OR SELECTIONS FROM THE ENGLISH POETS, Xllustrative of those first Requisites of their Art; WITH MARKINGS OF THE BEST PASSAGES, CRITICAL NOTICES OF THE WRITERS, NEW YORK: 1 1845, PREFACE . . . . . . . . . . ARCHIMAGO's HERMITAGE AND THE HOUSE OF MORPHEUS (Spenser considered as the Poet of the Painters.) . . CUPID USURPING THE THRONE OF JUPITER . . UNA, OR FAITH IN DISTRESS . . . . . . LANDSCAPE, WITH DAMSELS CONVEYING A WOUNDED SQUIRE ON HIS HORSE OR, APOTHEOSIS OF A POETS MISTRESS . . . A PLUME OF FEATHERS AND AN ALMOND TREE ENCHANTED MUSIC . . . . . . . SELECTIONS FROM MARLOWE, WITH CRITICAL NOTICE THE JEW OF MALTA'S IDEA OF WEALTH • . . A VISION OF HELEN . . . . . . . MYTHOLOGY AND COURT AMUSEMENTS '. SELECTIONS FROM SHAKSPEARE WITH CRITICAL NOTICE . . . . . . . . . . . ANTONY AND THE CLOUDS . 100 . 108 . 116 : 121 130 . 131 . 136 . 140 • 142 SELECTIONS FROM BEN JONSON, WITH CRITICAL NOTICE TO CYNTHIA; THE MOON 142 ... . 143 . 145 146 . 148 A MEETING OF WITCHES A CATCH OF SATYRS SELECTIONS FROM BEAUMONT AND FLETCHER, WITH CRITICAL NOTICE . . . . . . . . . 150 MELANCHOLY . . . 152 A SATYR PRESENTS A BASKET OF FRUIT TO THE FAITHFUL SHEPHERDESS . . . . . . . . . . 153 A SPOT FOR LOVE TALES . . . . . . . . 155 MORNING . . . . . . . . . . . 155 THE POWER OF LOVE IN VOCATION TO SLEEP . . CRITICAL NOTICE . . . . . . . . . . 103 |