The Plays & Poems of Shakespeare: Life of Shakespeare. Dr. Johnson's preface. The tempest. Two gentlemen of VeronaH:O. Bohn, 1857 |
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lviii 페이지
... fear from the flux of years ; but works tentative and experi- mental must be estimated by their proportion to the general and collective ability of man , as it is discovered in a long suc- cession of endeavors . Of the first building ...
... fear from the flux of years ; but works tentative and experi- mental must be estimated by their proportion to the general and collective ability of man , as it is discovered in a long suc- cession of endeavors . Of the first building ...
lxxix 페이지
... manners , and delivers just and noble sentiments , in diction easy , elevated , and harmonious ; but its hopes and fears communicate no vibration to the heart ; the composition refers us only JR . JOHNSON'S PREFACE . lxxix.
... manners , and delivers just and noble sentiments , in diction easy , elevated , and harmonious ; but its hopes and fears communicate no vibration to the heart ; the composition refers us only JR . JOHNSON'S PREFACE . lxxix.
24 페이지
... thee . If now ' twere fit to do ' t : -At the first sight [ aside . They have changed eyes : -Delicate Ariel , I'll set thee free for this ! -A word , good sir ; 1 Confute . I fear , you have done yourself some wrong : 24 A 1 . TEMPEST .
... thee . If now ' twere fit to do ' t : -At the first sight [ aside . They have changed eyes : -Delicate Ariel , I'll set thee free for this ! -A word , good sir ; 1 Confute . I fear , you have done yourself some wrong : 24 A 1 . TEMPEST .
25 페이지
William Shakespeare Abraham John Valpy. I fear , you have done yourself some wrong : & word . Mir . Why speaks my father so ungently ? This Is the third man that e'er I saw ; the first That e'er I sigh'd for : pity move my y ! To be ...
William Shakespeare Abraham John Valpy. I fear , you have done yourself some wrong : & word . Mir . Why speaks my father so ungently ? This Is the third man that e'er I saw ; the first That e'er I sigh'd for : pity move my y ! To be ...
33 페이지
... fear , for ever : Milan and Naples have More widows in them of this business ' making , Than we bring men to comfort them : the fault's Your own . Alon . So is the dearest of the loss . Gon . My lord Sebastian , The truth you speak doth ...
... fear , for ever : Milan and Naples have More widows in them of this business ' making , Than we bring men to comfort them : the fault's Your own . Alon . So is the dearest of the loss . Gon . My lord Sebastian , The truth you speak doth ...
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appears Ariel Ben Jonson Caliban comedy conjecture criticism daughter didst diligence dost doth drama duke of Milan Eglamour Enter Exeunt Exit eyes father Ferdinand genius gentle gentlemen GENTLEMEN OF VERONA give Gonzalo grace hath hear heart heaven Henry VI high bailiff honor island Jonson Julia king knowlege labor lady ladyship language Launce learning living look lord Lucetta Malone Marry master mind Miranda mistress monster Naples nature never passion play poet Pr'ythee praise pray Prospero Rowe SCENE Sebastian servant Shak Shakspeare Shakspeare's sir Proteus sir Thurio sometimes speak Speed spirit Stephano strange Stratford Stratford-on-Avon Susanna Hall sweet Sycorax tell thee thine thing thou art thou hast Thou shalt thought tragedy Trin Trinculo Tunis unto Valentine Verona Warwickshire wool-stapler words writers youth
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44 페이지 - Were I in England now, as once I was, and had but this fish painted, not a holiday fool there but would give a piece of silver. There would this monster make a man. Any strange beast there makes a man. When they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian.
170 페이지 - Who is Silvia ? what is she, That all our swains commend her? Holy, fair, and wise is she ; The heaven such grace did lend her, That she might admired be. Is she kind as she is fair, — For beauty lives with kindness ? Love doth to her eyes repair, To help him of his blindness ; And, being help'd, inhabits there. Then to Silvia let us sing, That Silvia is excelling; She excels each mortal thing Upon the dull earth dwelling : To her let us garlands bring.
80 페이지 - Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply Passion* as they, be kindlier mov'd than thou art ? Though with their high wrongs I am struck to the quick. Yet with my nobler reason 'gainst my fury Do I take part. The rarer a'Ction is In virtue than in vengeance.
cix 페이지 - WHAT needs my Shakespeare for his honoured bones The labour of an age in piled stones ? Or that his hallowed reliques should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our Wonder and astonishment Hast built thyself a livelong monument.
81 페이지 - I have bedimm'd The noontide sun, call'd forth the mutinous winds, And 'twixt the green sea and the azur'd vault Set roaring war...
4 페이지 - If by your art, my dearest father, you have Put the wild waters in this roar, allay them : The sky, it seems, would pour down stinking pitch, But that the sea, mounting to the welkin's cheek, Dashes the fire out.
5 페이지 - But that the sea, mounting to the welkin's cheek, Dashes the fire out. O ! I have suffer'd With those that I saw suffer : a brave vessel, Who had no doubt some noble creature in her, Dash'd all to pieces. O ! the cry did knock Against my very heart. Poor souls, they perish'd.
lxi 페이지 - To bring a lover, a lady, and a rival into the fable; to entangle them in contradictory obligations, perplex them with oppositions of interest, and harass them with violence of desires inconsistent with each other; to make them meet in rapture and part in agony; to fill their mouths with hyperbolical joy and outrageous sorrow; to distress them as nothing human ever was distressed; to deliver them as nothing human ever was delivered, is the business of a modern dramatist. For this, probability is...
110 페이지 - I have no other but a woman's reason : I think him so, because I think him so.
lxxiii 페이지 - ... arising from the impossibility of passing the first hour at Alexandria and the next at Rome, supposes that when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he, that imagines this, may imagine more. He, that can take the stage at one time for the palace of the Ptolemies, may take it in half an hour for the promontory of Actium.