The Scottish Review, 2권

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A. Gardner, 1883
 

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341 페이지 - Perplext in faith, but pure in deeds, At last he beat his music out. There lives more faith in honest doubt, Believe me, than in half the creeds.
293 페이지 - THERE was a child went forth every day, And the first object he look'd upon, that object he became, And that object became part of him for the day or a certain part of the day, Or for many years or stretching cycles of years.
294 페이지 - The stars of midnight shall be dear To her; and she shall lean her ear In many a secret place Where rivulets dance their wayward round, And beauty born of murmuring sound Shall pass into her face.
352 페이지 - My being - had I signed the bond Still one must lead some life beyond, Have a bliss to die with, dim-descried. This foot once planted on the goal, This glory-garland round my soul, Could I descry such ? Try and test ! I sink back shuddering from the quest. Earth being so good, would heaven seem best ? Now, heaven and she are beyond this ride.
343 페이지 - One God, one law, one element, And one far-off divine event, To which the whole creation moves.
289 페이지 - Come, I will make the continent indissoluble, I will make the most splendid race the sun ever shone upon, I will make divine magnetic lands, With the love of comrades, With the life-long love of comrades...
342 페이지 - Till the war-drum throbb'd no longer, and the battle flags were furl'd In the Parliament of man, the Federation of the world.
249 페이지 - ... in all times there have been about one hundred thousand of those vagabonds, who have lived without any regard or subjection either to the laws of the land or even those of God and nature.
297 페이지 - There was never any more inception than there is now, Nor any more youth or age than there is now, And will never be any more perfection than there is now, Nor any more heaven or hell than there is now.
294 페이지 - The art of art, the glory of expression and the sunshine of the light of letters, is simplicity. Nothing is better than simplicity—nothing can make up for excess, or for the lack of definiteness. To carry on the heave of impulse and pierce intellectual depths and give all subjects their articulations, are powers neither common nor very uncommon. But to speak in literature with the perfect rectitude and insouciance of the movements of animals, and the unimpeachableness of the sentiment of trees...

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