A Handbook of Poetics for Students of English VerseGinn, 1913 - 250페이지 |
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iv 페이지
... style , its rhythm . This study of the science of poetry is altogether distinct from the art of rhetoric : the two should be carefully held apart . Of the many books consulted , Wackernagel's Lec- tures on Poetik , and the works on ...
... style , its rhythm . This study of the science of poetry is altogether distinct from the art of rhetoric : the two should be carefully held apart . Of the many books consulted , Wackernagel's Lec- tures on Poetik , and the works on ...
ix 페이지
... Style " ; and a few months earlier , he and Professor Gayley , of the Uni- versity of California , put forth " A Guide to the Liter- ature of Esthetics . " In both of these pamphlets will be found valuable hints for those who wish to ...
... Style " ; and a few months earlier , he and Professor Gayley , of the Uni- versity of California , put forth " A Guide to the Liter- ature of Esthetics . " In both of these pamphlets will be found valuable hints for those who wish to ...
xv 페이지
... STYLE . CHAPTER IV . - Poetic Style . Metaphor . Personification . Historical Sketch . Allegory . Simile . Tropes . Tropes 83 of Connexion . Of Contrast CHAPTER V. Figures . Repetition . Contrast . Combina- - tion · . 118 PART III ...
... STYLE . CHAPTER IV . - Poetic Style . Metaphor . Personification . Historical Sketch . Allegory . Simile . Tropes . Tropes 83 of Connexion . Of Contrast CHAPTER V. Figures . Repetition . Contrast . Combina- - tion · . 118 PART III ...
2 페이지
... Style . Further , it is hardly necessary to add , the metre and the style must be used in setting forth some worthy Subject . Hence the three divisions of Poetics : Subject- Matter , Style , Metre . The origin and the nature of poetry ...
... Style . Further , it is hardly necessary to add , the metre and the style must be used in setting forth some worthy Subject . Hence the three divisions of Poetics : Subject- Matter , Style , Metre . The origin and the nature of poetry ...
18 페이지
... style , are very different in other respects . First , the poet weaves his own name ( in Acrostics ) into his verse , thus claiming ownership ; secondly , he uses a written account as the basis of his narrative . He reads ( not " hears ...
... style , are very different in other respects . First , the poet weaves his own name ( in Acrostics ) into his verse , thus claiming ownership ; secondly , he uses a written account as the basis of his narrative . He reads ( not " hears ...
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accented syllables action Alexandrine allegory alliteration anapestic Anglo-Saxon ballad beginning-rime Beowulf blank verse Byron cæsura called Century character Chaucer classic metres combined comedy common dactylic dance drama early effect end-rime English verse epic epic poetry example famous feminine foot four accents French Germanic Greek half-verse Hamlet harmony heavy syllables heroic verse hexameter hounds of spring hovering accent iamb iambic iambic movement imitated Keats King later Latin Layamon legend license light syllables lines literature long syllable Lost Love's Labour's Lost lyric poetry measure metaphor metre metrical scheme Milton moral nature play poem poet poetical popular prose quantity regular rhetorical rhythm rhythmic pause rimed couplets rimeless rule run-on says Septenary Shak Shakspere Shakspere's short silent simile sing slurring song sonnet sounds stanza stress stress-syllable style Surrey Tennyson thee thou tion tone tragedy trochaic trochee trope unaccented syllables verse-accent vowel word-accent words
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120 페이지 - The voice of the Lord is upon the waters: the God of glory thundereth: the Lord is upon many waters.
118 페이지 - Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
239 페이지 - Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o'er the dreaming earth, and fill...
239 페이지 - WILD West Wind, thou breath of Autumn's being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow...
223 페이지 - If they had swallow'd poison, 'twould appear By external swelling : but she looks like sleep, As she would catch another Antony In her strong toil of grace.
112 페이지 - For them no more the blazing hearth shall burn. Or busy housewife ply her evening care; No children run to lisp their sire's return, Or climb his knees the envied kiss to share.
131 페이지 - I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit...
158 페이지 - ... apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another...
130 페이지 - But neither breath of morn, when she ascends With charm of earliest birds; nor rising sun On this delightful land; nor herb, fruit, flower, Glistering with dew; nor fragrance after showers; Nor grateful evening mild; nor silent night, With this her solemn bird, nor walk by moon, Or glittering starlight, without thee is sweet But wherefore all night long shine these?
200 페이지 - You haste away so soon: As yet the early-rising Sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along. We have short time to stay, as you, We have as short a Spring; As quick a growth to meet decay As you, or any thing.