Oliver Gold- smith

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George P. Putnam, 1849

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366 ÆäÀÌÁö - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind ; His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
43 ÆäÀÌÁö - How often have I blest the coming day, When toil remitting lent its turn to play, And all the village train, from labour free, Led up their sports beneath the spreading tree, While many a pastime circled in the shade, The young contending as the old surveyed ; And many a gambol frolicked o'er the ground, And sleights of art and feats of strength went round.
21 ÆäÀÌÁö - His house was known to all the vagrant train ; He chid their wanderings, but relieved their pain.
181 ÆäÀÌÁö - Yet, notwithstanding this weight of authority, and the universal practice of former ages, a new species of dramatic composition has been introduced under the name of sentimental comedy, in which the virtues of private life are exhibited, rather than the vices exposed; and the distresses, rather than the faults of mankind, make our interest in the piece.
221 ÆäÀÌÁö - To them his heart, his love, his griefs were given, But all his serious thoughts had rest in heaven. As some tall cliff that lifts its awful form, Swells from the vale, and midway leaves the storm, Though round its breast the rolling clouds are spread, Eternal sunshine settles on its head.
21 ÆäÀÌÁö - Wept o'er his wounds or tales of sorrow done, Shouldered his crutch, and showed how fields were won. Pleased with his guests, the good man learned to glow, And quite forgot their vices in their woe ; Careless their merits or their faults to scan, His pity gave ere charity began.
159 ÆäÀÌÁö - The wretch, condemn'd with life to part, Still, still on hope relies ; And every pang that rends the heart, Bids expectation rise. Hope, like the glimmering taper's light, Adorns and cheers the way ; And still, as darker grows the night, Emits a brighter ray.
247 ÆäÀÌÁö - tis hard to combat, learns to fly! For him no wretches, born to work and weep, Explore the mine, or tempt the dangerous deep...
177 ÆäÀÌÁö - She complied in a manner so exquisitely pathetic as moved me. When lovely woman stoops to folly, And finds too late that men betray ; What charm can sooth her melancholy, What art can wash her guilt away ? The only art her guilt to cover, To hide her shame from every eye, To give repentance to her lover, And wring his bosom — is to die.
231 ÆäÀÌÁö - Will you not admit the superiority of Robertson, in whose History we find such penetration — such painting? " JOHNSON. " Sir, you must consider how that penetration and that painting are employed. It is not history, it is imagination. He who describes what he never saw, draws from fancy. Robertson paints minds as Sir Joshua paints faces in a history-piece: he imagines an heroic countenance.

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