Palgrave's Golden Treasury of Songs and Lyrics ...Macmillan, 1903 |
µµ¼ º»¹®¿¡¼
19°³ÀÇ °á°ú Áß 1 - 5°³
62 ÆäÀÌÁö
... effect is to give a trochaic rhythm instead of an iambic to these lines . The third line is of full length - four iambic feet - but the fourth line is shortened to three feet : the effect 62 NOTES.
... effect is to give a trochaic rhythm instead of an iambic to these lines . The third line is of full length - four iambic feet - but the fourth line is shortened to three feet : the effect 62 NOTES.
63 ÆäÀÌÁö
... effect of this is to check the somewhat rapid movement of the verse ; and give a momentary pause for reflection . 1. golden , ' glancing like gold , ' ' brilliant . ' This is probably the meaning in Shakespeare's Cymbeline , IV . ii ...
... effect of this is to check the somewhat rapid movement of the verse ; and give a momentary pause for reflection . 1. golden , ' glancing like gold , ' ' brilliant . ' This is probably the meaning in Shakespeare's Cymbeline , IV . ii ...
69 ÆäÀÌÁö
... effect of the Sapphic stanza - the brief fourth line that brings to a sudden check the short " swallow - flight of song " which is all that the stanza permits . Pope had doubtless read Horace's description of his farm in Satires , II ...
... effect of the Sapphic stanza - the brief fourth line that brings to a sudden check the short " swallow - flight of song " which is all that the stanza permits . Pope had doubtless read Horace's description of his farm in Satires , II ...
75 ÆäÀÌÁö
... effects in this Ode . Gray is a successor of Milton in " the grand style . " ( 2 ) The wealth of literary asso- ciations , some of which will be recalled in the notes that follow . deepens the charm for the instructed reader . Almost ...
... effects in this Ode . Gray is a successor of Milton in " the grand style . " ( 2 ) The wealth of literary asso- ciations , some of which will be recalled in the notes that follow . deepens the charm for the instructed reader . Almost ...
79 ÆäÀÌÁö
... the repeated sound in such incantations as " Double , double , toil and trouble , " and Ducite ab urbe domum , mea carmina , ducite Daphnim . The effect of the alliteration is also to be observed : it is not confined to the initial No. 8 ...
... the repeated sound in such incantations as " Double , double , toil and trouble , " and Ducite ab urbe domum , mea carmina , ducite Daphnim . The effect of the alliteration is also to be observed : it is not confined to the initial No. 8 ...
±âŸ ÃâÆǺ» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
Aeneid Aeolian Aeschylus anapaest ancient ballad Bard beautiful bonnie Book Bradshaw braes Burns called charm Collins Comus Cowper CXLV dear death Dryden's Eclogue eighteenth century Elegy English English poetry epithet eyes F. T. Palgrave Faerie Queene fair favourite flowers Georgics Golden Treasury Gray Gray's Greek Hales heart honour Horace Horace's Il Penseroso Jean John Anderson King L'Allegro Lady Latin leal lines living lourche Lucretius LXXXIX Lycidas Lycidas G. T. lyre lyric Mary melancholy Metre Milton mind Muse Nativity Ode night o'er Paradise Lost Penseroso G. T. phrase Pindar poem poetic poetry poets Pope Queen reader rhyme Scottish sense shade Shakespeare simplicity sleep song Sonnet Sophocles sorrow soul sound Spenser stanza stream sweet tabby tear Tennyson thee thou thought Tovey Twas verb verse Virgil warble wind wings word Wordsworth written Yarrow وو
Àαâ Àο뱸
48 ÆäÀÌÁö - John Anderson my jo. John Anderson my jo, John, We clamb the hill thegither ; And mony a canty day, John, We've had wi' ane anither : Now we maun totter down, John, But hand in hand we'll go, And sleep thegither at the foot, John Anderson my jo.
65 ÆäÀÌÁö - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
55 ÆäÀÌÁö - How fleet is a glance of the mind ! Compared with the speed of its flight, The tempest itself lags behind, And the swift-winged arrows of light. When I think of my own native land, In a moment I seem to be there ; But alas ! recollection at hand Soon hurries me back to despair.
29 ÆäÀÌÁö - Love framed with Mirth a gay fantastic round ; Loose were her tresses seen, her zone unbound : And he, amidst his frolic play, As if he would the charming air repay, Shook thousand odours from his dewy wings.
98 ÆäÀÌÁö - YE banks and braes o' bonnie Doon, How can ye bloom sae fresh and fair; How can ye chant, ye little birds, And I sae weary, fu' o
16 ÆäÀÌÁö - It was not in the battle; No tempest gave the shock ; She sprang no fatal leak, She ran upon no rock. His sword was in its sheath, His fingers held the pen, When Kempenfelt went down With twice four hundred men.
66 ÆäÀÌÁö - With store of ladies, whose bright eyes Rain influence, and judge the prize Of wit or arms, while both contend To win her grace whom all commend.
42 ÆäÀÌÁö - As fair art thou, my bonnie lass, So deep in luve am I, And I will luve thee still, my dear, Till a' the seas gang dry. Till a" the seas gang dry, my dear, And the rocks melt wi
33 ÆäÀÌÁö - WEE, sleekit, cow'rin, tim'rous beastie, O, what a panic's in thy breastie ! Thou need na start awa sae hasty, Wi...
50 ÆäÀÌÁö - Gainst graver hours, that bring constraint To sweeten liberty: Some bold adventurers disdain The limits of their little reign And unknown regions dare descry: Still as they run they look behind, They hear a voice in every wind, And snatch a fearful joy.