The Works of Ben Jonson...: With Notes Critical and Explanatory, and a Biographical Memoir, 9±ÇG. and W. Nicol, 1816 |
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83 ÆäÀÌÁö
... Latin of BEN JONSON , engraven in Marble over the Chimney , in the APOLLO of the Old Devil Tavern , ' at Temple- Bar ; that being his Club - Room . Non verbum reddere verbo . I. 1 As the fund of our pleasure , let each pay his shot ...
... Latin of BEN JONSON , engraven in Marble over the Chimney , in the APOLLO of the Old Devil Tavern , ' at Temple- Bar ; that being his Club - Room . Non verbum reddere verbo . I. 1 As the fund of our pleasure , let each pay his shot ...
87 ÆäÀÌÁö
... is the old catch , beginning , Old Sir Simon the king —————— WHAL . 4 Wine it is the milk of Venus . ] From the Greek Anacreontic , ¥Ï¥é¥í¥ïς ¥ã¥á¥ë¥á ¥Á¥õ¥ñ¥ï¥äί¥ó¥çς . WHAL . TRANSLATIONS FROM THE LATIN POETS . HORACE HIS ART OF [ 87 ]
... is the old catch , beginning , Old Sir Simon the king —————— WHAL . 4 Wine it is the milk of Venus . ] From the Greek Anacreontic , ¥Ï¥é¥í¥ïς ¥ã¥á¥ë¥á ¥Á¥õ¥ñ¥ï¥äί¥ó¥çς . WHAL . TRANSLATIONS FROM THE LATIN POETS . HORACE HIS ART OF [ 87 ]
89 ÆäÀÌÁö
With Notes Critical and Explanatory, and a Biographical Memoir Ben Jonson, William Gifford. TRANSLATIONS FROM THE LATIN POETS . HORACE HIS ART OF POETRY . HORACE OF THE ART OF POETRY . ] This translation.
With Notes Critical and Explanatory, and a Biographical Memoir Ben Jonson, William Gifford. TRANSLATIONS FROM THE LATIN POETS . HORACE HIS ART OF POETRY . HORACE OF THE ART OF POETRY . ] This translation.
230 ÆäÀÌÁö
... Latin writers , within these last hundred years , of my reading ; and perhaps Seneca may be ap- peached of it ; I accuse him not . 2. Perspicuitas.The next property of epistolary style is perspicuity , and is oftentimes by affec- tation ...
... Latin writers , within these last hundred years , of my reading ; and perhaps Seneca may be ap- peached of it ; I accuse him not . 2. Perspicuitas.The next property of epistolary style is perspicuity , and is oftentimes by affec- tation ...
244 ÆäÀÌÁö
... Latin language were at the height ; especially being a man so conversant and inwardly familiar with the censures of great men , that did discourse of these things daily amongst themselves . Again , a man so gracious , and in high favour ...
... Latin language were at the height ; especially being a man so conversant and inwardly familiar with the censures of great men , that did discourse of these things daily amongst themselves . Again , a man so gracious , and in high favour ...
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adjective adverbs ANTISTROPHE Aristotle beauty BEN JONSON BENJAMIN JONSON called CHAP Chaucer comedy counsel death declension Digby diphthongs divers doth Duggs earl ELEGY enim epode Euripides fable fair fame feign GILCHRIST glory Gower grace Greek h©¡c hath honour JONSON judgment Kecks king labour lady language Latin learned less letter Lidgate light litera live lord master mind modò muse nature never noble noun past perfect person Pindar Plautus plural poem poet poetry praise preposition prince qu©¡ quàm quid Quintilian quod rhyme Scalig Sejanus Shackerley Marmion Shep shew sibi sing singular Sir Thomas sonum soul sound speak speech style substantive sweet syllabe syntax thee thine things thou thought tibi tongue true truth unto verb verse vice virtue vocalis vowels WHAL whereof whole wise words write
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181 ÆäÀÌÁö - Yet there happened in my time one noble speaker, who was full of gravity in his speaking. His language (where he could spare or pass by a jest) was nobly censorious. No man ever spake more neatly, more pressly, more weightily, or suffered less emptiness, less idleness, in what he uttered.
11 ÆäÀÌÁö - A lily of a day Is fairer far, in May, Although it fall and die that night; It was the plant and flower of light. In small proportions we just beauties see; And in short measures life may perfect be.
173 ÆäÀÌÁö - I loved the man, and do honour his memory on this side idolatry as much as any. He was, indeed, honest, and of an open and free nature ; had an excellent phantasy, brave notions, and gentle expressions, wherein he flowed with that facility that sometimes it was necessary he should be stopped.
218 ÆäÀÌÁö - Custom is the most certain mistress of language, as the public stamp makes the current money. But we must not be too frequent with the mint, every day coining, nor fetch words from the extreme and utmost ages ; since the chief virtue of a style is perspicuity, and nothing so vicious in it as to need an interpreter.
172 ÆäÀÌÁö - For they commend writers as they do fencers or wrestlers ; who, if they come in robustiously, and put for it with a great deal of violence, are received for the braver fellows...
154 ÆäÀÌÁö - ... scoffing. For to all the observations of the Ancients we have our own experience, which if we will use, and apply, we have better means to pronounce. It is true, they opened the gates, and made the way, that went before us; but as guides, not commanders: Non domini nostri, sed duces, fuere.
174 ÆäÀÌÁö - Augustus said of Haterius. His wit was in his own power; would the rule of it had been so too. Many times he fell into those things could not escape laughter; as when he said in the person of Caesar, one speaking to him, "Caesar, thou dost me wrong," he replied, "Caesar did never wrong but with just cause"; and such like, which were ridiculous.
175 ÆäÀÌÁö - They would not have it run without rubs, as if that style were more strong and manly that struck the ear with a kind of unevenness. These men err not by chance, but knowingly and willingly; they are like men that affect a fashion by themselves; have some singularity in a ruff, cloak, or hatband; or their beards specially cut to provoke beholders, and set a mark upon themselves.
211 ÆäÀÌÁö - So did the best writers in their beginnings: they imposed upon themselves care and industry; they did nothing rashly; they obtained first to write well and then custom made it easy and a habit.
232 ÆäÀÌÁö - Hence he is called a poet, not he which writeth in measure only, but that feigneth and formeth a fable, and writes things like the truth. For the fable and fiction is, as it were, the form and soul of any poetical work, or poem.