Communities of Cultural Value: Reception Study, Political Differences, and Literary HistoryLexington Books, 2001 - 241ÆäÀÌÁö Philip Goldstein is fast establishing himself as the doyen of "reception study," a discipline that assumes that the reader's interpretive practices explain a text's import. In his latest work, Communities of Cultural Value, Goldstein delves again into the realm of literary criticism, painting an absorbing picture of the changing nature of a growing, more diversified readership and its challenge to professional literary study. Goldstein's PostMarxist approach investigates how interpretive communities govern the reader's practices, through lucid case studies that analyze the reception of texts and authors ranging from Jane Austen to John Le Carré. Communities of Cultural Values is an important addition to the continuing debate over art's aesthetic autonomy and the role of literary criticism in the 1990s, and it will be most valuable to readers seeking to chart the changing socio-historical condition of literary study. |
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... shows the schools ' and movements ' evolution and development . Chapter 2 indicates that , even though the Marxist and the non - Marxist approaches to Hamlet sharply oppose each other , they both dismiss poststructuralist or New ...
... shows the schools ' and movements ' evolution and development . Chapter 2 indicates that , even though the Marxist and the non - Marxist approaches to Hamlet sharply oppose each other , they both dismiss poststructuralist or New ...
50 ÆäÀÌÁö
... show a remarkable diversity of taste , but who insists that humankind also shows an equally remarkable uniformity of judgment . Hume argues that the sensitivity , training , and impartiality of an authoritative critic ensure the ...
... show a remarkable diversity of taste , but who insists that humankind also shows an equally remarkable uniformity of judgment . Hume argues that the sensitivity , training , and impartiality of an authoritative critic ensure the ...
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... shows that " Lamord , " the name of the skillful French horseman so taken with Laertes ' fencing , puns on death ( la mort ) , whose import Hamlet forgets , and on love ( l'amour ) , whose comic meaning undermines the tragic form of the ...
... shows that " Lamord , " the name of the skillful French horseman so taken with Laertes ' fencing , puns on death ( la mort ) , whose import Hamlet forgets , and on love ( l'amour ) , whose comic meaning undermines the tragic form of the ...
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Reception Study in a Multicultural Era | 1 |
The Case for a LeftWing Reception Study | 31 |
The Reception of Hamlet | 53 |
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