 | 1885 - 860 페이지
...with a single eye to the degree of passion he may be called on to express ; and allow neither himself in the narrative nor any character in the course of...is not part and parcel of the business of the story or the discussion of the problem involved. Let him not regret if this shortens his book ; it will be... | |
 | Daniel Greenleaf Thompson - 1890 - 254 페이지
..." Let the writer choose a motive, whether of character or passion, . . . and allow neither himself nor any character in the course of the dialogue to...not part and parcel of the business of the story, or the discussion of the problem involved." " And as the root of the whole matter, let him bear in... | |
 | 1890 - 528 페이지
...widely from Robert Louis Stevenson, who says that a writer "should not allow himself in the narrative or any character in the course of the dialogue, to utter...is not part and parcel of the business of the story or the discussion of the problem involved. " Irrelevant matter " does not strengthen, but it does "... | |
 | Robert Louis Stevenson - 1895 - 388 페이지
...with a single eye to the degree of passion he may be called on to express; and allow neither himself in the narrative nor any character in the course of...is not part and parcel of the business of the story or the discussion of the problem involved. Let him not regret if this shortens his book ; it will be... | |
 | Robert Louis Stevenson - 1895 - 380 페이지
...with a single eye to the degree of passion he may be called on to express; and allow neither himself in the narrative nor any character in the course 'of...is not part and parcel of the business of the story or the discussion of the problem involved. Let him not regret if this shortens his book ; it will be... | |
 | Robert Louis Stevenson - 1898 - 330 페이지
...with a single eye to the degree of passion he may be called on to express ; and allow neither himself in the narrative nor any character in the course of...is not part and parcel of the business of the story or the discussion of the problem involved. Let him not regret if this shortens his book ; it will be... | |
 | John Hays Gardiner - 1900 - 520 페이지
...Shakespeare, the sub-plot be a reversion or complement of the main intrigue ; . . . and allow neither himself in the narrative nor any character in the course of...is not part and parcel of the business of the story or the discussion of the problem involved. . . . Let him not care particularly if he miss the tone... | |
 | Bliss Perry - 1902 - 448 페이지
...Shakespeare, the subplot be a reversion or complement of the main intrigue ; . . . and allow neither himself in the narrative nor any character in the course of...judged by its exactitude ; but a simplification of some s'de or point of life, to stand or fall by its significant simplicity." RL STEVENSON, A Humble Remonstrance.... | |
 | Bliss Perry - 1902 - 432 페이지
...Shakespeare, the subplot be a reversion or complement of the main intrigue ; . . . and allow neither himself in the narrative nor any character in the course of...mind that his novel is not a transcript of life, to he judged by its exactitude ; but a simplification of gome side or point of life, to stand or fall... | |
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... and allow neither himself in the narrative nor any character in the course of the dialogue, to utter one sentence that is not part and parcel of the business of the story or the discussion of the problem involved. 
