An Essay on the Writings and Genius of Shakespeare: Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de VoltairePriestley, 1810 - 296페이지 |
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xv 페이지
... repre- sentation of a fable , seems to have been the universal intention , from the first institution of the Drama to this time ; and to have prevailed , not 1 by indecent and indelicate manners and lan- guage . INTRODUCTION . XV.
... repre- sentation of a fable , seems to have been the universal intention , from the first institution of the Drama to this time ; and to have prevailed , not 1 by indecent and indelicate manners and lan- guage . INTRODUCTION . XV.
xv 페이지
... repre- sentation of a fable , seems to have been the universal intention , from the first institution of the Drama to this time ; and to have prevailed , not not only in Europe , but in all countries where INTRODUCTION . XV.
... repre- sentation of a fable , seems to have been the universal intention , from the first institution of the Drama to this time ; and to have prevailed , not not only in Europe , but in all countries where INTRODUCTION . XV.
xvi 페이지
... fables answer the noblest end of fable , moral instruction ; next , whether his dramatic imitation has its proper dramatie excellence . In the latter of these articles , per- haps , there is not any thing will more assist our judgment ...
... fables answer the noblest end of fable , moral instruction ; next , whether his dramatic imitation has its proper dramatie excellence . In the latter of these articles , per- haps , there is not any thing will more assist our judgment ...
xxix 페이지
... repre- sentation of a fable , seems to have been the universal intention , from the first institution of the Drama to this time ; and to have prevailed , not not only in Europe , but in all countries where INTRODUCTION . XV.
... repre- sentation of a fable , seems to have been the universal intention , from the first institution of the Drama to this time ; and to have prevailed , not not only in Europe , but in all countries where INTRODUCTION . XV.
xxix 페이지
... fables answer the noblest end of fable , moral instruction ; next , whether his dramatic imitation has its proper dramatie excellence . In the latter of these articles , per- haps , there is not any thing will more assist our judgment ...
... fables answer the noblest end of fable , moral instruction ; next , whether his dramatic imitation has its proper dramatie excellence . In the latter of these articles , per- haps , there is not any thing will more assist our judgment ...
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absurd action admired affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character Cinna circumstances connoisseurs conspirators Corneille critic crown dæmons dangerous dangerous death dialogue drama dramatic poetry ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe French genius ghost give glory grace Grecian Greece Greek hath heart heav'n Henry Hercules heroes honour human imagination judgment Julius Cæsar kind king lady learning lover Macbeth manners means ment merit mind moral murder muse nature never noble passions perfection person piece play PLUTARCH poet Prince racter render representation represented ridicule Roman Rome rules says scene seems sentiments Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste temper terror theatre thee theosis Theseus thing thou tion tragedians tragedy tragic muse translation virtue Voltaire vulgar witches words writers