The Plays & Poems of Shakespeare: Life of Shakespeare. Dr. Johnson's preface. The tempest. Two gentlemen of VeronaH:O. Bohn, 1857 |
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xlviii 페이지
... hour the sacri- legious priest ordered the tree , then remarkably large and at its full growth , to be cut down ; which was no sooner done , than it was cleft to pieces for fire - wood : this took place in 1756 , to the great vexation ...
... hour the sacri- legious priest ordered the tree , then remarkably large and at its full growth , to be cut down ; which was no sooner done , than it was cleft to pieces for fire - wood : this took place in 1756 , to the great vexation ...
lxxii 페이지
... hours ; or that the spectator can suppose himself to sit in the theatre , while ambassadors go and return between distant kings , while armies are levied and towns besieged , while an exile wanders and returns , or till he whom they saw ...
... hours ; or that the spectator can suppose himself to sit in the theatre , while ambassadors go and return between distant kings , while armies are levied and towns besieged , while an exile wanders and returns , or till he whom they saw ...
lxxiii 페이지
... hour at Alexandria , and the next at Rome , supposes , that when the play opens , the spectator really imagines him- self at Alexandria , and believes that his walk to the theatre has been a voyage to Egypt , and that he lives in the ...
... hour at Alexandria , and the next at Rome , supposes , that when the play opens , the spectator really imagines him- self at Alexandria , and believes that his walk to the theatre has been a voyage to Egypt , and that he lives in the ...
lxxiv 페이지
... hours . In contemplation we easily contract , the time of real actions , and therefore willingly permit it to be con- tracted when we only see their imitation . It will be asked , how the drama moves , if it is not credited . It is ...
... hours . In contemplation we easily contract , the time of real actions , and therefore willingly permit it to be con- tracted when we only see their imitation . It will be asked , how the drama moves , if it is not credited . It is ...
lxxv 페이지
... hour the life of a hero or the revolutions of an empire . Whether Shakspeare knew the unities , and rejected them by design , or deviated from them by happy ignorance , it is , I think , impossible to decide , and useless to inquire ...
... hour the life of a hero or the revolutions of an empire . Whether Shakspeare knew the unities , and rejected them by design , or deviated from them by happy ignorance , it is , I think , impossible to decide , and useless to inquire ...
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appears Ariel Ben Jonson Caliban comedy conjecture criticism daughter didst diligence dost doth drama duke of Milan Eglamour Enter Exeunt Exit eyes father Ferdinand genius gentle gentlemen GENTLEMEN OF VERONA give Gonzalo grace hath hear heart heaven Henry VI high bailiff honor island Jonson Julia king knowlege labor lady ladyship language Launce learning living look lord Lucetta Malone Marry master mind Miranda mistress monster Naples nature never passion play poet Pr'ythee praise pray Prospero Rowe SCENE Sebastian servant Shak Shakspeare Shakspeare's sir Proteus sir Thurio sometimes speak Speed spirit Stephano strange Stratford Stratford-on-Avon Susanna Hall sweet Sycorax tell thee thine thing thou art thou hast Thou shalt thought tragedy Trin Trinculo Tunis unto Valentine Verona Warwickshire wool-stapler words writers youth
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44 페이지 - Were I in England now, as once I was, and had but this fish painted, not a holiday fool there but would give a piece of silver. There would this monster make a man. Any strange beast there makes a man. When they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian.
170 페이지 - Who is Silvia ? what is she, That all our swains commend her? Holy, fair, and wise is she ; The heaven such grace did lend her, That she might admired be. Is she kind as she is fair, — For beauty lives with kindness ? Love doth to her eyes repair, To help him of his blindness ; And, being help'd, inhabits there. Then to Silvia let us sing, That Silvia is excelling; She excels each mortal thing Upon the dull earth dwelling : To her let us garlands bring.
80 페이지 - Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply Passion* as they, be kindlier mov'd than thou art ? Though with their high wrongs I am struck to the quick. Yet with my nobler reason 'gainst my fury Do I take part. The rarer a'Ction is In virtue than in vengeance.
cix 페이지 - WHAT needs my Shakespeare for his honoured bones The labour of an age in piled stones ? Or that his hallowed reliques should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our Wonder and astonishment Hast built thyself a livelong monument.
81 페이지 - I have bedimm'd The noontide sun, call'd forth the mutinous winds, And 'twixt the green sea and the azur'd vault Set roaring war...
4 페이지 - If by your art, my dearest father, you have Put the wild waters in this roar, allay them : The sky, it seems, would pour down stinking pitch, But that the sea, mounting to the welkin's cheek, Dashes the fire out.
5 페이지 - But that the sea, mounting to the welkin's cheek, Dashes the fire out. O ! I have suffer'd With those that I saw suffer : a brave vessel, Who had no doubt some noble creature in her, Dash'd all to pieces. O ! the cry did knock Against my very heart. Poor souls, they perish'd.
lxi 페이지 - To bring a lover, a lady, and a rival into the fable; to entangle them in contradictory obligations, perplex them with oppositions of interest, and harass them with violence of desires inconsistent with each other; to make them meet in rapture and part in agony; to fill their mouths with hyperbolical joy and outrageous sorrow; to distress them as nothing human ever was distressed; to deliver them as nothing human ever was delivered, is the business of a modern dramatist. For this, probability is...
110 페이지 - I have no other but a woman's reason : I think him so, because I think him so.
lxxiii 페이지 - ... arising from the impossibility of passing the first hour at Alexandria and the next at Rome, supposes that when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he, that imagines this, may imagine more. He, that can take the stage at one time for the palace of the Ptolemies, may take it in half an hour for the promontory of Actium.