Oliver Gold- smithGeorge P. Putnam, 1849 |
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43개의 결과 중 1 - 5개
33 페이지
... to aggravate a passive dis- taste into a positive aversion . Goldsmith was loud in expressing his contempt for mathematics and his dislike of ethics and logic ; and the prejudices thus imbibed continued through life . Mathe- 2 *
... to aggravate a passive dis- taste into a positive aversion . Goldsmith was loud in expressing his contempt for mathematics and his dislike of ethics and logic ; and the prejudices thus imbibed continued through life . Mathe- 2 *
34 페이지
Washington Irving. and the prejudices thus imbibed continued through life . Mathe- matics he always pronounced a science to which the meanest intellects were competent . A truer cause of this distaste for the severer studies may probably ...
Washington Irving. and the prejudices thus imbibed continued through life . Mathe- matics he always pronounced a science to which the meanest intellects were competent . A truer cause of this distaste for the severer studies may probably ...
38 페이지
... continued to experience from his tutor . Among the anecdotes told of him while at college is one indi- cative of that prompt , but thoughtless and often whimsical bene- volence which throughout life formed one of the most eccentric ...
... continued to experience from his tutor . Among the anecdotes told of him while at college is one indi- cative of that prompt , but thoughtless and often whimsical bene- volence which throughout life formed one of the most eccentric ...
68 페이지
... continued plain . There you might see a well - dressed Duchess issuing from a dirty close , and here a dirty Dutchman inhabiting a palace . The Scotch may be compared to a tulip , planted in dung ; but I can never see a Dutchman in his ...
... continued plain . There you might see a well - dressed Duchess issuing from a dirty close , and here a dirty Dutchman inhabiting a palace . The Scotch may be compared to a tulip , planted in dung ; but I can never see a Dutchman in his ...
70 페이지
... continued his travels for a long time in spite of innumerable pri- vations . " In his amusing narrative of the adventures of a " Philosophic Vagabond " in the " Vicar of Wakefield , " we find SOJOURN AT PARIS . 71 shadowed out the ...
... continued his travels for a long time in spite of innumerable pri- vations . " In his amusing narrative of the adventures of a " Philosophic Vagabond " in the " Vicar of Wakefield , " we find SOJOURN AT PARIS . 71 shadowed out the ...
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25 cents acquaintance amusement anecdote appeared ballad Ballymahon Beauclerc beautiful Bennet Langton bookseller Boswell Burke CHAPTER character cloth club Colman comedy conversation Covent Garden Cradock David Garrick dear delight dinner doctor essays fame Francis Newbery friends Garrick gave genius gentleman gilt give Gold Green Arbor guinea heart History honor Horneck humor Ireland Jessamy Bride Johnson kind lady Langton laugh learned letter Lissoy literary London Lord manner merits mind nature never Newbery Northumberland House occasion OLIVER GOLDSMITH person picture play poem poet poetical poetry poor Goldsmith pounds present purse replied river Inny royal 8vo Sir Joshua Reynolds society soon spirit style talent talk taste Temple thing thought tion told took town Traveller uncle Contarine University of Giessen Vicar of Wakefield whimsical William Filby writings young
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366 페이지 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind ; His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
43 페이지 - How often have I blest the coming day, When toil remitting lent its turn to play, And all the village train, from labour free, Led up their sports beneath the spreading tree, While many a pastime circled in the shade, The young contending as the old surveyed ; And many a gambol frolicked o'er the ground, And sleights of art and feats of strength went round.
21 페이지 - His house was known to all the vagrant train ; He chid their wanderings, but relieved their pain.
181 페이지 - Yet, notwithstanding this weight of authority, and the universal practice of former ages, a new species of dramatic composition has been introduced under the name of sentimental comedy, in which the virtues of private life are exhibited, rather than the vices exposed; and the distresses, rather than the faults of mankind, make our interest in the piece.
221 페이지 - To them his heart, his love, his griefs were given, But all his serious thoughts had rest in heaven. As some tall cliff that lifts its awful form, Swells from the vale, and midway leaves the storm, Though round its breast the rolling clouds are spread, Eternal sunshine settles on its head.
21 페이지 - Wept o'er his wounds or tales of sorrow done, Shouldered his crutch, and showed how fields were won. Pleased with his guests, the good man learned to glow, And quite forgot their vices in their woe ; Careless their merits or their faults to scan, His pity gave ere charity began.
159 페이지 - The wretch, condemn'd with life to part, Still, still on hope relies ; And every pang that rends the heart, Bids expectation rise. Hope, like the glimmering taper's light, Adorns and cheers the way ; And still, as darker grows the night, Emits a brighter ray.
247 페이지 - tis hard to combat, learns to fly! For him no wretches, born to work and weep, Explore the mine, or tempt the dangerous deep...
177 페이지 - She complied in a manner so exquisitely pathetic as moved me. When lovely woman stoops to folly, And finds too late that men betray ; What charm can sooth her melancholy, What art can wash her guilt away ? The only art her guilt to cover, To hide her shame from every eye, To give repentance to her lover, And wring his bosom — is to die.
231 페이지 - Will you not admit the superiority of Robertson, in whose History we find such penetration — such painting? " JOHNSON. " Sir, you must consider how that penetration and that painting are employed. It is not history, it is imagination. He who describes what he never saw, draws from fancy. Robertson paints minds as Sir Joshua paints faces in a history-piece: he imagines an heroic countenance.