Complete Course in Public SpeakingMacmillan, 1920 - 631ÆäÀÌÁö |
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... PITCH ( INFLECTION ) . Tennyson Carlyle . Kipling Definition of pitch and inflection Aims of study and practice of this factor Analysis of pitch range . 99 ¡¤ • Irving • Byron • 99 . 100 • 101 ¡¤ 102 • ¡¤ 103 • Webster 104 • Lincoln 105 ...
... PITCH ( INFLECTION ) . Tennyson Carlyle . Kipling Definition of pitch and inflection Aims of study and practice of this factor Analysis of pitch range . 99 ¡¤ • Irving • Byron • 99 . 100 • 101 ¡¤ 102 • ¡¤ 103 • Webster 104 • Lincoln 105 ...
xv ÆäÀÌÁö
... PITCH ( REGISTERS ) The middle register and its uses The high register and its uses Aims in practice . Selections for practical application Young Gobbo's Predica- ment • The Boat Race . ¡¤ 140 • • 140 141 • 141 • 141 • Shakespeare ...
... PITCH ( REGISTERS ) The middle register and its uses The high register and its uses Aims in practice . Selections for practical application Young Gobbo's Predica- ment • The Boat Race . ¡¤ 140 • • 140 141 • 141 • 141 • Shakespeare ...
3 ÆäÀÌÁö
... pitch , force , and time . It is to be emphasized , however , that the mere study of voice principles is of comparatively little value . It is only when theory is put into practice , and , furthermore , only when that practice results ...
... pitch , force , and time . It is to be emphasized , however , that the mere study of voice principles is of comparatively little value . It is only when theory is put into practice , and , furthermore , only when that practice results ...
28 ÆäÀÌÁö
Joseph Albert Mosher. The story of the celebrated harlequin Lunn , who secretly pitched himself out of one into a tavern window , and when the coachman was about to submit to the loss of his fare , astonished him by calling out again ...
Joseph Albert Mosher. The story of the celebrated harlequin Lunn , who secretly pitched himself out of one into a tavern window , and when the coachman was about to submit to the loss of his fare , astonished him by calling out again ...
73 ÆäÀÌÁö
... pitch , and rate . Proceeding to the consideration of these elements , he should keep in mind two general ideas . First , it is desirable to acquire a knowledge of the most effective employment of vocal properties in ex- pressing ...
... pitch , and rate . Proceeding to the consideration of these elements , he should keep in mind two general ideas . First , it is desirable to acquire a knowledge of the most effective employment of vocal properties in ex- pressing ...
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arms articulation audience better C©¡sar called cavities CHAPTER clear common consonant cried dead death desirable diaphragm digraph diphthong discussion drawbridge effect emotional error example EXERCISES expression eyes feeling force gesture give glottis hand hard palate hear heart honorable idea inflection inhalation Julius C©¡sar larynx Lilian lips living look Lord lower lungs Lycidas marked barriers means ment mind mouth nasal passages never night normal organs pause pharynx phrasing pitch position principles produced pronunciation raised Repeat resonance cavities SELECTIONS FOR PRACTICAL sentence Silas Marner silent soft palate sometimes sonants sound is represented speaker speaking speech stress stroke student suggest syllable teeth are placed thee thing thoracic cavity thou thought throat tion tone tongue unvocalized utterance vocal bands vocalized breath voice voice-box vowel vowel sounds Warren Hastings wind words
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102 ÆäÀÌÁö - Far-called, our navies melt away; On dune and headland sinks the fire: Lo, all our pomp of yesterday Is one with Nineveh and Tyre ! Judge of the Nations, spare us yet, Lest we forget - lest we forget...
156 ÆäÀÌÁö - We thought as we hollowed his narrow bed And smoothed down his lonely pillow, That the foe and the stranger would tread o'er his head, And we...
267 ÆäÀÌÁö - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
267 ÆäÀÌÁö - The torrent roar'd, and we did buffet it With lusty sinews, throwing it aside And stemming it with hearts of controversy ; But ere we could arrive the point proposed, Caesar cried ' Help me, Cassius, or I sink...
189 ÆäÀÌÁö - Once more unto the breach, dear friends, once more, Or close the wall up with our English dead ! In peace there's nothing so becomes a man As modest stillness and humility ; But when the blast of war blows in our ears, Then imitate the action of the tiger...
133 ÆäÀÌÁö - Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action; with this special observance, that you o'erstep not the modesty of nature: for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
24 ÆäÀÌÁö - Tempered to the oaten flute ; Rough Satyrs danced, and Fauns with cloven heel From the glad sound would not be absent long ; And old Damoetas loved to hear our song.
133 ÆäÀÌÁö - O, it offends me to the soul to hear a robustious periwigpated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings...
155 ÆäÀÌÁö - Not a drum was heard, not a funeral note, As his corse to the rampart we hurried ; Not a soldier discharged his farewell shot O'er the grave where our hero we buried.
259 ÆäÀÌÁö - For I dipt into the future, far as human eye could see, Saw the Vision of the world, and all the wonder that would be...