatler and The Spectator , the novels of Richardson , and the poetry of Akenside , Collins , Gray , and even of ...
viii 페이지
... sentimental comedy resumed its undisputed sway . These were the historical foundations of the dramatic situation into which the three comedies in this volume flashed with sudden brilliance . II Oliver Goldsmith was not a man of the ...
... sentimental comedy resumed its undisputed sway . These were the historical foundations of the dramatic situation into which the three comedies in this volume flashed with sudden brilliance . II Oliver Goldsmith was not a man of the ...
x 페이지
... sentimental comedy . Humour , he laments , has been driven off the stage . If comedy is to make us weep , he insists , " we have an equal right to make tragedy laugh and to set down in blank verse the jests and repartees of all the ...
... sentimental comedy . Humour , he laments , has been driven off the stage . If comedy is to make us weep , he insists , " we have an equal right to make tragedy laugh and to set down in blank verse the jests and repartees of all the ...
xi 페이지
... sentimental , so that The Good - Natured Man did not establish a new type of comedy nor injure the popularity of the old . III The improvident gaiety and grotesque frolics in which Gold- smith flung away the five hundred pounds gained ...
... sentimental , so that The Good - Natured Man did not establish a new type of comedy nor injure the popularity of the old . III The improvident gaiety and grotesque frolics in which Gold- smith flung away the five hundred pounds gained ...
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Acres aunt Bath believe better Beverley brother Candour Captain Absolute character Chas comedy Crab damned dear devil Diggory distresses Ecod Egad Enter SIR Exeunt Exit Faulk Faulkland fellow fortune gentleman girl give happiness Hastings hear heard heart Heaven honour hope humour impudent Jack JOSEPH SURFACE Julia Lady Sneer Lady Sneerwell Lady Teaz laugh leave Lucy Lydia ma'am madam maid Malaprop Maria Marlow married matter Miss Hard MISS HARDCASTLE Miss Neville Moses never Odds on't play pray Premium pretty Rivals Rowley scandal SCENE School for Scandal sentimental SERVANT Sheridan Sir Anth Sir Charles Sir Luc Sir Lucius Sir Oliv Sir Pet Sir Peter Snake spirits Stoops to Conquer suppose sure Surf Teazle tell there's thing thought Tony uncle what's wish word young Zounds
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16 페이지 - But when you come down with your pence, For a slice of their scurvy religion, I'll leave it to all men of sense, But you, my good friend, are the pigeon.
217 페이지 - I took you from; but now you must have your coach — vis-a-vis — and three powdered footmen before your chair; and, in the summer, a pair of white cats to draw you to Kensington Gardens. No recollection, I suppose, when you were content to ride double, behind the butler, on a docked coachhorse. Lady T. No, I swear I never did that! I deny the butler and the coach-horse.
85 페이지 - Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly; These, indeed, seem, For they are actions that a man might play; But I have that within which passeth show...
291 페이지 - I told our bard; he smiled, and said 'twas clear, I ought to play deep tragedy next year. Meanwhile he drew wise morals from his play, And in these solemn periods...
268 페이지 - I was a witness to it, has penetrated so to my heart, that had I left the place without the shame of this discovery, my future life should have spoken the sincerity of my gratitude. As for that smooth-tongued hypocrite, who would have seduced the wife of his too credulous friend, while he affected honourable addresses to his ward — I behold him now in a light so truly despicable, that I shall never again respect myself for having listened to him.
241 페이지 - Chorus* Let the toast pass, — Drink to the lass, I'll warrant she'll prove an excuse for the glass, Here's to the charmer whose dimples we prize ; Now to the maid who has none, sir : Here's to the girl with a pair of blue eyes; And here's to the nymph with but one, sir.
22 페이지 - Diggory, you are too talkative. — Then, if I happen to say a good thing, or tell a good story at table, you must not all burst out a-laughing, as if you made part of the company.
241 페이지 - Here's to the maid with a bosom of snow: Now to her that's as brown as a berry: Here's to the wife with a face full of woe, And now to the damsel that's merry.
201 페이지 - She certainly has talents, but her manner is gross. Snake. 'Tis very true. — She generally designs well, has a free tongue and a bold invention ; but her colouring is too dark, and her outlines often extravagant. She wants that delicacy of tint and mellowness of sneer which distinguishes your ladyship's scandal.
22 페이지 - You must not be so talkative, Diggory. You must be all attention to the guests. You must hear us talk, and not think of talking...