Fictive Domains: Body, Landscape, and Nostalgia, 1717-1770Bucknell University Press, 2007 - 191페이지 The focus of this book is the period 1717-1770, during which nostalgia was just beginning to emerge as a cultural concept. Utilizing psychoanalysis, feminist, and materialist theories, this book examines representations of bodies and landscapes in the cultural production of the early- to mid-eighteenth century. With considerable social anxiety surrounding changes in the structure of the family, the control of bodies within the family, and ownership and access to the land, nostalgia generated narratives that became the richly textured novels and long poems of the eighteenth century. In Samuel Richardson's Clarissa, or the History of a Young Lady (1747-48), social anxieties are played out on the body of Clarissa Harlowe; female passion is controlled in Pope's Eloisa to Abelard (1717), and Jean-Jacques Rousseau's Julie, ou la Nouvelle Heloise (1761); |
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... memory . " These intermediate groups suffered , more than from anything else , from the instability of their con- dition : having achieved “ a place in the altering social structure of the land , [ they were ] continually threatened ...
... memory . " These intermediate groups suffered , more than from anything else , from the instability of their con- dition : having achieved “ a place in the altering social structure of the land , [ they were ] continually threatened ...
81 페이지
... memory and Abe- lard's repression is nostalgia - a false memory , but an effective repres- sion . By adopting the voice and desire of Eloisa / Julie , Pope and Rousseau enjoy their memories of passion while effectively repressing any memory ...
... memory and Abe- lard's repression is nostalgia - a false memory , but an effective repres- sion . By adopting the voice and desire of Eloisa / Julie , Pope and Rousseau enjoy their memories of passion while effectively repressing any memory ...
82 페이지
... memory is not only inscribed in her body , but continually produced by her body through her physical desire . There is a circular relationship between desire and memory : memory creates desire , even as desire uses memory as an object ...
... memory is not only inscribed in her body , but continually produced by her body through her physical desire . There is a circular relationship between desire and memory : memory creates desire , even as desire uses memory as an object ...
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Acknowledgments 93 | 13 |
Nostalgia and the Body | 33 |
Desire Body and Landscape in Popes Eloisa to Abelard | 67 |
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Abelard allows appear assume attempt authority becomes body calls castration characters Clarissa construction contradictions create cultural death describes desire despite difference disease domestic economic eighteenth century Eloisa English father female feminine Fiction garden gender Goldsmith's hand Héloïse idea ideology imagined Italy Julie Julie's Lady land landscape letter Literature living longing loss lost Lovelace male mark marriage material memory Millenium Hall mother narrative narrator natural never nevertheless nostalgia nostalgic notes novel object observes once original passion past pastoral physical picturesque pleasure poem political Pope Pope's position present Primrose relationship represented result reveals Richardson role Rousseau Saint-Preux Scott's seems sense sensibility sentimental sexual social society space story structure Studies subjectivity suffering suggests symbolic tion tradition University Press Vicar village virtue voice woman women writing York