The Plays of William Shakespeare ...: With the Corrections and Illustrations of Various Commentators, 1±Ç |
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15 ÆäÀÌÁö
In antiquated English portraits , examples of rectilineal ruffs are familiar ; but
where will be found such another as the German has placed un . der the chin of
his metamorphosed poet ? from its pointed corners , resembling the wings of a
bat ...
In antiquated English portraits , examples of rectilineal ruffs are familiar ; but
where will be found such another as the German has placed un . der the chin of
his metamorphosed poet ? from its pointed corners , resembling the wings of a
bat ...
26 ÆäÀÌÁö
would disgrace a village school - boy in his first attempts at English poetry . It may
also be observed , that our author ' s earliest compositions , his Sonnets , & c . are
wholly free from metri . cal imperfections . The truth is , that from one extreme ...
would disgrace a village school - boy in his first attempts at English poetry . It may
also be observed , that our author ' s earliest compositions , his Sonnets , & c . are
wholly free from metri . cal imperfections . The truth is , that from one extreme ...
28 ÆäÀÌÁö
... as the soldiers of Cato deserted their comrade when he became bloated with
poisoncrescens fugére cadaver . It is our opinion , in short , that every * Tempest .
one who opens the page of an ancient English writer ADVERTISEMENT .
... as the soldiers of Cato deserted their comrade when he became bloated with
poisoncrescens fugére cadaver . It is our opinion , in short , that every * Tempest .
one who opens the page of an ancient English writer ADVERTISEMENT .
29 ÆäÀÌÁö
one who opens the page of an ancient English writer , should bring with him
some knowledge ; and yet he by whom a thousand minuti©¡ remain to be learned
, needs not to close our author ' s volume in despair , for his spirit and general
drift ...
one who opens the page of an ancient English writer , should bring with him
some knowledge ; and yet he by whom a thousand minuti©¡ remain to be learned
, needs not to close our author ' s volume in despair , for his spirit and general
drift ...
39 ÆäÀÌÁö
... his own imagination supplied him so abundantly with , than if he had given us
the most beautiful passages out of the Greek and Latin poets , and that in the
most agreeable manner that it was possible for a master of the English language
to ...
... his own imagination supplied him so abundantly with , than if he had given us
the most beautiful passages out of the Greek and Latin poets , and that in the
most agreeable manner that it was possible for a master of the English language
to ...
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150 ÆäÀÌÁö - He was the man who, of all modern and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too.
76 ÆäÀÌÁö - All the world's a stage, And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms.
71 ÆäÀÌÁö - ... loved the man, and do honour his memory on this side idolatry as much as any. He was, indeed; honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions, wherein he flowed with that facility that sometimes it was necessary he should be stopped.
348 ÆäÀÌÁö - And joyed to wear the dressing of his lines, Which were so richly spun, and woven so fit, As, since, she will vouchsafe no other wit. The merry Greek, tart Aristophanes, Neat Terence, witty Plautus, now not please ; But antiquated and deserted lie, As they were not of Nature's family.
346 ÆäÀÌÁö - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
357 ÆäÀÌÁö - What needs my Shakespeare for his honoured bones, The labour of an age in piled stones ? Or that his hallowed relics should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
41 ÆäÀÌÁö - And though this, probably the first essay of his poetry, be lost, yet it is said to have been so very bitter, that it redoubled the prosecution against him...
176 ÆäÀÌÁö - Newly imprinted and enlarged to almost as much againe as it was, according to the true and perfect Coppie.
122 ÆäÀÌÁö - ... in the virtuous a disapprobation of the wicked ; he carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate ; for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
271 ÆäÀÌÁö - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.