Where, then, ah! where shall poverty reside,
To 'scape the pressure of contiguous pride?
If to some common's fenceless limits stray'd,
He drives his flock to pick the scanty blade,
Those fenceless fields the sons of wealth divide,
And e'en the bare-worn common is denied.
20If to the city sped, what waits him there?
To see profusion that he must not share;
To see ten thousand baneful arts combined
To pamper luxury, and thin mankind;
To see each joy the sons of pleasure know
Extorted from his fellow-creatures' wo.
Here while the courtier glitters in brocade,
There the pale artist plies his sickly trade;
Here while the proud their long-drawn pomps display,
There the black gibbet glooms beside the way.
The dome where Pleasure holds her midnight reign,
Here, richly deck'd, admits the gorgeous train;
Tumultuous grandeur crowds the blazing square,
The rattling chariots clash, the torches glare.
Sure scenes like these no troubles e'er annoy!
Sure these denote one universal joy!

Are these thy serious thoughts?-Ah, turn thine eyes
Where the poor houseless shivering female lies:
She once, perhaps, in village plenty blest,

Has wept at tales of innocence distrest.
Her modest looks the cottage might adorn,

Sweet as the primrose peeps beneath the thorn:
Now lost to all-her friends, her virtue fled,
Near her betrayer's door she lays her head,
And, pinch'd with cold, and shrinking from the shower,
With heavy heart deplores that luckless hour,
When idly first, ambitious of the town,

She left her wheel, and robes of country brown.
Do thine, sweet Auburn, thine, the loveliest train,
Do thy fair tribes participate her pain?
E'en now, perhaps, by cold and hunger led,
At proud men's doors they ask a little bread!

Ah, no. To distant climes, a dreary scene,
Where half the convex world intrudes between,

Through torrid tracts with fainting steps they go,
Where wild Altama* murmurs to their wo.

Far different there from all that charm'd before,
The various terrors of that horrid shore;
Those blazing suns that dart a downward ray,
And fiercely shed intolerable day;

Those matted woods where birds forget to sing,
But silent bats in drowsy clusters cling;

Those poisonous fields with rank luxuriance crown'd,
Where the dark scorpion gathers death around;
Where at each step the stranger fears to wake
The rattling terrors of the vengeful snake;
Where crouching tigers wait their hapless prey,
And savage men, more murd'rous still than they;
While oft in whirls the mad tornado flies,
Mingling the ravaged landscape with the skies.
Far different these from every former scene,
The cooling brook, the grassy-vested green,
The breezy covert of the warbling grove,
That only shelter'd thefts of harmless love.
? Good Heaven' what sorrows gloom'd that parting day
That call'd them from their native walks away;
When the poor exiles, every pleasure past,

Hung round the bowers, and fondly look'd their Tast,
And took a long farewell, and wish'd in vain
For seats like these beyond the western main;
And, shuddering still to face the distant deep,
Return'd and wept, and still return'd to weep!
The good old sire the first prepared to go
To new-found worlds, and wept for others' wo;
But for himself, in conscious virtue brave,
He only wish'd for worlds beyond the grave:
His lovely daughter, lovelier in her tears,
The fond companion of his helpless years,
Silent went next, neglectful of her charms,
And left a lover's for her father's arms:
With louder plaints the mother spoke her woes,
And blest the cot where every pleasure rose,

The Altama (or Altamaha) is a river in the province of Georgia, United States.

And kiss'd her thoughtless babes with many a tear,
And clasp'd them close, in sorrow doubly dear;
Whilst her fond husband strove to lend relief
In all the silent manliness of grief.

24 O luxury! thou curst by Heaven's decree,
How ill exchanged are things like these for thee!
How do thy potions, with insidious joy,
Diffuse their pleasures only to destroy !
Kingdoms by thee, to sickly greatness grown,
Boast of a florid vigour not their own :

At every draught more large and large they grow,
A bloated mass of rank unwieldy wo;

Till, sapp'd their strength, and every part unsound Down, down they sink, and spread a ruin round, 25 E'en now the devastation is begun,

And half the business of destruction done;
E'en now, methinks, as pondering here I stand,
I see the rural Virtues leave the land.

Down where yon anchoring vessel spreads the sail
That idly waiting flaps with every gale,
Downward they move, a melancholy band,

Pass from the shore, and darken all the strand.
Contented Toil, and hospitable Care,
And kind connubial Tenderness, are there,
And Piety with wishes placed above,
And steady Loyalty, and faithful Love.
And thou, sweet Poetry, thou loveliest maid,
Still first to fly where sensual joys invade;
Unfit, in these degenerate times of shame,
To catch the heart, or strike for honest fame;
Dear charming nymph, neglected and decried,
My shame in crowds, my solitary pride;
Thou source of all my bliss, and all my wo,
That found'st me poor at first, and keep'st me so
Thou guide, by which the nobler arts excel,
Thou nurse of every virtue, fare thee well!
Farewell; and oh! where'er thy voice be tried,
On Torno's cliffs, or Pambamarca's side,
Whether where equinoctial fervours glow,
Or winter wraps the polar world in snow,

Still let thy voice, prevailing over time,
Redress the rigours of th' inclement clime;
Aid slighted truth with thy persuasive strain;
Teach erring man to spurn the rage of gain;
Teach him, that states of native strength possest,
Though very poor, may still be very blest;
That trade's proud empire hastes to swift decay,
As ocean sweeps the labour'd mole away;
While self-dependent power can time defy,
As locks resist the billows and the sky.

THE HERMIT;

A BALLAD.

The following letter, addressed to the printer of the St. James's Chro nicle, appeared in that paper in June, 1767.

SIR,-As there is nothing I dislike so much as newspaper controversy, particularly upon trifles, permit me to be as concise as possible in informing a correspondent of yours, that I recommended Blainville's Travels, because I thought the book was a good one, and I think so still. I said I was told by the bookseller that it was then first published; but in that, it seems, I was misinformed, and my reading was not extensive enough to set me right.

Another correspondent of yours accuses me of having taken a ballad I published some time ago, from one by the ingenious Mr. Percy. I do not think there is any great resemblance between the two pieces in question. If there be any, his ballad is taken from mine. I read it to Mr. Percy some years ago; and he (as we both considered these things as trifles at best) told me with his usual good humour, the next time I saw him, that he had taken my plan to form the fragments of Shakspeare into a ballad of his own. He then read me his little Cento, if I may so call it, and I highly approved it. Such petty

anecdotes as these are scarcely worth printing; and, were it not for the busy disposition of some of your correspondents, the public should never have known that he owes me the hint of his ballad, or that I am obliged to his friendship and learning for communications of a much more important nature.-I am, Sir, yours, &c. CLIVER GOLDSMITH.

The Friar of Orders Gray. Reliques of Ancient Poetry, vol. book 2, No. 17.