The Edinburgh Review: Or Critical Journal, 196±ÇA. Constable, 1902 |
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... MODERN ENGLISH AND FRENCH DRAMA . X. THE MASTERY OF THE PACIFIC . XI . THE EDUCATION BILL . XII . PEACE IN SOUTH AFRICA . NEW YORK : LEONARD SCOTT PUBLICATION COMPANY , 7 and 9 WARREN STREET . CONTEMPORARY REVIEW PUBLISHERS OF ...
... MODERN ENGLISH AND FRENCH DRAMA . X. THE MASTERY OF THE PACIFIC . XI . THE EDUCATION BILL . XII . PEACE IN SOUTH AFRICA . NEW YORK : LEONARD SCOTT PUBLICATION COMPANY , 7 and 9 WARREN STREET . CONTEMPORARY REVIEW PUBLISHERS OF ...
17 ÆäÀÌÁö
... modern word ) on its way to the coast , by Juarez's orders . Three months afterwards a large sum of money was taken from the British Consulate at Mexico itself by a force under Miramon's officers . Outrages of this character justified ...
... modern word ) on its way to the coast , by Juarez's orders . Three months afterwards a large sum of money was taken from the British Consulate at Mexico itself by a force under Miramon's officers . Outrages of this character justified ...
39 ÆäÀÌÁö
... modern sea - fight would require a swifter metre . Two modern warships , steaming full pace ahead , with their far - reaching guns , might be in action ten minutes after they saw each other's smoke above the horizon . A modern sea ...
... modern sea - fight would require a swifter metre . Two modern warships , steaming full pace ahead , with their far - reaching guns , might be in action ten minutes after they saw each other's smoke above the horizon . A modern sea ...
44 ÆäÀÌÁö
... Modern bards have , on the whole , succeeded better in retrospective war poetry . Of this kind is all the war part of Shakespeare's plays ; his themes were furnished by the wars of ancient Rome , of Henry V. in France , and the Wars of ...
... Modern bards have , on the whole , succeeded better in retrospective war poetry . Of this kind is all the war part of Shakespeare's plays ; his themes were furnished by the wars of ancient Rome , of Henry V. in France , and the Wars of ...
49 ÆäÀÌÁö
... modern realistic artist consciously describing fights in which he has not taken part for the amusement of a public which has also not taken part , but which likes to have its sensations excited in a novel manner . The grateful public ...
... modern realistic artist consciously describing fights in which he has not taken part for the amusement of a public which has also not taken part , but which likes to have its sensations excited in a novel manner . The grateful public ...
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46 ÆäÀÌÁö - Far on the deep the Spaniard saw, along each southern shire, % Cape beyond cape, in endless range, those twinkling points of fire. The fisher left his skiff to rock on Tamar's glittering waves : The rugged miners poured to war from Mendip's sunless caves: O'er Longleat's towers, o'er Cranbourne's oaks, the fiery herald flew: He roused the shepherds of Stonehenge, the rangers of Beaulieu.
38 ÆäÀÌÁö - The combat deepens. On, ye brave, Who rush to glory or the grave ! Wave, Munich, all thy banners wave, And charge with all thy chivalry.
136 ÆäÀÌÁö - ... would indeed be a •wild project ; it would be to dig up foundations ; to destroy at one blow all the wit and half the learning of the kingdom ; to break the entire frame and constitution of things ; to ruin trade, extinguish arts and sciences, with the professors of them ; in short, to turn our courts, exchanges, and shops into deserts...
31 ÆäÀÌÁö - She put her hand to the nail, And her right hand to the workman's hammer; And with the hammer she smote Sisera, She smote off his head, When she had pierced and stricken through his temples. At her feet he bowed, he fell, he lay down: At her feet he bowed, he fell: Where he bowed, there he fell down dead.
38 ÆäÀÌÁö - Last noon beheld them full of lusty life, Last eve in beauty's circle proudly gay ; The midnight brought the signal-sound of strife, The morn the marshalling in arms — the day Battle's magnificently stern array...
191 ÆäÀÌÁö - Another thing in which the French differ from us and from the Spaniards is, that they do not embarrass or cumber themselves with too much plot ; they only represent so much of a story as will constitute one whole and great action sufficient for a play ; we, who undertake more, do but multiply adventures ; which, not being produced from one another, as effects from causes, but barely following, constitute many actions in the drama, and consequently make it many plays.
43 ÆäÀÌÁö - Islands of the Blest'. The mountains look on Marathon, And Marathon looks on the sea. And musing there an hour alone, I dreamed that Greece might still be free, For standing on the Persians' grave, I could not deem myself a slave.
91 ÆäÀÌÁö - The lights begin to twinkle from the rocks: The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends, 'Tis not too late to seek a newer world.
44 ÆäÀÌÁö - Warwick in blood did wade, Oxford the foe invade, And cruel slaughter made Still as they ran up; Suffolk his axe did ply, Beaumont and Willoughby Bare them right doughtily, Ferrers and Fanhope. Upon Saint Crispin's Day...
37 ÆäÀÌÁö - VANGUARD of Liberty, ye men of Kent, Ye children of a Soil that doth advance Her haughty brow against the coast of France, Now is the time to prove your hardiment! To France be words of invitation sent ! They from their fields can see the countenance Of your fierce war, may ken the glittering lance, And hear you shouting forth your brave intent. Left single, in bold parley...