Some Account of the English Stage: From the Restoration in 1660 to 1830, 1권H.E. Carrington, 1832 |
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1 페이지
... borrowed certain copes from the Abbey of St. Alban . On the night after the play , his house was burnt , with his books and the aforesaid copes . Geoffrey , not knowing how to make Heaven and St. Alban amends for this loss , thought the ...
... borrowed certain copes from the Abbey of St. Alban . On the night after the play , his house was burnt , with his books and the aforesaid copes . Geoffrey , not knowing how to make Heaven and St. Alban amends for this loss , thought the ...
50 페이지
... borrowed some hints from the novel of Cervantes , on which Fletcher's play is founded -- in this piece , as Dr. Johnson observes , Dryden made his first essay in rhyme however some few scenes only are thus written in the Prologue Dryden ...
... borrowed some hints from the novel of Cervantes , on which Fletcher's play is founded -- in this piece , as Dr. Johnson observes , Dryden made his first essay in rhyme however some few scenes only are thus written in the Prologue Dryden ...
62 페이지
... borrowed -in both the plays the kindness of the Uncle is shown with a sinister view . Sparagus Garden - this is a good C. by Brome— it was printed in 1640 - the scene in the 3d act lies in the Sparagus Garden - the Gardener's wife keeps ...
... borrowed -in both the plays the kindness of the Uncle is shown with a sinister view . Sparagus Garden - this is a good C. by Brome— it was printed in 1640 - the scene in the 3d act lies in the Sparagus Garden - the Gardener's wife keeps ...
84 페이지
... borrowing from Sallust and Cicero , but he should have borrowed only the most striking passages , and have omitted the rest - even Gifford allows that Ci- cero's long harangue , in the 4th act , would fatigue the lungs of any actor ...
... borrowing from Sallust and Cicero , but he should have borrowed only the most striking passages , and have omitted the rest - even Gifford allows that Ci- cero's long harangue , in the 4th act , would fatigue the lungs of any actor ...
85 페이지
... borrowed the character of Subtle in the Alchemist from Albumazar - but the Alchemist was acted in 1610 — and printed in 1612 - see Gifford's 1st note on the Alchemist . March 26. Man's the Master - Harris acted Don John and Underhill ...
... borrowed the character of Subtle in the Alchemist from Albumazar - but the Alchemist was acted in 1610 — and printed in 1612 - see Gifford's 1st note on the Alchemist . March 26. Man's the Master - Harris acted Don John and Underhill ...
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1st act 3d act 4th act actor altered Antonio appears Barry Behn Bessus Betterton borrowed Cæsar called Cardinal character Charles the 2d Cibber Comedy comic Court Crown daughter Davenant disguised Downes says Dryden Duke of Guise Duke of York Duke's Company Dutchess Earl Edipus Emperour enters Epilogue falls in love father Fletcher French friends Gillow gives Griffin Gwyn Haines Harris Hart honour humour Jevon Julius Cæsar killed Killegrew King King's Company Kynaston Lacy Lady Langbaine says last scene Leigh licensed Lord Lord Shaftesbury Lovers Malone marry Medbourne Mohun Mountfort Nell Gwyn Nokes old plays original Othello Pepys says Percival performers persons plot Poet pretends Prince printed probably Prologue Queen racter Revenge revived rhyme Sandford scene lies seems Shadwell Shakspeare Shakspeare's Smith spoken stage supposed tells terton Theatre Titus Andronicus Tragedy Tyrannick Love Underhill Whigs whole wife Williams Wiltshire Wintershall woman written young
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6 페이지 - Now ye shall have three ladies walk to gather flowers, and then we must believe the stage to be a garden. By and by we hear news of shipwreck in the same place, and then we are to blame if we accept it not for a rock. Upon the back of that comes out a hideous monster with fire and smoke, and then the miserable beholders are bound to take it for a cave. While in the meantime two armies fly in, represented with four swords and bucklers, and then what hard heart will not receive it for a pitched field?
92 페이지 - ... a perpetual model of encomiastic criticism ; exact without minuteness, and lofty without exaggeration. The praise lavished by Longinus, on the attestation of the heroes of Marathon, by Demosthenes, fades away before it. In a few lines is exhibited a character so extensive in its comprehension, and so curious in its limitations, that nothing can be added, diminished, or reformed ; nor can the editors and admirers of...
427 페이지 - OF a tall stature, and of sable hue, Much like the son of Kish, that lofty Jew, Twelve years complete he suffered in exile, And kept his father's asses all the while...
91 페이지 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too.
91 페이지 - Wit, and language, and humour also in some measure, we had before him ; but something of art was wanting to the drama, till he came.
90 페이지 - Jonson derived from particular persons, they made it not their business to describe; they represented all the passions very lively, but above all, love. I am apt to believe the...
153 페이지 - Near these a Nursery erects its head, Where queens are form'd and future heroes bred; Where unfledg'd actors learn to laugh and cry, Where infant punks their tender voices try, And little Maximins the gods defy.
92 페이지 - I cannot say he is every where alike ; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid ; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great, when some great occasion is presented to him...
91 페이지 - He is many times flat and insipid; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great, when some great occasion is presented to him: No man can say, he ever had a fit subject for his wit, and did not then raise himself as high above the rest of poets.
90 페이지 - Beaumont and Fletcher, of whom I am next to speak, had, with the advantage of Shakespeare's wit, which was their precedent, great natural gifts improved by study; Beaumont especially being so accurate a judge of plays that Ben Jonson, while he lived, submitted all his writings to his censure, and, 'tis thought, used his judgment in correcting, if not contriving all his plots.