The Works of Shakespeare ..., 3±ÇBobbs-Merrill Company, 1920 |
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xvii ÆäÀÌÁö
... Audrey and Touchstone fit in much better with his conception of human constancy , and he helps on the match with gusto . But his cynicism appears often as a pose , an excuse for moralising upon the vanity of things , a peg on which to ...
... Audrey and Touchstone fit in much better with his conception of human constancy , and he helps on the match with gusto . But his cynicism appears often as a pose , an excuse for moralising upon the vanity of things , a peg on which to ...
xviii ÆäÀÌÁö
... Audrey are further additions of Shakespeare to Lodge's characters , and preserve the balance in their contrast to Silvius and Phebe . These Warwickshire yokels are the instruments of Shakespeare's gentle protest against the arti ...
... Audrey are further additions of Shakespeare to Lodge's characters , and preserve the balance in their contrast to Silvius and Phebe . These Warwickshire yokels are the instruments of Shakespeare's gentle protest against the arti ...
xx ÆäÀÌÁö
... Audrey's courtship . Though Orlando sighs , and cuts verses on the bark of trees , their purport is ridiculed by Touchstone , and he becomes after all the human lover . Further , though some of the details of Shakespeare's woodland ...
... Audrey's courtship . Though Orlando sighs , and cuts verses on the bark of trees , their purport is ridiculed by Touchstone , and he becomes after all the human lover . Further , though some of the details of Shakespeare's woodland ...
xxi ÆäÀÌÁö
... Audrey , we find the Old Shepherd , whose wisdom in the last two Acts is ever racy of Warwickshire soil , and Autolycus , a witty member of the canting crew , whose light fingers and lighter tongue are the perfect foil to the lumpish ...
... Audrey , we find the Old Shepherd , whose wisdom in the last two Acts is ever racy of Warwickshire soil , and Autolycus , a witty member of the canting crew , whose light fingers and lighter tongue are the perfect foil to the lumpish ...
2 ÆäÀÌÁö
... Audrey . A person representing Hymen . ROSALIND , daughter to the banished duke . CELIA , daughter to Frederick . PHEBE , a shepherdess . AUDREY , a country wench . Lords , pages , and attendants , & c . . SCENE : Oliver's house ; Duke ...
... Audrey . A person representing Hymen . ROSALIND , daughter to the banished duke . CELIA , daughter to Frederick . PHEBE , a shepherdess . AUDREY , a country wench . Lords , pages , and attendants , & c . . SCENE : Oliver's house ; Duke ...
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Abbott Adam Aliena Alinda Antony and Cleopatra Arden Audrey Beau brother Cambridge edd Capell conj Celia cites Collier Compare post Cotgrave Cotgrave gives Cymbeline daughter Dict doth Duke F Duke's Dyce emendation Exeunt Exit eyes Faerie Queene fair father favour Ff divide folio fool forest Fortune Frederick Gamelyn Ganymede gentle Hamlet Hanmer hast hath haue heart Henry honour humour Jaques Julius C©¡sar King King Lear look Lord loue Love's Labour's Lost lover Malone marry means Merchant of Venice mistress nature Oliver omitted Ff Orlando pare passion Phebe play Pope pray prithee quoth reading Richard II Romeo and Juliet Rosader Rowe Saladyne SCENE Schmidt Shakespeare shepherd Silvius song Steevens quotes sweet thee Theobald thou art Touch Touchstone Troilus and Cressida Twelfth Night verses Vide Warburton woman word Wright quotes youth ¥É¥Ï
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34 ÆäÀÌÁö - Though I look old, yet I am strong and lusty: For in my youth I never did apply Hot and rebellious liquors in my blood; Nor did not with unbashful forehead woo The means of weakness and debility; Therefore my age is as a lusty winter, Frosty, but kindly: let me go with you; I'll do the service of a younger man In all your business and necessities.
28 ÆäÀÌÁö - The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors, That feelingly persuade me what I am.
46 ÆäÀÌÁö - If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions : but we have reason to cool our raging motions, our carnal stings, our unbitted lusts ; whereof I take this, that you call love, to be a sect or scion.
44 ÆäÀÌÁö - Good morrow, fool,' quoth I : ' No, sir,' quoth he, ' Call me not fool till heaven hath sent me fortune. ' And then he drew a dial from his poke, And looking on it with lack-lustre eye, Says very wisely, ' It is ten o'clock : Thus may we see...
51 ÆäÀÌÁö - With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
36 ÆäÀÌÁö - Ay, now am I in Arden ; the more fool I : when I was at home, I was in a better place : but travellers must be content.
44 ÆäÀÌÁö - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
30 ÆäÀÌÁö - To-day, my lord of Amiens and myself Did steal behind him, as he lay along Under an oak, whose antique root peeps out Upon the brook that brawls along this wood...
28 ÆäÀÌÁö - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
50 ÆäÀÌÁö - The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.