The Music, Or Melody and Rhythmus of the English Language: In which are Explained ... the Five Accidents of Speech ... and a Musical Notation ...Macredie, Skelly, 1819 - 250페이지 |
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1 페이지
... CHAPTER I. MUSIC OF SONG AND MUSIC OF SPEECH DEFINED . THE IM- PORTANT USES OF THE VOCAL AND ENUNCIATIVE ORGANS POINTED OUT . — PLAYING BY ROTE , AND SPEAKING BY ROTE DESCRIBED . MUSIC , which is equally applicable to speech as to song ...
... CHAPTER I. MUSIC OF SONG AND MUSIC OF SPEECH DEFINED . THE IM- PORTANT USES OF THE VOCAL AND ENUNCIATIVE ORGANS POINTED OUT . — PLAYING BY ROTE , AND SPEAKING BY ROTE DESCRIBED . MUSIC , which is equally applicable to speech as to song ...
6 페이지
... CHAPTER II . ACCENT EXPLAINED , AND RESTORED TO ITS TRUE AND ORIGINAL MEANING . SPEECH Consists of the five following accidents , without a correct knowledge of which , accurate instructions in the art of reading and speaking cannot be ...
... CHAPTER II . ACCENT EXPLAINED , AND RESTORED TO ITS TRUE AND ORIGINAL MEANING . SPEECH Consists of the five following accidents , without a correct knowledge of which , accurate instructions in the art of reading and speaking cannot be ...
8 페이지
... CHAPTER III . QUANTITY . THE term Quantity , is appropriated to discrimi- nate the relative value of sounds in duration of time , being either the quantity of whole cadences , that is , it refers to the distinction of longer or shorter ...
... CHAPTER III . QUANTITY . THE term Quantity , is appropriated to discrimi- nate the relative value of sounds in duration of time , being either the quantity of whole cadences , that is , it refers to the distinction of longer or shorter ...
10 페이지
... chapter . All these and more different proportions of time are employed either in syllables or pauses . And what- ever is either taken from , or added to , the pauses , is given to , or taken from the syllables ; so that all these ...
... chapter . All these and more different proportions of time are employed either in syllables or pauses . And what- ever is either taken from , or added to , the pauses , is given to , or taken from the syllables ; so that all these ...
12 페이지
... CHAPTER IV . PAUSE , OR SILENCE . PAUSES may be marked semibrief rest , minim rest , crotchet rest , quaver rest All measured rests or pauses are as significant in computation of time , and in value of place , re- specting cadence , or ...
... CHAPTER IV . PAUSE , OR SILENCE . PAUSES may be marked semibrief rest , minim rest , crotchet rest , quaver rest All measured rests or pauses are as significant in computation of time , and in value of place , re- specting cadence , or ...
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accent accidents of language Æneid affections anapest ARSIS and THESIS beauty Berkeley Berkeley cadence or bar CALIFORNIA LIBRARY called CHAPTER choriambic cretic dactyl earth Elocution emphasis of sense English example eyes five cadences following lines Greek feet Hail hath hear heart heaven heavy and light heavy syllable hexametres iambus Latin languages light syllables Lord loud lov'd manner mark measure melody metre mode of scanning molossus nature never night o'er poize primus ab pronounce proper prose prosodians prosody pulsation and remission pupil Pyrrhic quantity Quintilian Rationalis reading and speaking rests or pauses rhyth rhythmus rules of prosody SELECTED AS EXERCISES shades sing six cadences soft song soul sound speech spondee sweet teach thee Thesis and Arsis thro tion triple trochee UNIVERSITY OF CALIFORNIA vale voice wild words Δ Δ Δ را