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4th act actor altered appears Barry begins better Betterton borrowed brother brought called changes character Charles Comedy comes comic Company conclusion considerable Court Crown daughter death dedication discovered Downes Dryden Duke Duke's English enters Epilogue excellent falls father follows founded French friends given gives hand Harris Hart introduced James John killed King King's Kynaston Lady Langbaine Leigh lies lines lived Lord Malone March marry means meant mentioned mother never night Nokes observes original particularly passed Pepys performers perhaps persons piece play plot Poet poor pretends Prince printed probably Prologue published Queen reason received represented revived Royal says scene seems seen Shakspeare Smith speaks spoken stage story supposed taken tells Theatre thing thought till Tragedy turned whole wife woman write written young
6 페이지 - Now ye shall have three ladies walk to gather flowers, and then we must believe the stage to be a garden. By and by we hear news of shipwreck in the same place, and then we are to blame if we accept it not for a rock. Upon the back of that comes out a hideous monster with fire and smoke, and then the miserable beholders are bound to take it for a cave. While in the meantime two armies fly in, represented with four swords and bucklers, and then what hard heart will not receive it for a pitched field?
92 페이지 - ... a perpetual model of encomiastic criticism ; exact without minuteness, and lofty without exaggeration. The praise lavished by Longinus, on the attestation of the heroes of Marathon, by Demosthenes, fades away before it. In a few lines is exhibited a character so extensive in its comprehension, and so curious in its limitations, that nothing can be added, diminished, or reformed ; nor can the editors and admirers of...
427 페이지 - OF a tall stature, and of sable hue, Much like the son of Kish, that lofty Jew, Twelve years complete he suffered in exile, And kept his father's asses all the while...
91 페이지 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too.
91 페이지 - Wit, and language, and humour also in some measure, we had before him ; but something of art was wanting to the drama, till he came.
90 페이지 - Jonson derived from particular persons, they made it not their business to describe; they represented all the passions very lively, but above all, love. I am apt to believe the...
153 페이지 - Near these a Nursery erects its head, Where queens are form'd and future heroes bred; Where unfledg'd actors learn to laugh and cry, Where infant punks their tender voices try, And little Maximins the gods defy.
92 페이지 - I cannot say he is every where alike ; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid ; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great, when some great occasion is presented to him...
91 페이지 - He is many times flat and insipid; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great, when some great occasion is presented to him: No man can say, he ever had a fit subject for his wit, and did not then raise himself as high above the rest of poets.
90 페이지 - Beaumont and Fletcher, of whom I am next to speak, had, with the advantage of Shakespeare's wit, which was their precedent, great natural gifts improved by study; Beaumont especially being so accurate a judge of plays that Ben Jonson, while he lived, submitted all his writings to his censure, and, 'tis thought, used his judgment in correcting, if not contriving all his plots.