The Works of Shakespeare ..., 3권Bobbs-Merrill Company, 1920 |
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xv 페이지
... ( post , p . xxviii ) . In the forest with Adam Spencer , Rosader is the one to bewail his fate , while the old man is the comforter , thus reversing the parts of Orlando and Adam . Both Rosader and Orlando INTRODUCTION XV.
... ( post , p . xxviii ) . In the forest with Adam Spencer , Rosader is the one to bewail his fate , while the old man is the comforter , thus reversing the parts of Orlando and Adam . Both Rosader and Orlando INTRODUCTION XV.
xvi 페이지
... forest robbers . He thus expiates his ill - treatment of Rosader , and becomes , through this display of courage , attractive to Alinda . Shakespeare's two greatest additions to the characters are Touchstone and Jaques , to neither of ...
... forest robbers . He thus expiates his ill - treatment of Rosader , and becomes , through this display of courage , attractive to Alinda . Shakespeare's two greatest additions to the characters are Touchstone and Jaques , to neither of ...
xix 페이지
... forest - princess in her own domain , never less than the princess . We may , perhaps , find the counterpart of the wit of these ladies in the sparkling interludes of quip and quick reply , anecdote and jest , of the brilliant crowd of ...
... forest - princess in her own domain , never less than the princess . We may , perhaps , find the counterpart of the wit of these ladies in the sparkling interludes of quip and quick reply , anecdote and jest , of the brilliant crowd of ...
xx 페이지
... forest , the brooks , and glades are those of his own Warwickshire . The mythological element he altogether de- letes ; there can be no possible allegory read into the various cross purposes of courtly and shepherd lovers . As You Like ...
... forest , the brooks , and glades are those of his own Warwickshire . The mythological element he altogether de- letes ; there can be no possible allegory read into the various cross purposes of courtly and shepherd lovers . As You Like ...
2 페이지
... shepherdess . AUDREY , a country wench . Lords , pages , and attendants , & c . . SCENE : Oliver's house ; Duke Frederick's court ; and the Forest of Arden . 1 Not in Ff . First in Rowe , imperfectly . 2 AS YOU LIKE IT ACT I SCENE I. - The.
... shepherdess . AUDREY , a country wench . Lords , pages , and attendants , & c . . SCENE : Oliver's house ; Duke Frederick's court ; and the Forest of Arden . 1 Not in Ff . First in Rowe , imperfectly . 2 AS YOU LIKE IT ACT I SCENE I. - The.
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Abbott Adam Aliena Alinda Antony and Cleopatra Arden Audrey Beau brother Cambridge edd Capell conj Celia cites Collier Compare post Cotgrave Cotgrave gives Cymbeline daughter Dict doth Duke F Duke's Dyce emendation Exeunt Exit eyes Faerie Queene fair father favour Ff divide folio fool forest Fortune Frederick Gamelyn Ganymede gentle Hamlet Hanmer hast hath haue heart Henry honour humour Jaques Julius Cæsar King King Lear look Lord loue Love's Labour's Lost lover Malone marry means Merchant of Venice mistress nature Oliver omitted Ff Orlando pare passion Phebe play Pope pray prithee quoth reading Richard II Romeo and Juliet Rosader Rowe Saladyne SCENE Schmidt Shakespeare shepherd Silvius song Steevens quotes sweet thee Theobald thou art Touch Touchstone Troilus and Cressida Twelfth Night verses Vide Warburton woman word Wright quotes youth ΙΟ
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34 페이지 - Though I look old, yet I am strong and lusty: For in my youth I never did apply Hot and rebellious liquors in my blood; Nor did not with unbashful forehead woo The means of weakness and debility; Therefore my age is as a lusty winter, Frosty, but kindly: let me go with you; I'll do the service of a younger man In all your business and necessities.
28 페이지 - The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors, That feelingly persuade me what I am.
46 페이지 - If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions : but we have reason to cool our raging motions, our carnal stings, our unbitted lusts ; whereof I take this, that you call love, to be a sect or scion.
44 페이지 - Good morrow, fool,' quoth I : ' No, sir,' quoth he, ' Call me not fool till heaven hath sent me fortune. ' And then he drew a dial from his poke, And looking on it with lack-lustre eye, Says very wisely, ' It is ten o'clock : Thus may we see...
51 페이지 - With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything.
36 페이지 - Ay, now am I in Arden ; the more fool I : when I was at home, I was in a better place : but travellers must be content.
44 페이지 - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
30 페이지 - To-day, my lord of Amiens and myself Did steal behind him, as he lay along Under an oak, whose antique root peeps out Upon the brook that brawls along this wood...
28 페이지 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
50 페이지 - The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.