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driven upon the shore. Many species

of small birds frequent watery places, for the purpose of collecting insects, which chiefly abound in such situations; and wagtails and tillocks are seen wading through brooks, and along the margin of the sea, for the same purpose. About the end of the month, the fall of the leaf is completed; and the trees are left with naked branches, a mournful spectacle to the

THE shortened days, cold and raw weather, with sometimes heavy rains, that soak the land and swell the brooks, so powerfully affect the mind, that this month has passed into a proverb for its gloom. The body becomes irrit-contemplative eye; yet, it is the most able, the mind, in consequence, fretful; and, forgetting that external things are sealed up from us, that we may apply our minds to those which are within; it is common for men to use stimulants to enable themselves to while away that time, which might be employed in securing immortal trea

sures.

Winter, which in the economy of mature may be regarded as beginning

proper condition, in which they can encounter the storms of winter; as by offering the least resistance to the wind, they are exposed to the least injury.

The flowers of the former months still linger, but none now come into bloom. This was the miz diu, or black month of our ancestors.

in this month, sometimes shews itself OUR METROPOLITAN SCHOOL of poets. at the commencement, if not by the

thermometer, at least by human feel- No. 1.-The Poetry of Mr. Leigh Hunt. ings: and the evaporation of a large quantity of moisture, with the wind at the north-east, is the cause of colds and pulmonary diseases, which are very apt to prevail at this season. Forced by cold, wet, and hunger, from their hiding places, rats and mice, that have been wandering about in the midst of plenty, through the summer, enter houses in great numbers; and, for some time, cats, gins, and poison, are required to keep them from doing mischief. Those creatures which become torpid in winter, begin to keep at home, except in those fine days, which even this gloomy month sometimes affords.

"I am monarch of all I survey."-CowPER. THERE is a peculiar propriety in thus introducing Mr. H. as number one, merely in reference to the singularity and egotism of his writings. He is, in truth, the centre of a system, and sheds his own light on all he looks upon. His men and women, his horses, his trees, his ships, trumpeters, summerhouses, hawks, thoughts, feelings, sentiments, and expressions, are all perfectly his own, perfectly original, for "their like were never seen" before in nature or in books. He sheds over every object which he touches the spirit of his own imagination, and in his hands nobility becomes common, grandeur low, feeling vulgar, and simplicity contemptible. He does not

Fishes, which visit us from warm climates, now leave our coasts; these are the garpike, skipper or saury, mackarel, &c.; but they are sometimes seen even to the middle of De-possess a Midas-like faculty, for every cember. Farmers begin to thrash out barley, that cattle may have the straw, the fields being, at this time, bare of grass; and, on the sea coast, they are watching every opportunity to collect the sea weeds for manure, as they are No. 33.-VOL. III.

thing he touches is converted into dross. There is not throughout the whole compass of his writings (and we challenge our readers to produce a single instance of it) one passage which bears the stamp of a great mind. 3 Q

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Poetry of Mr. Leigh Hunt.

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Affectation and conceit are little vices | observation; if he is to dress the

-they are the errors of diminutive intellects they are passions, which are intended to supply, in a man's own eyes, that importance which the world will never yield him. The truly high and magnificent mind, is often conscious of the possession of powers, to which the sickly abilities of Mr. Leigh Hunt are as a wart to Ossa, and yet bears itself with an unoffending dignity, which doubles the world's respect; while the importunate egotism of a conceited mind sinks the possessor even beneath the world's contempt. All the splendour of Milton's great mind, shone forth in those words of his, in which he declared, that it had ever been his hope and conviction "that by labour and intense study, joined with the strong propensity of nature, he might leave something, so written, to after times, that they should not willingly let it die." Does a spirit like this animate the labours of Mr. Leigh Hunt?

miserable specimens of mortality which he sees around him, in a poetical garb, baptize them with some Italian name, endue them with the thoughts and feelings, which, in his opinion, are such as generally arise in the human mind, the world will hardly feel indebted to him for the labour he has expended.

One of our Poet's stoutest opinions, and in which he seems to entrench himself very resolutely, is, that we have no need of a better nature than we at present possess. “The image of a glorious human creature," is, in his idea, the most perfect image which can be imagined. He has no wish, no eye, for a purer, higher existence. He is earth-bound, and would not exchange his prison for an Eden. The cant of humanity runs throughout all his works. There is, moreover, in all this, something too much of "Epicurus' Sty," and, in reading such passages, we cannot help thinking of the spirit and words of Comus, which, we shall not pay so poor a compliment to our readers as to quote. Nobody can accuse H. of severity and austere principles in his writings, and we thus never find him "praising the lean and sallow abstinence." There is little of moral truth in any thing that he says, except indeed, that he inculcates the principle of happiness and enjoyment, and even there he mistakes the means of gaining them.

In all his Poetry, Mr. Leigh Hunt's chief aim is to level himself to what he calls the truth of nature. This he accomplishes, but it is unfortunately to his own nature, that he renders every thing conformable. Now, nature is the simplicity of naked truth, and true nature is perfect propriety. Poetry, like every thing else, has a nature of its own, not the nature of common life, or of common feelings, but something infinitely above both. But, dismissing the question of the The beings of a poetical world are not useful tendency of his Poems, it bethe same, either in flesh or spirit, with comes us to inquire a little more par"any mortal mixture of earth's mould." ticularly into his merits as an author. They are of a race above mankind, It is difficult, at first, to say on what sublimer in sentiments, purer in pur-models he has formed his style; but, pose, more powerful in action, and loftier in language: their passions, indeed, are lighted at that fire, which kindles the human affections, but then they burn with a brilliancy which is not of the earth. In virtue, in weakness, and in wickedness, the children of Poetry rise above the passions of mortality. To this more elevated nature, every other component part of Poetry should be rendered conformable. It is in the infancy of art only, that we observe those painful and minute imitations of nature, which render the works of the early painters almost ridiculous. If Mr. Leigh Hunt undertakes, merely to give us a faithful representation of that nature which comes immediately under his own

on further examination, we may discover that he has paid considerable attention to our older Poets, particularly Shakspeare, and amongst those of a later age, to Dryden. His style may fairly be said to be formed from an imitation of these two Poets, though he has, perhaps, added sufficient of his own, to entitle him to some originality. This imitation, by the bye, is the great characteristic of the Metropolitan School. They have ransacked the wardrobes of our elder Dramatists and Poets, and they now walk into public with a ruff round their necks, and a splendid cloak, like that Sir Walter Raleigh spread before Queen Elizabeth, dangling over a pair of Cossack trowsers, and Wellington

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Poetry of Mr. Leigh Hunt.

boots. The incongruity of the thing is evident and ridiculous.

In his love for the homeliness of nature, nothing is too low or common for Mr. Leigh Hunt; any vulgar sentence or simile, which he imagines to be pretty expressive, he presses into his service without hesitation; and these have, evidently, not crept into his Poetry fortuitously, but have been diligently sought for, to give it an air of truth and nature. The instances which his poems contain are almost innumerable.-Thus: .

"A pin-drop silence strikes o'er all the place,
He kept no reck'ning with his sweets and sours,
Yet somehow or another, on that day,
Baungin, what bustle's that I seem to hear?"

Besides this strange homèliness of phrase, Mr. L. H.'s vulgarity extends through whole passages, or, more properly, through his whole writings.What a picture have we here!

"There talking with the ladies you may see
Standing about, or sealed, frank and free,
Some of the finest warriors of the court."
RIM. p. 8.

If our readers have never had the good fortune to see the band of the horse-guards mounted on their grey horses, they have not seen what Mr. Leigh Hunt evidently has.

"First come the trumpeters clad all in white, Except the breast, which wears a scutcheon bright,

By four and four they ride on horses grey, And as they sit along their easy way, Stately and heaving to the sway below, Each plants his trumpet on his saddle bow." RIM. p. 8, 12. The two brothers in Rimini are portraits in Mr. L. Hunt's best style, of nature, or its caricature.

"Giovanni was the graver, Paulo the livelier, and the more in favour."

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"He was not slow in common To accept the attentions of this lovely woman." Francesca appears to be a lady after Mr. Leigh Hunt's own heart. "The two divinest things the world has got, A lovely woman in a rural spot."

Francesca, too, was, like Hunt, a lover of nature,

"For in all things with nature did she hold," so much so, that having worked a knot for Prince Giovanni,

"While 'twas being worked, her fancy was Of sunbeams mingling with a tuft of grass," videlicet, it was of green and gold!

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The meeting of the two brothers, their deadly quarrel and combat, is perhaps the weakest part of the story of Rimini. It is all told in that maudlin style of affected feeling, which has no effect upon the heart of the reader. Giovanni, the injured and offended brother, very leisurely dresses," takes his "sword," and seeks his brother. "His squire awaked, attends," and they go to his "brother's room.' "His squire calls him up too," and they come forth, like modern Frenchmen, on a point of honour, discussing the question,

"May I request, Sir, said the Prince, and frown'd

Your ear a moment in the tilting ground."

Giovanni on the tilting ground addresses his brother thus,

"Before you answer what you can, I wish to tell you as a gentleman, That what you may confess (and as he spoke His voice with breathless and pale passion broke,)

Will implicate no person known to you."

The death of Paulo is not told in much better style, and we can hardly

though we certainly feel inclined to sympathize with Francesca, who dies prefer the former, for

A graceful nose was his, lightsomely brought Down from a forehead of clear-spirited thought." And besides, Giovanni was

"Wanting on the generous score." In spite of this, however, his wife was tolerably complaisant to him, and used kindly to ask him "How his new soldiers pleased him in reviewing?" The considerate kindness which the lady thus displayed, and the interest she took in her husband's occupations, seem to have wrought on his flinty heart, and we are told,

just as Mr. Leigh Hunt might be supposed to wish her. Duke Guido, however, the father of the Princess, excites a good deal of commiseration, for, "He lost his old wits for ever."

It may, perhaps, be objected to us, that the few quotations we have made, are not fair specimens of Mr. Leigh Hunt's Poetry; there are other passages, we confess, not so exceptionable, but we have selected these, as giving the liveliest idea of some of this gentleman's peculiarities. The writer of an article in one of our Metropolitan Magazines (and, we think, we can trace the hand of one of Mr. H.'s

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Death and Character of Mr. Rowland Hassall.

disciples in it,) bas ventured to come pare that gentleman's productions with the Apollo Belvidere and the Venus de Medici. Can we read such things "without our special wonder !!!" Is the blameless beauty of antiquity's highest efforts, to be drawn into comparison with the nauseous overflowings of Mr. Leigh Hunt's perverted imaginations? In his whole composition, there is not one single spark of the chaste classical severity of Grecian song. He runs through Tooke's Pantheon, and babbles of gods and goddesses, and dresses up an ancient story in modern garments; but he has not the slightest idea of the spirit of antiquity.

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conceit and a true poetic spirit are essentially distinct. Such a Poet may be the master of a new school, the idol of a coterie, or the fashion of a day, but he has no claim to a relationship with fame and with posterity.

DEATH

(To be concluded in our next.)

AND CHARACTER
ROWLAND HASSALL.

OF MR.

From the Sydney Gazette, 1820,

ON the night of Monday last, the 28th of August, died at his house at Parramatta, after a few days illness, Mr. Rowland Hassall, in the 52d year of his age. In the death of this gentleman, society has lost a most pious and benevolent member; and his large and young family, a tender husband, a kind father, and a good man. Mr. Hassall was one of the first Missionaries sent to the Society Islands; and when the gentlemen of that Mission

We will venture to say, Mr. L. Hunt never lost himself in the feelings which his subject excited; he is never overcome, even by enthusiasm; one idea is always at the top of all the rest; that it becomes him to write something Leigh Huntish and natural, but it must bear his own stamp first, and nature's after. He is determined to notice things which other people have neg-were compelled to fly from the Islands lected, to describe things which others to this Colony, he settled here. For have despised, and to use words which nearly twenty years' residence in this others have never heard of. If it were Colony, his life was a continual examnot for this perpetual straining, this ple of genuine religion and piety, exattempt to create a new nature extensive benevolence, and hospitality. pressly for the use of Mr. Leigh Hunt, He never lost sight of his original this firm resolve, not only to say new designation as a Missionary, and conthings, but to say them, moreover, in tinued to the latest period of his life a new way, his Poetry might be pleas-zealously to perform the duties of one, ing, for, after all, there is a sort off by preaching the Gospel in almost all quickness of perception about it, and parts of the Colony. His latter end an ease, and sometimes a power of was full of peace; and as he lived, so description, which display considerable he died, encouraged and supported by merit. By no chance, however, could the hopes and consolation of religion. he become a great Poet, for he is far To his afflicted widow, and large family from what Aristotle calls μeyaλavos; of children, and grand-children, the he is certainly not high-souled, and lustre and worth of his character must his Poetry partakes of the voluptuous- be a consolation and example, well ness and animal qualities of the Epi- calculated to support and encourage curean's, rather than the grandeur and them under the great loss they have sternness of the Stoic's philosophy. sustained in his death. His remains Thus he may, in some degree, succeed were interred at Parramatta, amidst in describing beautiful objects and the regret of his very numerous friends picturesque scenery with effect, as and acquaintances, on the evening of well as the lighter, finer, and more Wednesday the 30th ult. transient feelings of the human heart; but when he comes to deal with the intensity of the passions, to search the depths of the soul, and to express such feelings as fill the heart of Byron, he finds the strings of his weak and slender lyre miserably unstrung. Deep feeling disdains affectation. Mr. Leigh Hunt cannot serve two such masters

ANECDOTE OF MR. HERVEY.

FOR some years before the death of this great man, he visited very few of the principal persons in his neighbourhood. Being once asked, “Why he so seldom went to see the neighbouring

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gentlemen, who yet shewed him all possible esteem and respect?" he answered, "I can hardly name a polite family, where the conversation ever turns upon the things of God. I hear much frothy and worldly chitchat, but not a word of Christ; and I am determined not to visit those companies, where there is not room for my Master, as well as for myself." -An excellent hint.

Answer to a Query, on the Division of the Earth in the Days of Peleg.

MR. EDITOR.

SIR,-In answer to Query No. 10, col. 865, respecting the Division of the Earth, I would recommend E. W. to read the 6th chap. book 1, of Josephus's Antiquities of the Jews, where he can obtain the information required.

Your's, respectfully,
J. V. T.

ON referring to Josephus, E. W. will find, that the Division of the Earth, mentioned Gen. x. 25, does not refer to any violent convulsion of nature, through which the surface of the globe was broken into islands and continents, as some have imagined, but to a simple division of territory among the descendants of Noah, as their families began to multiply. This was the first postdiluvian division that ever took place, and it became worthy of being thus recorded, as it laid the foundation of the first nations that ever appeared in the world.

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The great obstacle to the introduotion of this kind of domestic light is, the expense and bulk of the apparatus necessary to purify the gas. This, however, may be got over, by fining it in the dry way, which is this:-fill a vessel, of any form whatever, with tow that has been oiled or greased, and free from water: the vessel should be air-tight. Insert the tube from the mouth of the kettle into the bottom of the vessel, and about an inch high on the inside. Put a tube in the top of of the gas, extending it to whatever the same vessel, to permit the escape part of the chamber the gas is to be burned. It will be purified by this process, without going through water; it will be literally wiped by the tow, and burn with almost as little smoke as any that is purified in the wet way.

Čircumstances will dictate improvements-a receptacle must be provided for the tar that the tow collects, which may be done by enlarging the tow vessel at bottom. The vessel, if four feet long, and two inches square, may be made ornamental, and hung over the mantle piece every night. The same tow always answers by only squeezing it, which may be necessary not more than once a month.

A cast-iron glue pot, to which a tin cover is to be fitted, having a hole, with a small tube, projecting, is the best and simplest retort to be met with. The apparatus once bought, is never attended with additional expense, so that light may be said to cost a family comparatively nothing, that is obtained by this simple contrivance.

TO PROCURE GAS.

By pursuing the following plan, it is said, light from gas may be obtained, sufficient for the use of a family, at a very trifling expense:

An old tea-kettle, half filled with coals, and placed on the fire, so that the bottom may be always in contact with red coal, will distil gas enough to burn for three or four hours, at the end of a tin tube, four feet long, and half an inch diameter, extended from the mouth of the kettle to the table, and having a small degree of curvation at the burning end.

OBSERVATIONS ON LORD BYRON AND WORDSWORTH,

MR. EDITOR. SIR,-Having read with considerable pleasure, the two papers that have appeared in your Magazine, on Lord Byron and Mr. Wordsworth, and thinking that any observations relating to these great men, will probably be perused with interest by the majority of your readers, I venture to offer a few remarks on the subject, which I hope will be free from those angry feelings, which appear to have dictated the letter of your correspondent, "ARISTARCHUS."

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