Romantic Landscape Vision: Constable and Wordsworth

aesthetic analogous artists awareness Beaumont's century Chaucer's chiaroscuro classical Claude Claude's clouds color consciousness Constable and Wordsworth Constable's Constable's art contrast Cornfield critics Dedham Vale Denham's earlier embody Ernest de Selincourt evoke example experience fashion feeling foreground Grasmere Hadleigh Castle Haywain Home at Grasmere human imaginative impression interaction John Constable Kenneth Clark landscape art landscape painting landscape poetry landscapists later light lines literary London M. H. Abrams man's Milton mind mode natural scene natural world never objects painter Paradise passage pattern Peele Castle perceive perception picture picturesque poem poem's poet poet's poetic Pope's Poussin Prelude reader relation represent rhythms Romantic Romanticism Rosa Ruskin scape Seasons sensation sense sight significant Snowdon specific spots sublimity suggested temporal texture things Thomson's Tintern Abbey tion trees ture turization Turner unique unity Ut Pictura Poesis Vale vision visual vital William Wordsworth Windsor Forest Words Wordsworth and Constable worth's