The Works of Shakespeare, 5권Macmillan and Company, limited, 1902 |
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3 페이지
... WARWICK . EARL OF SALISBURY . EARL OF SUFFOLK . LORD TALBOT , afterwards Earl of Shrewsbury . JOHN TALBOT , his son . EDMUND MORTIMER , Earl of March . SIR JOHN FASTOLFE . SIR WILLIAM LUCY . SIR WILLIAM GLANSDALE . SIR THOMAS GARGRAVE ...
... WARWICK . EARL OF SALISBURY . EARL OF SUFFOLK . LORD TALBOT , afterwards Earl of Shrewsbury . JOHN TALBOT , his son . EDMUND MORTIMER , Earl of March . SIR JOHN FASTOLFE . SIR WILLIAM LUCY . SIR WILLIAM GLANSDALE . SIR THOMAS GARGRAVE ...
8 페이지
... Warwick's ' mannerly forbear- ance ' ( v . II f . ) , turning to delightful dramatic account a blank verse which emulates all the lyric symmetries of Venus and Adonis . The latter scene rather anti- cipates the magnificent battle ...
... Warwick's ' mannerly forbear- ance ' ( v . II f . ) , turning to delightful dramatic account a blank verse which emulates all the lyric symmetries of Venus and Adonis . The latter scene rather anti- cipates the magnificent battle ...
10 페이지
... Warwick's ' You were best to go to bed and dream again ' implies Clifford's allusion to dreams in the previous line which the Contention omits . The Latin scraps freely sprinkled over the text of H - ' invitis nubibus , ' ' gelidus ...
... Warwick's ' You were best to go to bed and dream again ' implies Clifford's allusion to dreams in the previous line which the Contention omits . The Latin scraps freely sprinkled over the text of H - ' invitis nubibus , ' ' gelidus ...
11 페이지
... Warwick draws the curtains and shows Duke Humphrey on his bed.'1 Even the more significant change by which in C Gloucester's death is actually represented on the stage , with ' two men lying on his brest and smothering him on his bed ...
... Warwick draws the curtains and shows Duke Humphrey on his bed.'1 Even the more significant change by which in C Gloucester's death is actually represented on the stage , with ' two men lying on his brest and smothering him on his bed ...
19 페이지
... Warwick once more listens to the case for York . It is more plausible to suppose that ii . 4 . was originally designed to give cohesion to the Talbot play , by explaining the animosity of Somerset to which Talbot owes his fall . The ...
... Warwick once more listens to the case for York . It is more plausible to suppose that ii . 4 . was originally designed to give cohesion to the Talbot play , by explaining the animosity of Somerset to which Talbot owes his fall . The ...
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Alarum Anne arms blood brother Buck Buckingham Cade canst Catesby Clar Clarence Clif Clifford crown curse dead death dost doth Duch Duke of Gloucester Duke of York Earl Edward Eliz England Enter KING Exeunt Exit eyes farewell father fear fight France friends gentle give Glou Gloucester grace gracious Grey hand hath hear heart heaven Henry VI Henry's Holinshed honour house of Lancaster house of York Humphrey Jack Cade Julius Cæsar King Henry live London Lord Hastings lord protector madam majesty Margaret Murd ne'er never noble peace Plantagenet prince protector PUCELLE queen Reignier Rich Richard Richard Plantagenet Richmond Salisbury SCENE Shakespeare shame soldiers Somerset soul sovereign speak Suffolk sweet sword Talbot tell thee thine thou art thou hast thou shalt Tower traitor uncle unto Warwick wilt words