REMARKS.

This comedy made its appearance at Covent Garden theatre, in 1769, and pleased the town so well, that it merely sunk into neglect, when the author, two seasons after, banished his own, and all other comedies, of that period, from the stage, by the splendid success of his "West Indian."

With all the merit which "The Brothers" possesses, and which is of no small account, it is instructive to observe, with how much judgment Mr. Cumberland corrected in his second play, all those faults he had committed in the first.

The language of "The West Indian" is wholly refined, and every idea it contains, perfectly delicate. The youthful parts are there rendered brilliant, as well as interesting; and wit and humour are not confined, as here, to the mean, or the vulgar; but skilfully bestowed on persons of pleasing forms and polite manners. Herein is the difficulty, which divides, like a gulf, the superior, from the inferior, dramatist.

To give blunt repartee, or other humorous dialogue, to characters in low life; to produce variety of comic accidents, by which a petty tradesman, a sailor, or a country clown, shall raise a peal of laughter, is

the easy attainment of
every whimsical writer: But
to exhibit the weak side of wisdom, the occasional
foibles which impede the full exertion of good sense;
the chance awkwardness of the elegant, and mistakes
of the correct; to bestow wit on beauty, and to de-
pict the passions, visible in the young, as well as in
the aged; these are efforts of intellect, required in
the production of a good comedy, and can alone con-
fer the title of a good comic author.

Notwithstanding the disadvantage under which this drama must be judged, in comparing it with one near perfection, by the same writer; "The Brothers" will always be read with infinite pleasure; and the moral which it conveys, in the remorse of Belfield senior, will always be considered as one, among the various obligations which the public owe to Mr. Cumberland, for having preserved, throughout all his numerous works, a strict sense of the dues of morality.

The characters which will amuse the most, in the reading of this play, are those, most deficient of entertainment on the stage. The love-stories of the Belfield family, are rather adapted to the closet, whilst Sir Benjamin Dove's cowardice, and ultimate victory, draw bursts of merriment and applause, from every part of a theatre.

Ironsides has, also, his share of admirers in his exhibition before an audience; and every rough sentence, which falls from this boisterous sailor's lips, is received as the uncouth overflowings of an honest heart.

Of the character of Mr. Paterson, two questions

may be fairly asked-what business has he in the play and what business can be done there without him?

Though "The Brothers" is not the best comedy which the author has written; it is, nevertheless, acknowledged by all critics-a very good one.

THE

BROTHERS.

ACT THE FIRST.

SCENE I.

A rocky Shore, with a Fisherman's Cabin in the Cliff: a violent Tempest, with Thunder and Lightning: a Ship discovered stranded on the Coast. After having looked out of their Cabin, as if waiting for the abatement of the Storm,

Enter OLD GOODWIN, PHILIP, and FANNY.

Philip. It blows a rank storm; 'tis well, father, we hauled the boat ashore before the weather came on; she's safe bestowed, however, let what will happen.

O. Good. Ay, Philip, we had need be provident: except that poor skiff, my child, what have we left in this world that we can call our own?

Philip. To my thoughts, now, we live as happily in this poor hut, as we did yonder in the great house, when you was 'Squire Belfield's principal tenant, and as topping a farmer as any in the whole county of Cornwall.