Cheeky Fictions: Laughter and the PostcolonialSusanne Reichl, Mark Stein Rodopi, 2005 - 315페이지 Humour is a key feature, laughter a central element, disrespect a vital textual strategy of postcolonial transcultural practice. Devices such as irony, parody, and subversion, can be subsumed under an interventionist stance and have accordingly received some critical attention. But literary and cultural postcolonial criticism has been marked by a restraint verging on the pious towards the wider significance and functions of laughter. This collection transcends such orthodoxies: laughter can constitute an intervention - but it can also function otherwise. The essays collected here take an interest in the strategic use of what can loosely be termed laughter - in all its manifestations. Examining postcolonial transcultural practice from a range of disciplinary and methodological perspectives, this study seeks to analyse laughter and the postcolonial in their complexity. For the first time, then, this collection gathers a group of international specialists in postcolonial transcultural studies to analyse the functions of laughter, the comic and humour in a wide range of cultural texts. Contributors work on texts from Africa, Asia, Australia, North America, the Caribbean, and Britain, reading work by authors such as Zakes Mda, Timothy Mo, VS Naipaul, and Zadie Smith. This interdisciplinary collection is a contribution to both, postcolonial studies and humour theory. |
도서 본문에서
39개의 결과 중 1 - 5개
vii 페이지
... Mockery and self - representation in V.S. Naipaul's A House for Mr Biswas and Earl Lovelace's The Dragon Can't Dance 43 VIRGINIA RICHTER : Laughter and aggression : Desire and derision in a postcolonial context 61 HELGA RAMSEY - KURZ ...
... Mockery and self - representation in V.S. Naipaul's A House for Mr Biswas and Earl Lovelace's The Dragon Can't Dance 43 VIRGINIA RICHTER : Laughter and aggression : Desire and derision in a postcolonial context 61 HELGA RAMSEY - KURZ ...
14 페이지
... mockery in A House for Mr Biswas and The Dragon Can't Dance as a project of enlarging the space for Caribbean self-representation. For Ilona it is unsettling forms of humour, such as derision and mockery, which lend these texts their ...
... mockery in A House for Mr Biswas and The Dragon Can't Dance as a project of enlarging the space for Caribbean self-representation. For Ilona it is unsettling forms of humour, such as derision and mockery, which lend these texts their ...
15 페이지
... mocked and ridiculed . In Heinz Antor's contribution on Mordecai Richler's Atuk it is the Canadian Dream and various forms of colonisation that are being satirised . Antor locates postcolonial satire not so much in the aggressive ...
... mocked and ridiculed . In Heinz Antor's contribution on Mordecai Richler's Atuk it is the Canadian Dream and various forms of colonisation that are being satirised . Antor locates postcolonial satire not so much in the aggressive ...
17 페이지
... mocks any essentialist notions of Chicano , Mexican , or American identity , and the laughter is on the Chicano as well as the American for expecting a clear - cut notion of nationality , and this includes the film's audience . Fellner ...
... mocks any essentialist notions of Chicano , Mexican , or American identity , and the laughter is on the Chicano as well as the American for expecting a clear - cut notion of nationality , and this includes the film's audience . Fellner ...
42 페이지
Laughter and the Postcolonial Susanne Reichl, Mark Stein. This page intentionally left blank ANTHONY ILONA ' Laughing through the tears ' Mockery and.
Laughter and the Postcolonial Susanne Reichl, Mark Stein. This page intentionally left blank ANTHONY ILONA ' Laughing through the tears ' Mockery and.
목차
1 | |
25 | |
II Traditions and transgressions Writing back and forth | 87 |
III Ethnic cabaret A license to laugh? | 147 |
IV The language of humour The humour of language | 191 |
V Laughing it off Does therapeutic humour work? | 245 |
Index | 301 |
Contributors | 311 |
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자주 나오는 단어 및 구문
accent Ali G ambivalence analysis Arjie Asian Atuk audience Bakhtin Bhabha Biswas Black British Born in East Britain Bruce Camagu Canadian Caribbean caricature cartoon characters Chicano Christopher Cixous colonial discourse comedy comic contemporary context criticism cultural derision East L.A. English essay ethnic example fact fiction film Freud function funny Hamlet heteronormative identity immigrants incongruity Indian intercultural joke Kureishi language laugh laughter Lily linguistic literary literature London Madam & Eve Meera Syal mimicry mocked mockery Moonlite Mordecai Richler narrative narrator Native American novel parody perspective picong play political postcolonial postcolonial literature postcolonial texts protagonists queer Rake's Progress reader reference representation Richler ridicule role Routledge Rudy Rushdie Satanic Verses satire Searle's sense Singh-Toor sitcom situation social society Sour Sweet South African stereotypes story strategy studies subversive television Terkessidis texts Timothy Mo tradition trickster Twentyman Vizenor woman writing