The Works of Shakespeare ..., 3±ÇBobbs-Merrill Company, 1920 |
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viii ÆäÀÌÁö
... Orlando's enquiry which of the two was daughter of the Duke , ' But yet indeed the taller is his daughter , ' when it is evident from the next scene that Rosalind is the taller , for she says , as a justification of her assuming male ...
... Orlando's enquiry which of the two was daughter of the Duke , ' But yet indeed the taller is his daughter , ' when it is evident from the next scene that Rosalind is the taller , for she says , as a justification of her assuming male ...
xii ÆäÀÌÁö
... Orlando has but " poor a thousand crowns " ( I. i . 2 ) . Here , according to Knight , Shakespeare remembers the ad- vice of certain old knights to Gamelyn's father , " And for Gamelyn was yongest , he schulde have nought " ( line 44 ...
... Orlando has but " poor a thousand crowns " ( I. i . 2 ) . Here , according to Knight , Shakespeare remembers the ad- vice of certain old knights to Gamelyn's father , " And for Gamelyn was yongest , he schulde have nought " ( line 44 ...
xiii ÆäÀÌÁö
... Orlando says ( I. i . 18 , 19 ) ¡° he lets me feed with his hinds " ; the phrases " break his neck " ( Gamelyn , 194 , As You Like It , I. i . 138 ) and " this wild wood " ( Gamelyn , 622 , As You Like It , V. iv . 157 ) . The evidence ...
... Orlando says ( I. i . 18 , 19 ) ¡° he lets me feed with his hinds " ; the phrases " break his neck " ( Gamelyn , 194 , As You Like It , I. i . 138 ) and " this wild wood " ( Gamelyn , 622 , As You Like It , V. iv . 157 ) . The evidence ...
xiv ÆäÀÌÁö
... Orlando's dismissal from the neighbourhood of Rosalind . Further , to compress the action , Orlando's flight is made coincident with that of Rosalind and Celia , while in the novel some long time elapses between Rosader's wrestling ...
... Orlando's dismissal from the neighbourhood of Rosalind . Further , to compress the action , Orlando's flight is made coincident with that of Rosalind and Celia , while in the novel some long time elapses between Rosader's wrestling ...
xv ÆäÀÌÁö
... Orlando , further , is an improved Rosader . We may contrast his tongue - tied embarrassment after Rosalind's gracious words and gift ( As You Like It , I. ii . ) with ... Orlando and Adam . Both Rosader and Orlando INTRODUCTION XV.
... Orlando , further , is an improved Rosader . We may contrast his tongue - tied embarrassment after Rosalind's gracious words and gift ( As You Like It , I. ii . ) with ... Orlando and Adam . Both Rosader and Orlando INTRODUCTION XV.
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34 ÆäÀÌÁö - Though I look old, yet I am strong and lusty: For in my youth I never did apply Hot and rebellious liquors in my blood; Nor did not with unbashful forehead woo The means of weakness and debility; Therefore my age is as a lusty winter, Frosty, but kindly: let me go with you; I'll do the service of a younger man In all your business and necessities.
28 ÆäÀÌÁö - The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors, That feelingly persuade me what I am.
46 ÆäÀÌÁö - If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions : but we have reason to cool our raging motions, our carnal stings, our unbitted lusts ; whereof I take this, that you call love, to be a sect or scion.
44 ÆäÀÌÁö - Good morrow, fool,' quoth I : ' No, sir,' quoth he, ' Call me not fool till heaven hath sent me fortune. ' And then he drew a dial from his poke, And looking on it with lack-lustre eye, Says very wisely, ' It is ten o'clock : Thus may we see...
51 ÆäÀÌÁö - With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
36 ÆäÀÌÁö - Ay, now am I in Arden ; the more fool I : when I was at home, I was in a better place : but travellers must be content.
44 ÆäÀÌÁö - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
30 ÆäÀÌÁö - To-day, my lord of Amiens and myself Did steal behind him, as he lay along Under an oak, whose antique root peeps out Upon the brook that brawls along this wood...
28 ÆäÀÌÁö - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
50 ÆäÀÌÁö - The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.