The Plays of William Shakespeare ...: With the Corrections and Illustrations of Various Commentators, 1±Ç |
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2 ÆäÀÌÁö
... d life he trod , " Careless of chance , conguing in his God ! ¡° This torný may
perish , but not bo hio namo * Who shed new lusture upon SHAKSFIAB * ' s fame
, ' " VER meaning ( in many instances apparently lost ) has been
ADVERTISEMENT .
... d life he trod , " Careless of chance , conguing in his God ! ¡° This torný may
perish , but not bo hio namo * Who shed new lusture upon SHAKSFIAB * ' s fame
, ' " VER meaning ( in many instances apparently lost ) has been
ADVERTISEMENT .
3 ÆäÀÌÁö
With the Corrections and Illustrations of Various Commentators William
Shakespeare Isaac Reed. meaning ( in many instances apparently lost ) has
been recovered , and much wild unfounded conjecture has been happily got rid
of .
With the Corrections and Illustrations of Various Commentators William
Shakespeare Isaac Reed. meaning ( in many instances apparently lost ) has
been recovered , and much wild unfounded conjecture has been happily got rid
of .
5 ÆäÀÌÁö
... word will be retracted ; for , if the judgment of experienced artists be of any
value , the plate by Droeshout now under considera . tion has ( in one instance at
least ) established his claim to the title of ¡° a most abominable imitator of
humanity .
... word will be retracted ; for , if the judgment of experienced artists be of any
value , the plate by Droeshout now under considera . tion has ( in one instance at
least ) established his claim to the title of ¡° a most abominable imitator of
humanity .
6 ÆäÀÌÁö
... who were careless about the veri . similitude of engravings which fashion not
unfrequently obliged them to insert in the title - pages of works that deserved no
such expensive decorations . a rock . Thus , in the present instance , PREFACE.
... who were careless about the veri . similitude of engravings which fashion not
unfrequently obliged them to insert in the title - pages of works that deserved no
such expensive decorations . a rock . Thus , in the present instance , PREFACE.
7 ÆäÀÌÁö
Thus , in the present instance , he has servilely transferred the features of
Shakspeare from the painting to the copper , omitting every trait of the mild and
benevolent character which his portrait so decidedly affords . - There are , indeed
, just ...
Thus , in the present instance , he has servilely transferred the features of
Shakspeare from the painting to the copper , omitting every trait of the mild and
benevolent character which his portrait so decidedly affords . - There are , indeed
, just ...
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150 ÆäÀÌÁö - He was the man who, of all modern and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too.
76 ÆäÀÌÁö - All the world's a stage, And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms.
71 ÆäÀÌÁö - ... loved the man, and do honour his memory on this side idolatry as much as any. He was, indeed; honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions, wherein he flowed with that facility that sometimes it was necessary he should be stopped.
348 ÆäÀÌÁö - And joyed to wear the dressing of his lines, Which were so richly spun, and woven so fit, As, since, she will vouchsafe no other wit. The merry Greek, tart Aristophanes, Neat Terence, witty Plautus, now not please ; But antiquated and deserted lie, As they were not of Nature's family.
346 ÆäÀÌÁö - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
357 ÆäÀÌÁö - What needs my Shakespeare for his honoured bones, The labour of an age in piled stones ? Or that his hallowed relics should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
41 ÆäÀÌÁö - And though this, probably the first essay of his poetry, be lost, yet it is said to have been so very bitter, that it redoubled the prosecution against him...
176 ÆäÀÌÁö - Newly imprinted and enlarged to almost as much againe as it was, according to the true and perfect Coppie.
122 ÆäÀÌÁö - ... in the virtuous a disapprobation of the wicked ; he carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate ; for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
271 ÆäÀÌÁö - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.