The Plays of William Shakespeare ...: With the Corrections and Illustrations of Various Commentators, 1±Ç |
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8 ÆäÀÌÁö
Sir , ¡° — The head of Shakspeare was purchased out of an old house known by
the sign of the Boar in Eastcheap , Lon . don , where Shakspeare and his friends
used to resort , - and re . port says , was painted by a player of that time , * but ...
Sir , ¡° — The head of Shakspeare was purchased out of an old house known by
the sign of the Boar in Eastcheap , Lon . don , where Shakspeare and his friends
used to resort , - and re . port says , was painted by a player of that time , * but ...
18 ÆäÀÌÁö
Had any portrait of him existed , we may naturally suppose it must have belonged
to his family , who ( as Mark Antony says of a hair of C©¡sar ' ) would ¡¤ * Such , we
think , were the remarks , that occurred to us several years ago , when this ...
Had any portrait of him existed , we may naturally suppose it must have belonged
to his family , who ( as Mark Antony says of a hair of C©¡sar ' ) would ¡¤ * Such , we
think , were the remarks , that occurred to us several years ago , when this ...
20 ÆäÀÌÁö
... almost a century after the death of the person supposed to be represented ;
and then , ( as Edmund says in King Lear ) ¡° come pat , like the catastrophe of the
old comedy . " Shakspeare was buried in 1616 ; and in 1708 the first notice of this
...
... almost a century after the death of the person supposed to be represented ;
and then , ( as Edmund says in King Lear ) ¡° come pat , like the catastrophe of the
old comedy . " Shakspeare was buried in 1616 ; and in 1708 the first notice of this
...
34 ÆäÀÌÁö
Nos , ( says Tully , in the second Book of his Tusculan Questions , ) qui sequimur
probabilia , nec ultra quam id quod verisimile occurrerit , progredi possumus ; et
refellere sine pertinacia , et refelli sine iracundia , parati suimus .
Nos , ( says Tully , in the second Book of his Tusculan Questions , ) qui sequimur
probabilia , nec ultra quam id quod verisimile occurrerit , progredi possumus ; et
refellere sine pertinacia , et refelli sine iracundia , parati suimus .
46 ÆäÀÌÁö
the fine plush and velvets of the age ¡° Did oft for sixpence damn thee from the
stage , ¡±says one of his eulogists on Jonsonius Virbius 4to . 1638 . Jonson
himself owns that Sejanus was damned . ¡° It is a poem , ¡± says he , in his
Dedication to ...
the fine plush and velvets of the age ¡° Did oft for sixpence damn thee from the
stage , ¡±says one of his eulogists on Jonsonius Virbius 4to . 1638 . Jonson
himself owns that Sejanus was damned . ¡° It is a poem , ¡± says he , in his
Dedication to ...
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150 ÆäÀÌÁö - He was the man who, of all modern and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too.
76 ÆäÀÌÁö - All the world's a stage, And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms.
71 ÆäÀÌÁö - ... loved the man, and do honour his memory on this side idolatry as much as any. He was, indeed; honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions, wherein he flowed with that facility that sometimes it was necessary he should be stopped.
348 ÆäÀÌÁö - And joyed to wear the dressing of his lines, Which were so richly spun, and woven so fit, As, since, she will vouchsafe no other wit. The merry Greek, tart Aristophanes, Neat Terence, witty Plautus, now not please ; But antiquated and deserted lie, As they were not of Nature's family.
346 ÆäÀÌÁö - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
357 ÆäÀÌÁö - What needs my Shakespeare for his honoured bones, The labour of an age in piled stones ? Or that his hallowed relics should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
41 ÆäÀÌÁö - And though this, probably the first essay of his poetry, be lost, yet it is said to have been so very bitter, that it redoubled the prosecution against him...
176 ÆäÀÌÁö - Newly imprinted and enlarged to almost as much againe as it was, according to the true and perfect Coppie.
122 ÆäÀÌÁö - ... in the virtuous a disapprobation of the wicked ; he carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate ; for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
271 ÆäÀÌÁö - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.