Chief Plays of Goldsmith and Sheridan: The School for Scandal, She Stoops to Comquer, The Rivals |
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17 ÆäÀÌÁö
To be sure , old ' Squire Lumpkin was the finest gentleman I ever set my eyes on . For winding the straight horn , or beating a thicket for a hare , or a wench , he never had his fellow . It was a saying in the place , that he kept the ...
To be sure , old ' Squire Lumpkin was the finest gentleman I ever set my eyes on . For winding the straight horn , or beating a thicket for a hare , or a wench , he never had his fellow . It was a saying in the place , that he kept the ...
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Acres appear believe better brother captain character Charles Chas comedy coming Crab dear don't Egad Enter Exit eyes face fashion father Faulk Faulkland fellow fortune gentleman girl give hand happiness HARDCASTLE Hastings hear heard heart honour hope I'll Jack Julia keep kind Lady Sneer Lady Teaz laugh leave live look Lucy Lydia ma'am madam Malaprop manner Maria Marlow married master mean mind Miss Hard Miss Neville never night once play poor pray present pretty SCENE seen sentimental SERVANT Sir Anth Sir Anthony Sir Luc Sir Lucius Sir Oliv Sir Pet Sir Peter speak spirits suppose sure Surf Surface talk Teazle tell there's thing thought Tony true what's wife wish young
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16 ÆäÀÌÁö - But when you come down with your pence, For a slice of their scurvy religion, I'll leave it to all men of sense, But you, my good friend, are the pigeon.
217 ÆäÀÌÁö - I took you from; but now you must have your coach — vis-a-vis — and three powdered footmen before your chair; and, in the summer, a pair of white cats to draw you to Kensington Gardens. No recollection, I suppose, when you were content to ride double, behind the butler, on a docked coachhorse. Lady T. No, I swear I never did that! I deny the butler and the coach-horse.
85 ÆäÀÌÁö - Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly; These, indeed, seem, For they are actions that a man might play; But I have that within which passeth show...
291 ÆäÀÌÁö - I told our bard; he smiled, and said 'twas clear, I ought to play deep tragedy next year. Meanwhile he drew wise morals from his play, And in these solemn periods...
268 ÆäÀÌÁö - I was a witness to it, has penetrated so to my heart, that had I left the place without the shame of this discovery, my future life should have spoken the sincerity of my gratitude. As for that smooth-tongued hypocrite, who would have seduced the wife of his too credulous friend, while he affected honourable addresses to his ward — I behold him now in a light so truly despicable, that I shall never again respect myself for having listened to him.
241 ÆäÀÌÁö - Chorus* Let the toast pass, — Drink to the lass, I'll warrant she'll prove an excuse for the glass, Here's to the charmer whose dimples we prize ; Now to the maid who has none, sir : Here's to the girl with a pair of blue eyes; And here's to the nymph with but one, sir.
22 ÆäÀÌÁö - Diggory, you are too talkative. — Then, if I happen to say a good thing, or tell a good story at table, you must not all burst out a-laughing, as if you made part of the company.
241 ÆäÀÌÁö - Here's to the maid with a bosom of snow: Now to her that's as brown as a berry: Here's to the wife with a face full of woe, And now to the damsel that's merry.
201 ÆäÀÌÁö - She certainly has talents, but her manner is gross. Snake. 'Tis very true. — She generally designs well, has a free tongue and a bold invention ; but her colouring is too dark, and her outlines often extravagant. She wants that delicacy of tint and mellowness of sneer which distinguishes your ladyship's scandal.
22 ÆäÀÌÁö - You must not be so talkative, Diggory. You must be all attention to the guests. You must hear us talk, and not think of talking...