Fictive Domains: Body, Landscape, and Nostalgia, 1717-1770Bucknell University Press, 2007 - 191페이지 The focus of this book is the period 1717-1770, during which nostalgia was just beginning to emerge as a cultural concept. Utilizing psychoanalysis, feminist, and materialist theories, this book examines representations of bodies and landscapes in the cultural production of the early- to mid-eighteenth century. With considerable social anxiety surrounding changes in the structure of the family, the control of bodies within the family, and ownership and access to the land, nostalgia generated narratives that became the richly textured novels and long poems of the eighteenth century. In Samuel Richardson's Clarissa, or the History of a Young Lady (1747-48), social anxieties are played out on the body of Clarissa Harlowe; female passion is controlled in Pope's Eloisa to Abelard (1717), and Jean-Jacques Rousseau's Julie, ou la Nouvelle Heloise (1761); |
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35 페이지
... suffering " imprints " vir- tue on masculine souls , feminine sentimentality is more often marked as illness , a spectacle to be observed and co - opted for the vicarious virtue it offers through its suffering . The construction of ...
... suffering " imprints " vir- tue on masculine souls , feminine sentimentality is more often marked as illness , a spectacle to be observed and co - opted for the vicarious virtue it offers through its suffering . The construction of ...
36 페이지
... suffering and death as the mark of her virtue and her impeccable moral character , but her sensibility did not change or enhance her class status . Clarissa sim- ply wastes away and dies . Clarissa's virtue does not assure her an active ...
... suffering and death as the mark of her virtue and her impeccable moral character , but her sensibility did not change or enhance her class status . Clarissa sim- ply wastes away and dies . Clarissa's virtue does not assure her an active ...
70 페이지
... suffering women . Clarissa's nostalgia was not just for her home , but also for her mother , who also suffered greatly from the separation but was powerless to intervene in the machinations of her husband and son . The burden of ...
... suffering women . Clarissa's nostalgia was not just for her home , but also for her mother , who also suffered greatly from the separation but was powerless to intervene in the machinations of her husband and son . The burden of ...
목차
Acknowledgments 93 | 13 |
Nostalgia and the Body | 33 |
Desire Body and Landscape in Popes Eloisa to Abelard | 67 |
저작권 | |
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Abelard allows appear assume attempt authority becomes body calls castration characters Clarissa construction contradictions create cultural death describes desire despite difference disease domestic economic eighteenth century Eloisa English father female feminine Fiction garden gender Goldsmith's hand Héloïse idea ideology imagined Italy Julie Julie's Lady land landscape letter Literature living longing loss lost Lovelace male mark marriage material memory Millenium Hall mother narrative narrator natural never nevertheless nostalgia nostalgic notes novel object observes once original passion past pastoral physical picturesque pleasure poem political Pope Pope's position present Primrose relationship represented result reveals Richardson role Rousseau Saint-Preux Scott's seems sense sensibility sentimental sexual social society space story structure Studies subjectivity suffering suggests symbolic tion tradition University Press Vicar village virtue voice woman women writing York