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With an immortal's vengeance; in his eye And nostril beautiful disdain, and might And majesty, flash their full lightnings by, Developing in that one glance the Deity.

CLXII.

But in his delicate form-a dream of Love,
Shaped by some solitary nymph, whose breast
Long'd for a deathless lover from above,
And madden'd in that vision--are exprest
All that ideal beauty ever bless'd

The mind with in its most unearthly mood,

CLXVII.

Hark! forth from the abyss a voice proceeds,
A long low distant murmur of dread sound,
Such as arises when a nation bleeds
With some deep and immedicable wound;
Through storm and darkness yawns the rend-
ing ground,

The gulf is thick with phantoms, but the chief Seems royal still, though with her head discrown'd,

And pale, but lovely, with maternal grief When each conception was a heavenly guest-She clasps a babe, to whom her breast yields no A ray of immortality-and stood, Starlike, around, until they gather'd to a god!

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relief.

CLXVIII.

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My task is done-my song hath ceased-my Has died into an echo; it is fit [theme The spell should break of this protracted dream.

The torch shall be extinguish'd which hath lit My midnight lamp-and what is writ, is writWould it were worthier! but am not now That which I have been-and my visions flit Less palpably before me-and the glow

Thou glorious mirror, where the Almighty's
Glasses itself in tempests; in all time [form Which in my spirit dwelt is fluttering, faint, and

Calm or convulsed-in breeze, or gale, or

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low.

CLXXX

Farewell! a word that must be, and hath been

[well! A sound which makes us linger;-yet, fareYe, who have traced the Pilgrim to the scene Which is his last, if in your memories dwell A thought which once was his, if on ye swell A single recollection, not in vain

He wore his sandal-shoon and scallop-shell; Farewell! with him alone may rest the pain, If such there were-with you, the moral of his strain.

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AS A SLIGHT BUT MOST SINCERE TOKEN OF ADMIRATION FOR HIS GENIUS,
RESPECT FOR HIS CHARACTER,

AND GRATITUDE FOR HIS FRIENDSHIP,

THIS PRODUCTION IS INSCRIBED,

BY HIS OBLIGED AND AFFECTIONATE SERVANT,

LONDON, May 1813.

BYRON.

ADVERTISEMENT.

THE tale which these disjointed fragments present is founded upon circumstances now less common in the East than formerly; either because the ladies are more circumspect than in the 'olden time,' or because the Christians have better fortune, or less enterprise. The story, when entire, contained the adventures of a female slave, who was thrown, in the Mussulman manner, into the sea for infidelity, and avenged by a young Venetian, her lover, at the time the Seven Islands were possessed by the Republic of Venice, and soon after the Arnauts were beaten back from the Morea, which they had ravaged for some time subsequent to the Russian invasion. The desertion of the Mainotes, on being refused the plunder of Misitra, led to the abandonment of that enterprise, and to the desolation of the Morea, during which the cruelty exercised on all sides was unparalleled even in the annals of the faithful.

No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff,†
First greets the homeward-veering skiff,
High o'er the land he saved in vain-
When shall such hero live again?

Fair clime! where every season smiles Benignant o'er those blessed isles, Which, seen from far Colonna's height, Make glad the heart that hails the sight, And lend to loneliness delight.

• Giaour-an Infidel. The g is sounded soft, as before e in

English,

There mildly dimpling, Ocean's cheek
Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave;
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That wakes and wafts the odours there?
For there-the Rose o'er crag or vale,
Sultana of the Nightingale,*

The maid for whom his melody,
His thousand songs are heard on high,

The attachment of the nightingale to the rose is a well

A tomb above the rocks on the promontory, by some sup-known Persian fable. If I mistake not, the 'Bulbul of a thou, posed the sepulchre of Themistocles.

sand tales' is one of his appellations.

Blooms blushing to her lover's tale :
His queen, the garden queen, his Rose,
Unbent by winds, unchill'd by snows,
Far from the winters of the West,
By every breeze and season blest,
Returns the sweets by nature given
In softest incense back to heaven;
And grateful yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that love might share,
And many a grotto meant for rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the passing peaceful prow,
Till the gay mariner's guitar

Is heard, and seen the evening star;
Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,
And turn to groans his roundelay.
Strange-that where Nature loved to trace,
As if for Gods, a dwelling-place,
And every grace and charm hath mix'd
Within the paradise she fix'd,
There man, enamour'd of distress,
Should mar it into wilderness,

And trample, brute-like, o'er each flower
That tasks not one laborious hour;
Nor claims the culture of his hand
To bloom along the fairy land,
But springs as to preclude his care,
And sweetly woes him-but to spare!
Strange-that where all peace beside,
There passion riots in her pride,
And lust and rapine wildly reign,
To darken o'er the fair domain.
It is as though the fiends prevail'd
Against the seraphs they assail'd,
And, fix'd on heavenly thrones,
The freed inheritors of hell;
So soft the scene, so form'd for joy,
So curst the tyrants that destroy!

should [dwell

He who hath bent him o'er the dead
Ere the first day of death is fled,
The first dark day of nothingness,
The last of danger and distress,
(Before Decay's effacing fingers

Have swept the lines where beauty lingers,)
And mark'd the mild angelic air-
The rapture of repose that's there-
The fix'd yet tender traits that streak
The languor of the placid cheek,
And-but for that sad shrouded eye,
That fires not, wins not, weeps not, now,
And but for that chill, changeless brow,
Where cold Obstruction's apathy t

The guitar is the constant amusement of the Greek sailor by night: with a steady fair wind, and during a calm, it is accompanied always by the voice, and often by dancing. + Ay, but to die, to go we know not where, To lie in cold obstruction.

Measure for Measure, Act iii. Sc. z.

Appals the gazing mourner's heart, As if to him it could impart

The doom he dreads, yet dwells upon;
Yes, but for these and these alone,
Some moments, ay, one treacherous hour,
He still might doubt the tyrant's power;
So fair, so calm, so softly seal'd,
The first, last look by death reveal'd !
Such is the aspect of this shore;
'Tis Greece, but living Greece no more!
So coldly sweet, so deadly fair,
We start, for soul is wanting there.
Hers is the loveliness in death,

That parts not quite with parting breath;
But beauty with that fearful bloom,
That hue which haunts it to the tomb,
Expression's last receding ray,

A gilded halo hovering round decay, The farewell beam of Feeling pass'd away! Spark of that flame, perchance of heavenly birth[earth! Which gleams, but warms no more its cherish'd

Clime of the unforgotten brave!
Whose land from plain to mountain-cave
Was Freedom's home, or Glory's grave!
Shrine of the mighty! can it be
That this is all remains of thee?
Approach, thou craven crouching slave:
Say, is not this Thermopyla?
These waters blue that round you lave,
O servile offspring of the free-
Pronounce what sea, what shore is this?
The gulf, the rock of Salamis !
These scenes, their story not unknown,
Arise, and make again your own;
Snatch from the ashes of your sires
The embers of their former fires;
And he who in the strife expires
Will add to theirs a name of fear,
That Tyranny shall quake to hear,
And leave his sons a hope, a fame,
They too will rather die than shame:
For Freedom's battle once begun,
Bequeathed by bleeding Sire to Son,
Though baffled oft is ever won.
Bear witness, Greece, thy living page!
Attest it many a deathless age!
While kings, in dusty darkness hid,
Have left a nameless pyramid,
Thy heroes, though the general doom
Hath swept the column from their tomb,
A mightier monument command,
The mountains of their native land!
There points thy Muse to stranger's eye
The graves of those that cannot die!

⚫ I trust that few of my readers have ever had an oppor tunity of witnessing what is here attempted in description: but those who have, will probably retain a painful remembrance of that singular beauty which pervades, with few exceptions, the features of the dead, a few hours, and but a few hours, after 'the spirit is not there.' It is to be remarked in cases of violent death by gunshot wounds, the expression is always that of languor, whatever the natural energy of the sufferer's character; but in death from a stab, the countenance preserves its traits of feeling or ferocity, and the mind its bias, to the last.

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