My Madness Saved Me: The Madness and Marriage of Virginia WoolfTransaction Publishers, 2011. 12. 31. - 169페이지 The vast literature on Virginia Woolf's life, work, and marriage falls into two groups. A large majority is certain that she was mentally ill, and a small minority is equally certain that she was not mentally ill but was misdiagnosed by psychiatrists. In this daring exploration of Woolf's life and work, Thomas Szasz--famed for his radical critique of psychiatric concepts, coercions, and excuses--examines the evidence and rejects both views. Instead, he looks at how Virginia Woolf, as well as her husband Leonard, used the concept of madness and the profession of psychiatry to manage and manipulate their own and each other's lives. Do we explain achievement when we attribute it to the fictitious entity we call "genius"? Do we explain failure when we attribute it to the fictitious entity we call "madness"? Or do we deceive ourselves the same way that the person deceives himself when he attributes the easy ignition of hydrogen to its being "flammable"? Szasz interprets Virginia Woolf's life and work as expressions of her character, and her character as the "product" of her free will. He offers this view as a corrective against the prevailing, ostensibly scientific view that attributes both her "madness" and her "genius" to biological-genetic causes. We tend to attribute exceptional achievement to genius, and exceptional failure to madness. Both, says Szasz, are fictitious entities. |
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2 페이지
... roles ascribed to us multiply and form our sense of self, the “I.” The child says, “I am John, my brother is Michael, my mother is Mom, my father is Dad, and my dog is Puppy.” John is being taught his role, his identity. He is beginning ...
... roles ascribed to us multiply and form our sense of self, the “I.” The child says, “I am John, my brother is Michael, my mother is Mom, my father is Dad, and my dog is Puppy.” John is being taught his role, his identity. He is beginning ...
3 페이지
... role is not a mannequin whom others are free to dress as they please. He is also an active agent— even as a child, and increasingly as he ages—free (within limits) to submit to and embrace or resist and reject the role-casting. I regard ...
... role is not a mannequin whom others are free to dress as they please. He is also an active agent— even as a child, and increasingly as he ages—free (within limits) to submit to and embrace or resist and reject the role-casting. I regard ...
4 페이지
... role without parental or societal pressure to do so, in order to escape certain unbearably painful situations or the burdens of ordinary life. In this study, I examine and present Virginia (Stephen) Woolf's life, marriage, work, and ...
... role without parental or societal pressure to do so, in order to escape certain unbearably painful situations or the burdens of ordinary life. In this study, I examine and present Virginia (Stephen) Woolf's life, marriage, work, and ...
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