Great Plays: English |
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iii 페이지
... but in studying the development of elaborate dramatic composition and
representation they are apt to forget that the true source of dramatic art is a great
natural impulse toward feigning passion , character , situation and action ,
manifest no ...
... but in studying the development of elaborate dramatic composition and
representation they are apt to forget that the true source of dramatic art is a great
natural impulse toward feigning passion , character , situation and action ,
manifest no ...
iv 페이지
The moralities or moral plays were dramas in which abstract qualities were
personified and became characters ; and virtues ... Commonly the devil took a
part in these plays ; and the vice , a character representing a different sin in
different ...
The moralities or moral plays were dramas in which abstract qualities were
personified and became characters ; and virtues ... Commonly the devil took a
part in these plays ; and the vice , a character representing a different sin in
different ...
vii 페이지
... the earls of Leicester , Oxford , Sussex , and Worcester , and Lord Howard of
Effingham . There were no women in these companies , and the female
characters were played by boys , as is shown by various allusions in the early
dramatists .
... the earls of Leicester , Oxford , Sussex , and Worcester , and Lord Howard of
Effingham . There were no women in these companies , and the female
characters were played by boys , as is shown by various allusions in the early
dramatists .
ix 페이지
... old plots had grown familiar by repetition ; the fresh characters , hot from the
creative imagination , had been often copied , and new characters were hard to
find ; favourite tricks of expression were growing wearisome ; the primitive
passions ...
... old plots had grown familiar by repetition ; the fresh characters , hot from the
creative imagination , had been often copied , and new characters were hard to
find ; favourite tricks of expression were growing wearisome ; the primitive
passions ...
x 페이지
There is scarce a humour , a character , or any kind of plot which they have not
used . All comes sullied or wasted to us ; and were they to entertain this age ,
they could not now make so plenteous treatments out of such decayed fortunes .
There is scarce a humour , a character , or any kind of plot which they have not
used . All comes sullied or wasted to us ; and were they to entertain this age ,
they could not now make so plenteous treatments out of such decayed fortunes .
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arms bear believe better blood bring brother Brutus cause character Charles Chas comes dare dear death doth Earl Edward Enter Exeunt Exit eyes Face fair faith fall father fear follow Gaveston give gone grace hand hast hath head hear heart Heaven hold holy honour hope I'll Isab keep Kent king Lady Sneer Lady Teaz leave light live look lord madam master means meet Mildred mind Mortimer nature never night once play poor pray queen rest SCENE shepherd Sir Oliv Sir Pet Sir Peter soul speak stay sure Surf Surface sweet Teazle tell thank thee there's thing thou thought Tres true turn unto young
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xvii 페이지 - Ah Ben! Say how or when Shall we, thy guests, Meet at those lyric feasts, Made at the Sun, The Dog, the Triple Tun ; Where we such clusters had, As made us nobly wild, not mad ? And yet each verse of thine Out-did the meat, out-did the frolic wine.
6 페이지 - Sweet speeches, comedies, and pleasing shows; And in the day, when he shall walk abroad, Like sylvan nymphs my pages shall be clad; My men, like satyrs grazing on the lawns, Shall with their goat-feet dance an antic hay.
195 페이지 - Shepherds all, and maidens fair, Fold your flocks up, for the air 'Gins to thicken, and the sun Already his great course hath run. See the dew-drops how they kiss Every little flower that is; Hanging on their velvet heads, Like a rope of crystal beads ; See the heavy clouds low falling, And bright Hesperus down calling The dead Night...
288 페이지 - Terrier, who everybody said would have been a better match? for his estate is just as good as yours, and he has broke his neck since we have been married.
272 페이지 - tis out of pure good humor, and I take it for granted they deal exactly in the same manner with me. But, Sir Peter, you know you promised to come to Lady Sneerwell's too. SIR PET. Well, well, I'll call in, just to look after my own character.
314 페이지 - A very clear account, upon my word ! and I dare swear the lady will vouch for every article of it. Lady Teaz. For not one word of it, sir Peter ! Sir Pet.
77 페이지 - Pretender, beware at what hands thou receiv'st thy commodity; for thou wert never more fair in the way to be coz'ned than in this age in Poetry, especially in the Plays: wherein, now the concupiscence of dances and antics so reigneth, as to run away from nature, and be afraid of her, is the only point of art that tickles the spectators.
70 페이지 - Mat. I fear me that this cry will raise the town, And therefore, let us take horse and away.
217 페이지 - Do not fear to put thy feet Naked in the river sweet ' ; Think not leech, or newt, or toad, Will bite thy foot, when thou hast trod ; Nor let the water rising high, As thou wad'st in, make thee cry And sob ; but ever live with me, And not a wave shall trouble thee.
286 페이지 - And you shall no longer reproach me with not giving you an independent settlement. I mean shortly to surprise you: but shall we always live thus, hey ? Lady Teaz.
도서 문헌정보
| 제목 | Great Plays: English Landmarks of civilization World's great books |
| 도움을 주신 분들 | Joseph O'Connor |
| 발행인 | D. Appleton, 1900 |
| 소장 | 하버드 대학교 |
| 디지털화된 날짜: | 2007년 4월 6일 |
| 길이 | 421페이지 |
| 서지정보 내보내기 | BiBTeX EndNote RefMan |