A Handbook of Poetics for Students of English VerseGinn, 1913 - 250ÆäÀÌÁö |
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vi ÆäÀÌÁö
... beginning - rime is for a while sole fac- tor in binding together the halves of a verse ; but that end - rime is necessarily developed from the same impulse , increasing with the distance from such early works as Beowulf . Kluge thus ...
... beginning - rime is for a while sole fac- tor in binding together the halves of a verse ; but that end - rime is necessarily developed from the same impulse , increasing with the distance from such early works as Beowulf . Kluge thus ...
vii ÆäÀÌÁö
... beginning - rimes as well as assonance ; but the fact that it contains no real alliteration needs to be insisted on , were it only to counteract the influ- ence of such thoughtless assertions as are found in some of our standard ...
... beginning - rimes as well as assonance ; but the fact that it contains no real alliteration needs to be insisted on , were it only to counteract the influ- ence of such thoughtless assertions as are found in some of our standard ...
xv ÆäÀÌÁö
... Beginnings . Miracle Plays . Foreign Models . Interlude . Different Kinds Tragedy . Comedy . Reconciling Drama . Outward Form of Drama of Drama . Other Forms . PAGB I 7 • 40 • 58 PART II : STYLE . CHAPTER IV . - Poetic Style . Metaphor ...
... Beginnings . Miracle Plays . Foreign Models . Interlude . Different Kinds Tragedy . Comedy . Reconciling Drama . Outward Form of Drama of Drama . Other Forms . PAGB I 7 • 40 • 58 PART II : STYLE . CHAPTER IV . - Poetic Style . Metaphor ...
2 ÆäÀÌÁö
... beginning in religious rites ; it was a ceremony in which voice and foot kept time , —a wild sort of hymn . This rude germ grew , became an art , and went through the process of " differentiation " ; till , with maturing time , Epic was ...
... beginning in religious rites ; it was a ceremony in which voice and foot kept time , —a wild sort of hymn . This rude germ grew , became an art , and went through the process of " differentiation " ; till , with maturing time , Epic was ...
19 ÆäÀÌÁö
... beginning of the Thirteenth Century ) . It is simply the mythical history of Britain . In tone and manner the Brut approaches the old national epic ; it is partly based on tradition by word of mouth , though Wace's Geste des Bretons was ...
... beginning of the Thirteenth Century ) . It is simply the mythical history of Britain . In tone and manner the Brut approaches the old national epic ; it is partly based on tradition by word of mouth , though Wace's Geste des Bretons was ...
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accented syllables action Alexandrine allegory alliteration anapestic Anglo-Saxon ballad beginning-rime Beowulf blank verse Byron c©¡sura called Century character Chaucer classic metres combined comedy common dactylic dance drama early effect end-rime English verse epic epic poetry example famous feminine foot four accents French Germanic Greek half-verse Hamlet harmony heavy syllables heroic verse hexameter hounds of spring hovering accent iamb iambic iambic movement imitated Keats King later Latin Layamon legend license light syllables lines literature long syllable Lost Love's Labour's Lost lyric poetry measure metaphor metre metrical scheme Milton moral nature play poem poet poetical popular prose quantity regular rhetorical rhythm rhythmic pause rimed couplets rimeless rule run-on says Septenary Shak Shakspere Shakspere's short silent simile sing slurring song sonnet sounds stanza stress stress-syllable style Surrey Tennyson thee thou tion tone tragedy trochaic trochee trope unaccented syllables verse-accent vowel word-accent words
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120 ÆäÀÌÁö - The voice of the Lord is upon the waters: the God of glory thundereth: the Lord is upon many waters.
118 ÆäÀÌÁö - Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
239 ÆäÀÌÁö - Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o'er the dreaming earth, and fill...
239 ÆäÀÌÁö - WILD West Wind, thou breath of Autumn's being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow...
223 ÆäÀÌÁö - If they had swallow'd poison, 'twould appear By external swelling : but she looks like sleep, As she would catch another Antony In her strong toil of grace.
112 ÆäÀÌÁö - For them no more the blazing hearth shall burn. Or busy housewife ply her evening care; No children run to lisp their sire's return, Or climb his knees the envied kiss to share.
131 ÆäÀÌÁö - I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit...
158 ÆäÀÌÁö - ... apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another...
130 ÆäÀÌÁö - But neither breath of morn, when she ascends With charm of earliest birds; nor rising sun On this delightful land; nor herb, fruit, flower, Glistering with dew; nor fragrance after showers; Nor grateful evening mild; nor silent night, With this her solemn bird, nor walk by moon, Or glittering starlight, without thee is sweet But wherefore all night long shine these?
200 ÆäÀÌÁö - You haste away so soon: As yet the early-rising Sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along. We have short time to stay, as you, We have as short a Spring; As quick a growth to meet decay As you, or any thing.