Fictive Domains: Body, Landscape, and Nostalgia, 1717-1770Bucknell University Press, 2007 - 191ÆäÀÌÁö The focus of this book is the period 1717-1770, during which nostalgia was just beginning to emerge as a cultural concept. Utilizing psychoanalysis, feminist, and materialist theories, this book examines representations of bodies and landscapes in the cultural production of the early- to mid-eighteenth century. With considerable social anxiety surrounding changes in the structure of the family, the control of bodies within the family, and ownership and access to the land, nostalgia generated narratives that became the richly textured novels and long poems of the eighteenth century. In Samuel Richardson's Clarissa, or the History of a Young Lady (1747-48), social anxieties are played out on the body of Clarissa Harlowe; female passion is controlled in Pope's Eloisa to Abelard (1717), and Jean-Jacques Rousseau's Julie, ou la Nouvelle Heloise (1761); |
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... role . The modern concept of the " sick role , " according to Talcott Parsons , describes a person who willingly seeks out assistance from a health care professional , thereby adopting the social position of one who does not enjoy a ...
... role . The modern concept of the " sick role , " according to Talcott Parsons , describes a person who willingly seeks out assistance from a health care professional , thereby adopting the social position of one who does not enjoy a ...
38 ÆäÀÌÁö
... role " can be temporary , as in the case of acute illness , or permanent , in the case of chronic disease.13 The sick role itself , however , is nothing new : variations on such a role have al- ways existed , although their ...
... role " can be temporary , as in the case of acute illness , or permanent , in the case of chronic disease.13 The sick role itself , however , is nothing new : variations on such a role have al- ways existed , although their ...
169 ÆäÀÌÁö
... role in Julie , is an obstacle that stands between Rousseau and " limpid space , " or " a transparent self look [ ing ] out upon transparent surroundings , " which he calls " the sum of Rousseau's desires . " Starobinski recognizes ...
... role in Julie , is an obstacle that stands between Rousseau and " limpid space , " or " a transparent self look [ ing ] out upon transparent surroundings , " which he calls " the sum of Rousseau's desires . " Starobinski recognizes ...
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Acknowledgments 93 | 13 |
Nostalgia and the Body | 33 |
Desire Body and Landscape in Popes Eloisa to Abelard | 67 |
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